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Last updated 4:35 AM on 6/7/26
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1
New cards

Postal Savings Bank (Vienna) > Wagner

  • shows how building made > celebrates technology

    • metal heating

  • central, rectangular space

    • skylights, floor glass blocks

  • vertical space scaled

    • small intimate space, large open space

<ul><li><p>shows how building made &gt; celebrates technology</p><ul><li><p>metal heating</p></li></ul></li><li><p>central, rectangular space</p><ul><li><p>skylights, floor glass blocks</p></li></ul></li><li><p>vertical space scaled</p><ul><li><p>small intimate space, large open space</p></li></ul></li></ul><p></p>
2
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Secession House (Gallery) (Vienna) > Olbrich

  • gallery for radical artists > new art is the new spring

  • first modern art gallery

    • completely open plan

    • dk what form art is going to take

<ul><li><p>gallery for radical artists &gt; new art is the new spring</p></li><li><p>first modern art gallery</p><ul><li><p>completely open plan</p></li><li><p>dk what form art is going to take</p></li></ul></li></ul><p></p>
3
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Goldman Building (Vienna) > Loos

  • extremely radical > such plain walls

  • stone treated as stone

    • polished for retail space

  • window box added for building permit

  • flat materials > no ornaments, functional

<ul><li><p>extremely radical &gt; such plain walls</p></li><li><p>stone treated as stone</p><ul><li><p>polished for retail space</p></li></ul></li><li><p>window box added for building permit</p></li><li><p>flat materials &gt; no ornaments, functional</p></li></ul><p></p>
4
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Exchange (Amsterdam) > Berlage

  • financialization of city

  • structural rationalism (reveals hows its constructed)

    • important points of arch articulated

    • interior w/ trusses transition to corbel

      • transfer of load

<ul><li><p>financialization of city</p></li><li><p>structural rationalism (reveals hows its constructed)</p><ul><li><p>important points of arch articulated</p></li><li><p>interior w/ trusses transition to corbel</p><ul><li><p>transfer of load</p></li></ul></li></ul></li></ul><p></p><p></p>
5
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AEG Turbine Factory (Berlin) > Behren

  • factory and symbol of company

  • modernism > steel, glass, concrete

    • appearance of cantilever and structure articulated

  • corner looks cantileved, can’t see how its held

<ul><li><p>factory and symbol of company</p></li><li><p>modernism &gt; steel, glass, concrete</p><ul><li><p>appearance of cantilever and structure articulated</p></li></ul></li><li><p>corner looks cantileved, can’t see how its held</p></li></ul><p></p>
6
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Faguswerke (Fagus Shoe Factory) (Alfeld-an-der-Laine) > Gropius & Meyer

  • south face, entrance to machine shop for factory

  • metal and glass out from brick

    • not structural

  • no column supports stairs or at corner > cantilevered

    • features displayed

  • asymmetrical composition > dynamic balance

<ul><li><p>south face, entrance to machine shop for factory</p></li><li><p>metal and glass out from brick</p><ul><li><p>not structural</p></li></ul></li><li><p>no column supports stairs or at corner &gt; cantilevered</p><ul><li><p>features displayed</p></li></ul></li><li><p>asymmetrical composition &gt; dynamic balance</p></li></ul><p></p>
7
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Glass Pavilion, Werkbund Exhibition (Cologne) > Taut

  • show innovative glass products, mystical relationship w/ glass

  • designed w/ spacial sequence

    • experience transforms perception of glass

    • glass block stair to dome down to waterfall

  • light filters through glass

<ul><li><p>show innovative glass products, mystical relationship w/ glass</p></li><li><p>designed w/ spacial sequence</p><ul><li><p>experience transforms perception of glass</p></li><li><p>glass block stair to dome down to waterfall</p></li></ul></li><li><p>light filters through glass</p></li></ul><p></p>
8
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Citta Nuova (“New City”) > Sant-Elia

  • futurism > celebrate and embrace technology

  • products of industrialization, no nature

    • power plants, factories, abstract compositions

<ul><li><p>futurism &gt; celebrate and embrace technology</p></li><li><p>products of industrialization, no nature</p><ul><li><p>power plants, factories, abstract compositions</p></li></ul></li></ul><p></p>
9
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Schroeder House (Utrecht) > Rietveld

  • truly de Stijl house

  • ideas of space and movement

    • abstract geometric composition

    • element slide past each other

      • line and planes, float

  • interior and furniture de Stijl

    • primary colors

<ul><li><p>truly de Stijl house</p></li><li><p>ideas of space and movement</p><ul><li><p>abstract geometric composition</p></li><li><p>element slide past each other</p><ul><li><p>line and planes, float</p></li></ul></li></ul></li><li><p>interior and furniture de Stijl</p><ul><li><p>primary colors</p></li></ul></li></ul><p></p>
10
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Monument to the Third International project (Moscow) > Tatlin

  • modern monument that is non-representational, not built

  • steel and glass, asymmetrical, rotates inside spiral

  • represents tech and time in abstract and non-historical way

    • calendar since Bolshevik Revolution > new beginning

<ul><li><p>modern monument that is non-representational, not built</p></li><li><p>steel and glass, asymmetrical, rotates inside spiral</p></li><li><p>represents tech and time in abstract and non-historical way</p><ul><li><p>calendar since Bolshevik Revolution &gt; new beginning</p></li></ul></li></ul><p></p>
11
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Bauhaus (Dessau) > Gropius

  • seen as too radical > teaches modernity and technology

  • shaped of pinwheel, asymmetrical

    • implies movement

  • concrete frame, steel, and glass

    • each designed for particular function

  • cantilevered

    • planes float in space

<ul><li><p>seen as too radical &gt; teaches modernity and technology</p></li><li><p>shaped of pinwheel, asymmetrical</p><ul><li><p>implies movement</p></li></ul></li><li><p>concrete frame, steel, and glass</p><ul><li><p>each designed for particular function</p></li></ul></li><li><p>cantilevered</p><ul><li><p>planes float in space</p></li></ul></li></ul><p></p>
12
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Brick Country House > Mies

  • shows step-by-step development

  • de Stijl, lines that look like planes in space

  • wall extend to edge of drawing > infinite in every direction

<ul><li><p>shows step-by-step development</p></li><li><p>de Stijl, lines that look like planes in space</p></li><li><p>wall extend to edge of drawing &gt; infinite in every direction</p></li></ul><p></p>
13
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“Maison Domino” project > Le Corbusier

  • idea that concrete frame structure supports floor slabs, allow flexible placement of wall (concrete skeletal, cantilevered floors)

    • construction in concrete

    • mass production of housing in concrete

  • rectangle with 6 concrete columns

<ul><li><p>idea that concrete frame structure supports floor slabs, allow flexible placement of wall (concrete skeletal, cantilevered floors)</p><ul><li><p>construction in concrete</p></li><li><p>mass production of housing in concrete</p></li></ul></li><li><p>rectangle with 6 concrete columns</p></li></ul><p></p>
14
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Weissenhof Housing project (Stuttgart) > Mies

  • addresses problem of housing (people moving from rural areas)

    • exhibit showing new work

  • individual buildings designed by diff architects

    • series of townhouses + single family houses

  • consistency > “international style”

<ul><li><p>addresses problem of housing (people moving from rural areas)</p><ul><li><p>exhibit showing new work</p></li></ul></li><li><p>individual buildings designed by diff architects</p><ul><li><p>series of townhouses + single family houses</p></li></ul></li><li><p>consistency &gt; “international style”</p></li></ul><p></p>
15
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Barcelona Pavilion (Barcelon, Spain) > Mies

  • German pavilion at international exhibition

  • abstract elements

    • floating planes and single sculpture

  • free plan > load bearing frame

  • vertical symmetry > building feels weightless

<ul><li><p>German pavilion at international exhibition</p></li><li><p>abstract elements</p><ul><li><p>floating planes and single sculpture</p></li></ul></li><li><p>free plan &gt; load bearing frame</p></li><li><p>vertical symmetry &gt; building feels weightless</p></li></ul><p></p>
16
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Tugendhat House (Brno, Czechoslovakia) > Mies

  • idea of columns > walls anywhere

  • top floor relative to street, descend

  • elementarism, planes floating in space

  • glass handrail - panels descend into floor

<ul><li><p>idea of columns &gt; walls anywhere</p></li><li><p>top floor relative to street, descend</p></li><li><p>elementarism, planes floating in space</p></li><li><p>glass handrail - panels descend into floor</p></li></ul><p></p>
17
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Villa Stein (Garche) > Le Corbusier

  • demonstrates fascination with standard types

  • concrete house, column grid, wall free plan

  • alternating wide bay and narrow bay

    • classical arch. organization w/ modern tech

  • interesting sectionally (double height space)

<ul><li><p>demonstrates fascination with standard types</p></li><li><p>concrete house, column grid, wall free plan</p></li><li><p>alternating wide bay and narrow bay</p><ul><li><p>classical arch. organization w/ modern tech</p></li></ul></li><li><p>interesting sectionally (double height space)</p></li></ul><p></p>
18
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Villa Savoye (near Paris) > Le Corbusier

  • embodies the 5 points

    • house raised on columns, free plan, horizontal windows, roof gardens, free facade

  • house is a journey, arriving to the top

  • inside and outside space one thing

<ul><li><p>embodies the 5 points</p><ul><li><p>house raised on columns, free plan, horizontal windows, roof gardens, free facade</p></li></ul></li><li><p>house is a journey, arriving to the top</p></li><li><p>inside and outside space one thing</p></li></ul><p></p>
19
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E1027 (Badovici House) (Roquebrune, France) > Gray

  • shows modern movement spreading

  • concrete house, asymmetrical, rocky landscape

    • machine object contrast

  • house next to water > reflection + heat (shades)

<ul><li><p>shows modern movement spreading</p></li><li><p>concrete house, asymmetrical, rocky landscape</p><ul><li><p>machine object contrast</p></li></ul></li><li><p>house next to water &gt; reflection + heat (shades)</p></li></ul><p></p>
20
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Van Nelle Factory (Rotterdam) > Brinckman & Van der Vlugt

  • tobacco company, big early building with everything

  • multi-story > columns distribute load w/ broad tops

  • processes of industrial production visible + displayed

    • placement w/ road intended

<ul><li><p>tobacco company, big early building with everything</p></li><li><p>multi-story &gt; columns distribute load w/ broad tops</p></li><li><p>processes of industrial production visible + displayed</p><ul><li><p>placement w/ road intended</p></li></ul></li></ul><p></p>
21
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Stockholm Public Library (Stockholm) > Asplund

  • displays transition to modernity

  • steel + concrete, brick exterior

  • rectilinear base + cylinder in the middle

    • one-story base for retail

  • source of Boulee (classical)

    • simplification

    • 3 tiers of books

    • light from above

<ul><li><p>displays transition to modernity</p></li><li><p>steel + concrete, brick exterior</p></li><li><p>rectilinear base + cylinder in the middle</p><ul><li><p>one-story base for retail</p></li></ul></li><li><p>source of Boulee (classical)</p><ul><li><p>simplification</p></li><li><p>3 tiers of books</p></li><li><p>light from above</p></li></ul></li></ul><p></p>
22
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Church of Notre Dame du Raincy (near Paris) > Perret

  • achievement in concrete design

  • traditional church exterior but all concrete

    • concrete columns with steel rebar (carries load)

    • thin-shell concrete vault > arch form has strength

    • glass blocks with light

<ul><li><p>achievement in concrete design</p></li><li><p>traditional church exterior but all concrete</p><ul><li><p>concrete columns with steel rebar (carries load)</p></li><li><p>thin-shell concrete vault &gt; arch form has strength</p></li><li><p>glass blocks with light</p></li></ul></li></ul><p></p>
23
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Weston Havens House (Berkeley, CA) > Harris

  • embodies regionalism, material of Cali (redwood)

    • accepts aging + integration w/ nature

  • space flowing through, elements floating in space

  • faces west, light comes in through the form

<ul><li><p>embodies regionalism, material of Cali (redwood)</p><ul><li><p>accepts aging + integration w/ nature</p></li></ul></li><li><p>space flowing through, elements floating in space</p></li><li><p>faces west, light comes in through the form</p></li></ul><p></p>
24
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Library (Viipuri, Finland) > Aalto

  • modernity of building visible

    • concrete exterior, wood interior

  • asymmetrical, juxtaposed > dynamic observer

  • journey part of design

    • metaphor: sun and mountain

    • librarian desk in center, sees everything

    • skylight

<ul><li><p>modernity of building visible</p><ul><li><p>concrete exterior, wood interior</p></li></ul></li><li><p>asymmetrical, juxtaposed &gt; dynamic observer</p></li><li><p>journey part of design</p><ul><li><p>metaphor: sun and mountain</p></li><li><p>librarian desk in center, sees everything</p></li><li><p>skylight</p></li></ul></li></ul><p></p>
25
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(Tuberculosis) Sanatorium (Paimio, Finland) > Aalto

  • isolated site, for the contagious

  • functionalism to next level

    • patient wing has direct sunlight > cure

    • handrails uneven bar (experimentation)

    • custom sinks, less sound

    • double window for flowers all year round

<ul><li><p>isolated site, for the contagious</p></li><li><p>functionalism to next level</p><ul><li><p>patient wing has direct sunlight &gt; cure</p></li><li><p>handrails uneven bar (experimentation)</p></li><li><p>custom sinks, less sound</p></li><li><p>double window for flowers all year round</p></li></ul></li></ul><p></p>
26
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Rivera-Kahlo Residences/Studios San Angel, Mexico City DF, Mexico) > O’Gorman

  • designed houses and studios for painters who adopted modernism + Mexican

  • modern arch. in Mexico

    • Mexican vernacular colors (saturated)

    • lined with cactus

  • home to collection of folk art

<ul><li><p>designed houses and studios for painters who adopted modernism + Mexican</p></li><li><p>modern arch. in Mexico</p><ul><li><p>Mexican vernacular colors (saturated)</p></li><li><p>lined with cactus</p></li></ul></li><li><p>home to collection of folk art</p></li></ul><p></p>
27
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Church of St. Francis of Assisi (Pampula, Brazil) > Niemeyer

  • traditional church but modern

  • forms looks playful but actually sophisticated (parabola)

    • everything calculated with subjective reaction

  • concrete for murals and mosaics

  • Light at front, ceilings dark

<ul><li><p>traditional church but modern</p></li><li><p>forms looks playful but actually sophisticated (parabola)</p><ul><li><p>everything calculated with subjective reaction</p></li></ul></li><li><p>concrete for murals and mosaics</p></li><li><p>Light at front, ceilings dark</p></li></ul><p></p>
28
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Robie House (Chicago, IL) > Wright

  • most famous of Wright’s brick houses

  • strong sense of horizontality > roman brick

  • influence of arts and crafts: art glass, abstraction of organic patterns, trim, light fixtures

  • how the house reads from the street and finding your way through the house

<ul><li><p>most famous of Wright’s brick houses</p></li><li><p>strong sense of horizontality &gt; roman brick</p></li><li><p>influence of arts and crafts: art glass, abstraction of organic patterns, trim, light fixtures</p></li><li><p>how the house reads from the street and finding your way through the house</p></li></ul><p></p>
29
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Larkin Building (Buffalo, NY) > Wright

  • sold home products

  • inhospitable site > interior landscape

    • can look into

  • entrance in side

    • squeeze and release, more monumental

  • sophisticated system > ventilation and built in furniture

<ul><li><p>sold home products</p></li><li><p>inhospitable site &gt; interior landscape</p><ul><li><p>can look into</p></li></ul></li><li><p>entrance in side</p><ul><li><p>squeeze and release, more monumental</p></li></ul></li><li><p>sophisticated system &gt; ventilation and built in furniture</p></li></ul><p></p>
30
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Solvay House (Brussels, Belgium) > Horta

  • 1st example of Art Nouveau movement

  • curvilinear forms

    • thin metal structures twist like plants

    • carved stone

  • spacially fluid > integrates everything

<ul><li><p>1st example of Art Nouveau movement</p></li><li><p>curvilinear forms</p><ul><li><p>thin metal structures twist like plants</p></li><li><p>carved stone</p></li></ul></li><li><p>spacially fluid &gt; integrates everything</p></li></ul><p></p>
31
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Maison du Peuple (Brussels, Belgium) > Horta

  • headquarters of the socialist party

  • exposed metal and glass

    • proud bc celebrates hand of maker w/ industrial material

  • metal and curvilinear forms > all repetitive parts

<ul><li><p>headquarters of the socialist party</p></li><li><p>exposed metal and glass</p><ul><li><p>proud bc celebrates hand of maker w/ industrial material</p></li></ul></li><li><p>metal and curvilinear forms &gt; all repetitive parts</p></li></ul><p></p>
32
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Metro Station Entrances (Paris, France) > Guimard

  • new technology of subway stations

  • lightweight metal

    • curvilinear and organic

  • radical > negatively received now celebrated

    • new architecture celebrates new technology

<ul><li><p>new technology of subway stations</p></li><li><p>lightweight metal</p><ul><li><p>curvilinear and organic</p></li></ul></li><li><p>radical &gt; negatively received now celebrated</p><ul><li><p>new architecture celebrates new technology</p></li></ul></li></ul><p></p>
33
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Casa Mila (Barcelona, Spain) > Gaudi

  • most irregular plan in arch. history

  • looks like rock worn away by water, seaweed > link to Mediterranean

  • carved stone to form exterior > curved

<ul><li><p>most irregular plan in arch. history</p></li><li><p>looks like rock worn away by water, seaweed &gt; link to Mediterranean</p></li><li><p>carved stone to form exterior &gt; curved</p></li></ul><p></p>
34
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Church of the Sagrada Familia (Barcelona, Spain) > Gaudi

  • work of sculptural elements, like cave

    • naturalistic style

  • still in construction

    • slow because lack of funds and drawings

  • unique, so personal so isolated

<ul><li><p>work of sculptural elements, like cave</p><ul><li><p>naturalistic style</p></li></ul></li><li><p>still in construction</p><ul><li><p>slow because lack of funds and drawings</p></li></ul></li><li><p>unique, so personal so isolated</p></li></ul><p></p>
35
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Lovell House (“Health House”) (Los Angeles, California) > Neutra

  • modern house promoted as healthy living

  • steel frame house, lots of transparency and smooth surfaces

  • levels cantilever planes slide past

<ul><li><p>modern house promoted as healthy living</p></li><li><p>steel frame house, lots of transparency and smooth surfaces</p></li><li><p>levels cantilever planes slide past</p></li></ul><p></p>
36
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Philadelphia Savings Fund Society Building (Philadelphia) > Howe and Lescaze

  • bank with repetitive office spaces

  • juxtaposition according to function

    • base: lobby

    • street: retail

    • service in the back

  • entrance features escalator

<ul><li><p>bank with repetitive office spaces</p></li><li><p>juxtaposition according to function</p><ul><li><p>base: lobby</p></li><li><p>street: retail</p></li><li><p>service in the back</p></li></ul></li><li><p>entrance features escalator</p></li></ul><p></p>
37
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Kaufman House (“Fallingwater”) (Bear Run, PA) > Wright

  • European modernism influence

  • integrates with nature > house above waterfall

  • concrete buttresses support “floating” concrete planes

<ul><li><p>European modernism influence</p></li><li><p>integrates with nature &gt; house above waterfall</p></li><li><p>concrete buttresses support “floating” concrete planes</p></li></ul><p></p>
38
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Johnson Wax Administration Building (Racine, WI) > Wright

  • view of interior landscape

  • curves and horizontal lines

    • horizontals emphasized

  • invention of lily pad columns > supports roof and skylight

<ul><li><p>view of interior landscape</p></li><li><p>curves and horizontal lines</p><ul><li><p>horizontals emphasized</p></li></ul></li><li><p>invention of lily pad columns &gt; supports roof and skylight</p></li></ul><p></p>
39
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Equitable Building (Portland, OR) > Belluschi

  • concrete frame with aluminum skin

    • glass skeletally expressive

  • 1st modern office building

    • architecture driven by tech

<ul><li><p>concrete frame with aluminum skin</p><ul><li><p>glass skeletally expressive</p></li></ul></li><li><p>1st modern office building</p><ul><li><p>architecture driven by tech</p></li></ul></li></ul><p></p>
40
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IIT (Illinois Institute of Technology) (Chicago, IL) > Mies

  • struggles to find form

  • grid, placed asymmetrically

    • metal, glass, brick

  • crown hall (arch. building)

    • infill with glass, 1 big volume with partitions, specialized spaces in basement

<ul><li><p>struggles to find form</p></li><li><p>grid, placed asymmetrically</p><ul><li><p>metal, glass, brick</p></li></ul></li><li><p>crown hall (arch. building)</p><ul><li><p>infill with glass, 1 big volume with partitions, specialized spaces in basement</p></li></ul></li></ul><p></p>
41
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Farnsworth House (Plano, IL) > Mies

  • 2 rectangles juxtaposed, steel and glass

  • only one connection to ground > floating

  • minimalism > less is more

<ul><li><p>2 rectangles juxtaposed, steel and glass</p></li><li><p>only one connection to ground &gt; floating</p></li><li><p>minimalism &gt; less is more</p></li></ul><p></p>
42
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860 Lake Shore Drive (apartments) (Chicago, IL) > Mies

  • focus on exterior wall of modular steel

  • 2 towers, 90º to one another

    • min amount needed for elementarist composition

  • structure of vertical columns, standardized

    • symbolic of industrial age

<ul><li><p>focus on exterior wall of modular steel</p></li><li><p>2 towers, 90º to one another</p><ul><li><p>min amount needed for elementarist composition</p></li></ul></li><li><p>structure of vertical columns, standardized</p><ul><li><p>symbolic of industrial age</p></li></ul></li></ul><p></p>
43
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Seagram Building (New York, NY) > Mies

  • made liquor

  • sets back to plaza (influential)

    • object on platform

  • curtail wall continuous + repetitive

<ul><li><p>made liquor</p></li><li><p>sets back to plaza (influential)</p><ul><li><p>object on platform</p></li></ul></li><li><p>curtail wall continuous + repetitive</p></li></ul><p></p>
44
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Unite de Habitation (Marseilles) > Le Corbusier

  • apartment complex, 1st large scale project for architect

  • large and innovative

    • 1 ½ floors per unit

  • brutalist building > celebrates concrete

    • cast in place concrete, can see formwork

<ul><li><p>apartment complex, 1st large scale project for architect</p></li><li><p>large and innovative</p><ul><li><p>1 ½ floors per unit</p></li></ul></li><li><p>brutalist building &gt; celebrates concrete</p><ul><li><p>cast in place concrete, can see formwork</p></li></ul></li></ul><p></p>
45
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Notre Dame du Haut (chapel) (Ronchamp, France) > Le Corbusier

  • pilgrimage church

  • functional requirements of church but work of art

    • roof is light + well supported, stained glass

  • pure sculptural form

    • religion other wordly, personal interpretation

<ul><li><p>pilgrimage church</p></li><li><p>functional requirements of church but work of art</p><ul><li><p>roof is light + well supported, stained glass</p></li></ul></li><li><p>pure sculptural form</p><ul><li><p>religion other wordly, personal interpretation</p></li></ul></li></ul><p></p>
46
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Berlin Philharmonic Concert Hall (Berlin, Germany) > Scharoun

  • expression of cultural freedom

  • irregular form w/ clear articulation

    • lower concrete, upper encloses concert hall (metal)

  • orchestra in the middle, seats wrap

    • like bowl

<ul><li><p>expression of cultural freedom</p></li><li><p>irregular form w/ clear articulation</p><ul><li><p>lower concrete, upper encloses concert hall (metal)</p></li></ul></li><li><p>orchestra in the middle, seats wrap</p><ul><li><p>like bowl</p></li></ul></li></ul><p></p>
47
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University Library (University City, Mexico City) > Juan O’ Gorman

  • horizontal volume at base, vertical tower > 2 volumes juxtaposed

  • walls solid, protect books

  • mosaic murals

    • narrative of Mexican history

<ul><li><p>horizontal volume at base, vertical tower &gt; 2 volumes juxtaposed</p></li><li><p>walls solid, protect books</p></li><li><p>mosaic murals</p><ul><li><p>narrative of Mexican history</p></li></ul></li></ul><p></p>
48
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Guggenheim Museum (New York, NY) > Wright

  • museum of non-objective art

  • interior landscape

    • balcony wraps around spiral, shared atrium, skylight

  • spiral

    • ramp, idea of gallery

  • building stands out from NY, short and circular

<ul><li><p>museum of non-objective art</p></li><li><p>interior landscape</p><ul><li><p>balcony wraps around spiral, shared atrium, skylight</p></li></ul></li><li><p>spiral</p><ul><li><p>ramp, idea of gallery</p></li></ul></li><li><p>building stands out from NY, short and circular</p></li></ul><p></p>
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Library, Mount Angel Benedictine College (Mount Angel, OR) > Aalto

  • sits on slope > defers to historical buildings

    • 1-3 stories

  • shared communal space

    • curved forms with skylight

    • elements articulated

<ul><li><p>sits on slope &gt; defers to historical buildings</p><ul><li><p>1-3 stories</p></li></ul></li><li><p>shared communal space</p><ul><li><p>curved forms with skylight</p></li><li><p>elements articulated</p></li></ul></li></ul><p></p>
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Sydney Opera House (Sydney, Australia) > Utzon

  • curved, concrete shells > complex and pre-cast concrete

  • peninsula on harbour

    • visible on all sides, accessible via one

  • structural engineering achieved by computers

<ul><li><p>curved, concrete shells &gt; complex and pre-cast concrete</p></li><li><p>peninsula on harbour</p><ul><li><p>visible on all sides, accessible via one</p></li></ul></li><li><p>structural engineering achieved by computers</p></li></ul><p></p>
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Richards Medical Labs, U. Penn (Philadelphia, PA) > Kahn

  • labs open and flexible to be customized

  • served and servant spaces

    • purpose of the building (lab work) and serves the served

  • figural volume

    • mass and structure, no more infinite space

<ul><li><p>labs open and flexible to be customized</p></li><li><p>served and servant spaces</p><ul><li><p>purpose of the building (lab work) and serves the served</p></li></ul></li><li><p>figural volume</p><ul><li><p>mass and structure, no more infinite space</p></li></ul></li></ul><p></p>
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Salk Institue of Biological Studies (La Jolla, CA) > Khan

  • research floor and office spaces

    • open space, windows to west for controlled lighting and view

  • alternating floor plans

    • served and servant

  • stairs > encourage interaction and more creativity

<ul><li><p>research floor and office spaces</p><ul><li><p>open space, windows to west for controlled lighting and view</p></li></ul></li><li><p>alternating floor plans</p><ul><li><p>served and servant</p></li></ul></li><li><p>stairs &gt; encourage interaction and more creativity</p></li></ul><p></p>
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Kimbell Art Museum (Fort Worth, TX) > Kahn

  • design specifically for TX sun

  • barrel vaults

    • shaped space, form

  • curved elements cantilever

    • continuous skylight reflects light, not direct > art not damaged

<ul><li><p>design specifically for TX sun</p></li><li><p>barrel vaults</p><ul><li><p>shaped space, form</p></li></ul></li><li><p>curved elements cantilever</p><ul><li><p>continuous skylight reflects light, not direct &gt; art not damaged</p></li></ul></li></ul><p></p>
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Vanna Venturi House (Chestnut Hill, PA) > Venturi & Rauch

  • literal representation > reality

    • like child’s drawing

  • complex roof, complicated plan

    • tight space in affordable house

  • architecture reflects complex and contradictory tasks

<ul><li><p>literal representation &gt; reality</p><ul><li><p>like child’s drawing</p></li></ul></li><li><p>complex roof, complicated plan</p><ul><li><p>tight space in affordable house</p></li></ul></li><li><p>architecture reflects complex and contradictory tasks</p></li></ul><p></p>
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Guild House (Philadelphia, PA) > Venturi & Rauch

  • Quaker home for the aged

  • reflects context and materials

    • signs, red brick, off the shelf windows

  • architecture is vehicle for signs and symbols

<ul><li><p>Quaker home for the aged</p></li><li><p>reflects context and materials</p><ul><li><p>signs, red brick, off the shelf windows</p></li></ul></li><li><p>architecture is vehicle for signs and symbols</p></li></ul><p></p>
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Central Beheer Office Building (Apeldoorn, Netherlands) > Herman

  • standard module

    • spatial units relate to individual offices

  • small clusters > cantilevered corners, concrete block

  • structure provides order

    • different purposes + personal

<ul><li><p>standard module</p><ul><li><p>spatial units relate to individual offices</p></li></ul></li><li><p>small clusters &gt; cantilevered corners, concrete block</p></li><li><p>structure provides order</p><ul><li><p>different purposes + personal</p></li></ul></li></ul><p></p>
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Bagsvaerd Church (Copenhagen) > Utzon

  • driven by structural order > modular with prefabricated concrete

  • plain, rectangular exterior contrasts with curving ceiling

  • light illuminates space, changes with time of day

    • religion out of ordinary

    • phenomena of light

<ul><li><p>driven by structural order &gt; modular with prefabricated concrete</p></li><li><p>plain, rectangular exterior contrasts with curving ceiling</p></li><li><p>light illuminates space, changes with time of day</p><ul><li><p>religion out of ordinary</p></li><li><p>phenomena of light</p></li></ul></li></ul><p></p>
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National Museum of Roman Art (Merdia, Spain) > Moneo

  • tells story of town > contrasts old and new

  • Roman brick

    • material connects past and present

    • crispness and flatness shows modern

  • walkway on top of Roman ruins

    • diagonal of street grid

    • parallel, planar surface

<ul><li><p>tells story of town &gt; contrasts old and new</p></li><li><p>Roman brick</p><ul><li><p>material connects past and present</p></li><li><p>crispness and flatness shows modern</p></li></ul></li><li><p>walkway on top of Roman ruins</p><ul><li><p>diagonal of street grid</p></li><li><p>parallel, planar surface</p></li></ul></li></ul><p></p>
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Gehry House (Santa Monica, CA) > Gehry

  • experimented in his own house

    • juxtaposing elements, materials and shape

  • like collage

    • dutch colonial house with added and deleted parts

  • response to the present > hybrid than pure

<ul><li><p><span>experimented in his own house</span></p><ul><li><p><span>juxtaposing elements, materials and shape</span></p></li></ul></li><li><p><span>like collage</span></p><ul><li><p><span>dutch colonial house with added and deleted parts</span></p></li></ul></li><li><p><span>response to the present &gt; hybrid than pure</span></p></li></ul><p></p>
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“Sangath” (Architect’s Studio) (Ahmedabad, India) > Doshi

  • serves function and responds to environment (desert climate)

    • “Moving together through participation”

  • Concrete vaults

    • earth hugging > past Indian architecture

  • white mosaic tile

    • sheds water, reflects light, sound of water

<ul><li><p><span>serves function and responds to environment (desert climate)</span></p><ul><li><p><span>“Moving together through participation”</span></p></li></ul></li><li><p><span>Concrete vaults</span></p><ul><li><p><span>earth hugging &gt; past Indian architecture</span></p></li></ul></li><li><p><span>white mosaic tile</span></p><ul><li><p><span>sheds water, reflects light, sound of water</span></p></li></ul></li></ul><p></p>
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Menil Collection (Museum) (Houston, TX) > Piano

  • steel frame with wood infill

    • color palette matches surrounding houses

  • ceiling “leaves” filter light

    • natural light and not direct, changes

<ul><li><p><span>steel frame with wood infill</span></p><ul><li><p><span>color palette matches surrounding houses</span></p></li></ul></li><li><p><span>ceiling “leaves” filter light</span></p><ul><li><p><span>natural light and not direct, changes</span></p></li></ul></li></ul><p></p>
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Ball-Eastaway House (Glenorie, NSW, Australia) > Murcutt

  • retreat in forest, made with simple materials

  • responds to climate

    • wind and sun

    • curved roof to prevent settling leaves

    • on stilts for drainage

  • influenced by aboriginal structure

<ul><li><p><span>retreat in forest, made with simple materials</span></p></li><li><p><span>responds to climate</span></p><ul><li><p><span>wind and sun</span></p></li><li><p><span>curved roof to prevent settling leaves</span></p></li><li><p><span>on stilts for drainage</span></p></li></ul></li><li><p><span>influenced by aboriginal structure</span></p></li></ul><p></p>
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Vietnam Veterans Memorial (Washington DC) > Lin

  • points to Washington and Lincoln memorial

    1. Takes no position, asks question according to ideals of US

  • cut in the Earth > geologic time

  • polished black granite

    • imperfect mirror

    • in death, all equal

<ul><li><p><span>points to Washington and Lincoln memorial</span></p><ol><li><p><span>Takes no position, asks question according to ideals of US</span></p></li></ol></li><li><p><span>cut in the Earth &gt; geologic time</span></p></li><li><p><span>polished black granite</span></p><ul><li><p><span>imperfect mirror</span></p></li><li><p><span>in death, all equal</span></p></li></ul></li></ul><p></p>