tv studies - exam 2

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Last updated 5:59 AM on 12/4/24
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16 Terms

1
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Cultural imperialism

The dominance of one culture over others, often seen in the context of media produced by a more influential culture, such as American media dominating global narratives.

2
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Digital convergence

The integration of technologies to share messages across various platforms.

3
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Narrowcasting

Creating specialized programs aimed at specific audience segments rather than addressing a broad audience.

4
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Uses and gratifications theory

A framework for understanding how individuals actively seek out media to satisfy specific needs and desires.

5
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Hypodermic needle theory

An early theory suggesting that media have a direct and powerful impact on audiences, likening it to injecting ideas directly into their minds.

6
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Two-step flow theory

A model suggesting that media influence is mediated by opinion leaders who first consume the media and then convey messages to their social circles.

7
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Cultivation analysis theory

A theory proposing that long-term exposure to media, particularly television, shapes viewers' perceptions of reality.

8
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Social learning theory

A theory positing that individuals learn behaviors through observing and imitating others, especially within their social environment.

9
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Spiral of silence

A theory suggesting that individuals may remain silent if they perceive their views to be in the minority, fearing social isolation.

10
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Audience surveillance

The monitoring and analysis of audience behavior, particularly in the context of data collection by media producers.

11
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Afffective economy

The idea that producers and media companies engage with audiences' emotional investments to enhance participation and value creation.

12
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Produser

A term coined by Henry Jenkins to describe the merged roles of producers and users in the digital media landscape.

13
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Third spaces

Concepts that describe where migrants or diasporic individuals navigate between their home and host cultures, often facilitated by media consumption.

14
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Encoding/decoding model

Stuart Hall's framework explaining how media messages are produced (encoded) and interpreted (decoded) by audiences, with potential for varied meanings.

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Media Capitals

Regions recognized as significant hubs for media production, such as Hollywood, Hong Kong, and Lagos, influencing global media flows.

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Ritual uses of television

The concept that television serves as a medium for audiences to engage in communal viewing experiences, shaping cultural practices and identity.