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Postal Savings Bank (Vienna) > Wagner
shows how building made > celebrates technology
metal heating
central, rectangular space
skylights, floor glass blocks
vertical space scaled
small intimate space, large open space

Secession House (Gallery) (Vienna) > Olbrich
gallery for radical artists > new art is the new spring
first modern art gallery
completely open plan
dk what form art is going to take

Goldman Building (Vienna) > Loos
extremely radical > such plain walls
stone treated as stone
polished for retail space
window box added for building permit
flat materials > no ornaments, functional

Exchange (Amsterdam) > Berlage
financialization of city
structural rationalism (reveals hows its constructed)
important points of arch articulated
interior w/ trusses transition to corbel
transfer of load

AEG Turbine Factory (Berlin) > Behren
factory and symbol of company
modernism > steel, glass, concrete
appearance of cantilever and structure articulated
corner looks cantileved, can’t see how its held

Faguswerke (Fagus Shoe Factory) (Alfeld-an-der-Laine) > Gropius & Meyer
south face, entrance to machine shop for factory
metal and glass out from brick
not structural
no column supports stairs or at corner > cantilevered
features displayed
asymmetrical composition > dynamic balance

Glass Pavilion, Werkbund Exhibition (Cologne) > Taut
show innovative glass products, mystical relationship w/ glass
designed w/ spacial sequence
experience transforms perception of glass
glass block stair to dome down to waterfall
light filters through glass

Citta Nuova (“New City”) > Sant-Elia
futurism > celebrate and embrace technology
products of industrialization, no nature
power plants, factories, abstract compositions

Schroeder House (Utrecht) > Rietveld
truly de Stijl house
ideas of space and movement
abstract geometric composition
element slide past each other
line and planes, float
interior and furniture de Stijl
primary colors

Monument to the Third International project (Moscow) > Tatlin
modern monument that is non-representational, not built
steel and glass, asymmetrical, rotates inside spiral
represents tech and time in abstract and non-historical way
calendar since Bolshevik Revolution > new beginning

Bauhaus (Dessau) > Gropius
seen as too radical > teaches modernity and technology
shaped of pinwheel, asymmetrical
implies movement
concrete frame, steel, and glass
each designed for particular function
cantilevered
planes float in space

Brick Country House > Mies
shows step-by-step development
de Stijl, lines that look like planes in space
wall extend to edge of drawing > infinite in every direction

“Maison Domino” project > Le Corbusier
idea that concrete frame structure supports floor slabs, allow flexible placement of wall (concrete skeletal, cantilevered floors)
construction in concrete
mass production of housing in concrete
rectangle with 6 concrete columns

Weissenhof Housing project (Stuttgart) > Mies
addresses problem of housing (people moving from rural areas)
exhibit showing new work
individual buildings designed by diff architects
series of townhouses + single family houses
consistency > “international style”

Barcelona Pavilion (Barcelon, Spain) > Mies
German pavilion at international exhibition
abstract elements
floating planes and single sculpture
free plan > load bearing frame
vertical symmetry > building feels weightless

Tugendhat House (Brno, Czechoslovakia) > Mies
idea of columns > walls anywhere
top floor relative to street, descend
elementarism, planes floating in space
glass handrail - panels descend into floor

Villa Stein (Garche) > Le Corbusier
demonstrates fascination with standard types
concrete house, column grid, wall free plan
alternating wide bay and narrow bay
classical arch. organization w/ modern tech
interesting sectionally (double height space)

Villa Savoye (near Paris) > Le Corbusier
embodies the 5 points
house raised on columns, free plan, horizontal windows, roof gardens, free facade
house is a journey, arriving to the top
inside and outside space one thing

E1027 (Badovici House) (Roquebrune, France) > Gray
shows modern movement spreading
concrete house, asymmetrical, rocky landscape
machine object contrast
house next to water > reflection + heat (shades)

Van Nelle Factory (Rotterdam) > Brinckman & Van der Vlugt
tobacco company, big early building with everything
multi-story > columns distribute load w/ broad tops
processes of industrial production visible + displayed
placement w/ road intended

Stockholm Public Library (Stockholm) > Asplund
displays transition to modernity
steel + concrete, brick exterior
rectilinear base + cylinder in the middle
one-story base for retail
source of Boulee (classical)
simplification
3 tiers of books
light from above

Church of Notre Dame du Raincy (near Paris) > Perret
achievement in concrete design
traditional church exterior but all concrete
concrete columns with steel rebar (carries load)
thin-shell concrete vault > arch form has strength
glass blocks with light

Weston Havens House (Berkeley, CA) > Harris
embodies regionalism, material of Cali (redwood)
accepts aging + integration w/ nature
space flowing through, elements floating in space
faces west, light comes in through the form

Library (Viipuri, Finland) > Aalto
modernity of building visible
concrete exterior, wood interior
asymmetrical, juxtaposed > dynamic observer
journey part of design
metaphor: sun and mountain
librarian desk in center, sees everything
skylight

(Tuberculosis) Sanatorium (Paimio, Finland) > Aalto
isolated site, for the contagious
functionalism to next level
patient wing has direct sunlight > cure
handrails uneven bar (experimentation)
custom sinks, less sound
double window for flowers all year round

Rivera-Kahlo Residences/Studios San Angel, Mexico City DF, Mexico) > O’Gorman
designed houses and studios for painters who adopted modernism + Mexican
modern arch. in Mexico
Mexican vernacular colors (saturated)
lined with cactus
home to collection of folk art

Church of St. Francis of Assisi (Pampula, Brazil) > Niemeyer
traditional church but modern
forms looks playful but actually sophisticated (parabola)
everything calculated with subjective reaction
concrete for murals and mosaics
Light at front, ceilings dark

Robie House (Chicago, IL) > Wright
most famous of Wright’s brick houses
strong sense of horizontality > roman brick
influence of arts and crafts: art glass, abstraction of organic patterns, trim, light fixtures
how the house reads from the street and finding your way through the house

Larkin Building (Buffalo, NY) > Wright
sold home products
inhospitable site > interior landscape
can look into
entrance in side
squeeze and release, more monumental
sophisticated system > ventilation and built in furniture

Solvay House (Brussels, Belgium) > Horta
1st example of Art Nouveau movement
curvilinear forms
thin metal structures twist like plants
carved stone
spacially fluid > integrates everything

Maison du Peuple (Brussels, Belgium) > Horta
headquarters of the socialist party
exposed metal and glass
proud bc celebrates hand of maker w/ industrial material
metal and curvilinear forms > all repetitive parts

Metro Station Entrances (Paris, France) > Guimard
new technology of subway stations
lightweight metal
curvilinear and organic
radical > negatively received now celebrated
new architecture celebrates new technology

Casa Mila (Barcelona, Spain) > Gaudi
most irregular plan in arch. history
looks like rock worn away by water, seaweed > link to Mediterranean
carved stone to form exterior > curved

Church of the Sagrada Familia (Barcelona, Spain) > Gaudi
work of sculptural elements, like cave
naturalistic style
still in construction
slow because lack of funds and drawings
unique, so personal so isolated

Lovell House (“Health House”) (Los Angeles, California) > Neutra
modern house promoted as healthy living
steel frame house, lots of transparency and smooth surfaces
levels cantilever planes slide past

Philadelphia Savings Fund Society Building (Philadelphia) > Howe and Lescaze
bank with repetitive office spaces
juxtaposition according to function
base: lobby
street: retail
service in the back
entrance features escalator

Kaufman House (“Fallingwater”) (Bear Run, PA) > Wright
European modernism influence
integrates with nature > house above waterfall
concrete buttresses support “floating” concrete planes

Johnson Wax Administration Building (Racine, WI) > Wright
view of interior landscape
curves and horizontal lines
horizontals emphasized
invention of lily pad columns > supports roof and skylight

Equitable Building (Portland, OR) > Belluschi
concrete frame with aluminum skin
glass skeletally expressive
1st modern office building
architecture driven by tech

IIT (Illinois Institute of Technology) (Chicago, IL) > Mies
struggles to find form
grid, placed asymmetrically
metal, glass, brick
crown hall (arch. building)
infill with glass, 1 big volume with partitions, specialized spaces in basement

Farnsworth House (Plano, IL) > Mies
2 rectangles juxtaposed, steel and glass
only one connection to ground > floating
minimalism > less is more

860 Lake Shore Drive (apartments) (Chicago, IL) > Mies
focus on exterior wall of modular steel
2 towers, 90º to one another
min amount needed for elementarist composition
structure of vertical columns, standardized
symbolic of industrial age

Seagram Building (New York, NY) > Mies
made liquor
sets back to plaza (influential)
object on platform
curtail wall continuous + repetitive

Unite de Habitation (Marseilles) > Le Corbusier
apartment complex, 1st large scale project for architect
large and innovative
1 ½ floors per unit
brutalist building > celebrates concrete
cast in place concrete, can see formwork

Notre Dame du Haut (chapel) (Ronchamp, France) > Le Corbusier
pilgrimage church
functional requirements of church but work of art
roof is light + well supported, stained glass
pure sculptural form
religion other wordly, personal interpretation

Berlin Philharmonic Concert Hall (Berlin, Germany) > Scharoun
expression of cultural freedom
irregular form w/ clear articulation
lower concrete, upper encloses concert hall (metal)
orchestra in the middle, seats wrap
like bowl

University Library (University City, Mexico City) > Juan O’ Gorman
horizontal volume at base, vertical tower > 2 volumes juxtaposed
walls solid, protect books
mosaic murals
narrative of Mexican history

Guggenheim Museum (New York, NY) > Wright
museum of non-objective art
interior landscape
balcony wraps around spiral, shared atrium, skylight
spiral
ramp, idea of gallery
building stands out from NY, short and circular

Library, Mount Angel Benedictine College (Mount Angel, OR) > Aalto
sits on slope > defers to historical buildings
1-3 stories
shared communal space
curved forms with skylight
elements articulated

Sydney Opera House (Sydney, Australia) > Utzon
curved, concrete shells > complex and pre-cast concrete
peninsula on harbour
visible on all sides, accessible via one
structural engineering achieved by computers

Richards Medical Labs, U. Penn (Philadelphia, PA) > Kahn
labs open and flexible to be customized
served and servant spaces
purpose of the building (lab work) and serves the served
figural volume
mass and structure, no more infinite space

Salk Institue of Biological Studies (La Jolla, CA) > Khan
research floor and office spaces
open space, windows to west for controlled lighting and view
alternating floor plans
served and servant
stairs > encourage interaction and more creativity

Kimbell Art Museum (Fort Worth, TX) > Kahn
design specifically for TX sun
barrel vaults
shaped space, form
curved elements cantilever
continuous skylight reflects light, not direct > art not damaged

Vanna Venturi House (Chestnut Hill, PA) > Venturi & Rauch
literal representation > reality
like child’s drawing
complex roof, complicated plan
tight space in affordable house
architecture reflects complex and contradictory tasks

Guild House (Philadelphia, PA) > Venturi & Rauch
Quaker home for the aged
reflects context and materials
signs, red brick, off the shelf windows
architecture is vehicle for signs and symbols

Central Beheer Office Building (Apeldoorn, Netherlands) > Herman
standard module
spatial units relate to individual offices
small clusters > cantilevered corners, concrete block
structure provides order
different purposes + personal

Bagsvaerd Church (Copenhagen) > Utzon
driven by structural order > modular with prefabricated concrete
plain, rectangular exterior contrasts with curving ceiling
light illuminates space, changes with time of day
religion out of ordinary
phenomena of light

National Museum of Roman Art (Merdia, Spain) > Moneo
tells story of town > contrasts old and new
Roman brick
material connects past and present
crispness and flatness shows modern
walkway on top of Roman ruins
diagonal of street grid
parallel, planar surface

Gehry House (Santa Monica, CA) > Gehry
experimented in his own house
juxtaposing elements, materials and shape
like collage
dutch colonial house with added and deleted parts
response to the present > hybrid than pure

“Sangath” (Architect’s Studio) (Ahmedabad, India) > Doshi
serves function and responds to environment (desert climate)
“Moving together through participation”
Concrete vaults
earth hugging > past Indian architecture
white mosaic tile
sheds water, reflects light, sound of water

Menil Collection (Museum) (Houston, TX) > Piano
steel frame with wood infill
color palette matches surrounding houses
ceiling “leaves” filter light
natural light and not direct, changes

Ball-Eastaway House (Glenorie, NSW, Australia) > Murcutt
retreat in forest, made with simple materials
responds to climate
wind and sun
curved roof to prevent settling leaves
on stilts for drainage
influenced by aboriginal structure

Vietnam Veterans Memorial (Washington DC) > Lin
points to Washington and Lincoln memorial
Takes no position, asks question according to ideals of US
cut in the Earth > geologic time
polished black granite
imperfect mirror
in death, all equal
