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The 3 Groups of Contemporary Philippine Music
1.) Traditional Composers
2.) New Music Composers
3.) Song Composers/Hitmakers
Traditional Composers
They used Western classical forms (Symphony/Concerto) with Filipino folk themes.
The 4 Traditional Composers
1.) Lucio San Pedro
2.) Antonio Molina
3.) Rodolfo Cornejo
4.) Hilarion Rubio
Lucio San Pedro
He is the "Romantic Nationalist" who wrote the lullaby "Sa Ugoy ng Duyan".
Antonio Molina
He is the "Claude Debussy of the Philippines" who composed the violin piece "Hatinggabi".
Rodolfo Cornejo
He is the "Piano Virtuoso" known for his extemporaneous (improvised) performances.
Hilarion Rubio
He is the "Maestro of the Brass Band" who wrote the folk inspired "Bulaklaken".
New Music Composers
They were "Rebels" who experimented with indigenous sounds and avant-garde styles.
The 4 New Music Composers
1.) Jose M. Maceda
2.) Lucrecia R. Kasilag
3.) Jeremiah A. Dadap
4.) Ramon P. Santos
Jose M. Maceda
He is the "Sound Pioneer" who used 100 cassette recorders for his work "Cassettes 100", and "Udlot-udlot" with 800 performers.
Lucrecia R. Kasilag
She is the "Fusion Queen" who mixed Western orchestras with Indigenous Gongs.
Jeremiah A. Dadap
He is the "Rondalla Advocate" who brought Filipino string music to Carnegie Hall.
Ramon P. Santos
He is the "Spatial Composer" who used the physical environment to shape his music.
Song Composers/Hitmakers
They are the "Hitmakers" of Philippine Movies, Radio, and OPM.
The 4 Song Composers/Hitmakers
1.) Constancio de Guzman
2.) Levi Celerio
3.) Mike Velarde
4.) George Canseco
Constancio de Guzman
He is the "Patriot" who composed the iconic protest song Bayan Ko.
Levi Celerio
He is the "Guinness Record Holder" who wrote 4,000 songs and played music with a leaf.
Mike Velarde
He is the "Movie Master" who created the global hit "Dahil sa Iyo".
George Canseco
He is the "Ultimate Hitmaker" who wrote the biggest Filipino movie theme songs.
The 5 Characteristics of Contemporary Philippine Music
1.) Melodic Flow
2.) Lyrics
3.) Sound Palette
4.) Structural Patterns
5.) Hook
Melodic Flow
They are smooth, emotional melodies inspired by the Kundiman or Harana tradition.
Lyrics
They focus on direct storytelling focused on a central theme (e.g., Graduation/Convocation).
Sound Palette
It is a hybrid mix of "warm" acoustic instruments (guitar/piano), electric instruments, and modern digital beats.
Structural Patterns
They follow the standard Verse-Chorus-Bridge format.
Hook
It is a chorus designed for the community to sing together, representing the Bayanihan spirit.
The 3 Paths of Music
1.) Live band
2.) Digital Producer
3.) AI Collaborator
The 4 Steps of the Hybrid Workflow
1.) Generate a Reference
2.) Analyze & Simplify
3.) Humanize (Recording)
4.) Live Layering
The 6 Parts of the OPM Timeline
1.) 1970s: The Manila Sound
2.) 1980s: Social Relevance
3.) 1990s: The Band/Rap Explosion
4.) 2000s: The Genre Era
5.) 2010s: The Indie Expansion
6.) 2020s: The Global Era and AI Music
1970s: The Manila Sound
It is fun, danceable, and commercially successful
(Ex: VST & Company, Hotdog)
1980s: Social Relevance
It is heartfelt, acoustic-driven, and poetic.
(Ex: APO Hiking Society, Freddie Aguilar, Constancio de Guzman)
1990s: The Band/Rap Explosion
It is the era of "Pinoy Rock and Hip-Hop".
(Ex: Eraserheads, Rivermaya, Francis M., Andrew E., Parokya ni Edgar, The Youth)
2000s: The Genre Era
It is where OPM mastered every style imaginable, from Reggae and Emo to Pop-Punk and Nu Metal.
(Ex: Urbandub Slapshock, Brownman Revival)
2010s: The Indie Expansion
It is where the independent artists used digital home-studios and synthesizers to create a unique, poetic, and sophisticated sound.
(Ex: Up Dharma Down, Autotelic, Pedicab)
2020s: The Global Era and AI Music
It is where the high-production P-Pop and Retro-Revival artists use global standards to reach the international stage via streaming, and it is the birth of AI music.
(Ex: SB19, Bini, IV of Spades, Ben and Ben, Hawak mo ang Beat by DJ Mogo)