Haydn movement 1 bar numbers

Bars 1-16

Introduction/ call to attention

Bars 17- 86

Exposition subject 1

Bars 86-123

Subject 2b

B124-192

Development

Bars 193 - 244

Recapitulation subject 1

244-277

Recapitulation subject 2

277 - 294

Coda

Bars 1-2

Opening figure, call to attention in D minor, ambiguous key with no third

Bars 3- 6

Reduced texture to strings, antiphonal exchanges between upper and lower strings

Bars 7-8

Modulation to F Maj, ambiguous key, brass and timps missing due to harmonic series

Bar 15

Neapolitan sixth chord adds colour, reduction in texture and dynamics to pianissimo.

Bar 16

Imperfect cadence to transition into D major, oboe solo with melody, 4-3 suspension, pause for Kings theatre Reverb

Bar 17

Change to allegro, string dominated with modulation to D major

B32

Full tutti, first time seen in exposition

B32-39

Tonic pedal with 1-4c movement

B61

Modulation to E major, shown with D#s and an E pedal from brass, secondary dominant used to modulate to A major

B77-79

Brief flute counter melody

B150-155

Backwards circle of fifths from c#m to E

B124

Modulation to BM, A#s are present, reduced texture

B140-141

High horn hand stopped note

B145

Modulation to C#m with B#s

Bar 155-157

Major to minor flip, E Maj to E min, G#s to G

B172

Augmented 6th chord with the E#, used to modulate to F# major

B174

Modulation to F# major, distant key, with extensive f# pedal

B185-189

Chromatic rise to transition from F# maj to A maj

B189- 193

Grand A maj chord, full tutti to accent imperfect cadence into recapitulation

B201

Woodwind trio, complete change of sonority

B220-226

Backwards circle of fifths

B239

Subject 2 is cut short with a hesitant ending, use of diminished chord and 2 bars of KTR

B244

Pizzicato strings

B290-295

Final 5 bars, fanfare ending on a perfect cadence in D major