England: Notable Musicians and Musical Developments

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Last updated 1:05 PM on 5/22/26
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13 Terms

1
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1240 - “Sumer is icumen in” (All Facts)

  • English song of astonishing form, it was the first recorded canon

  • It is a four-part round over a two-part repeated pattern in the bass parts

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1440 - Main Events

  • The use of the interval of a third, long established in England up to this point, standardized harmony in polyphony but the increasing preoccupation with harmony itself led to dull and static rhythms

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1490 - 1545 - John Taverner (All Facts)

  • English Composer and Organist

  • He is regarded as one of the most important English composers of his era

  • His music has a festal quality to it

  • He worked at the new Cardinal College (Christ Church) in Oxford

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1505 - 1573 - Christopher Tye (All Facts)

  • English Composer and Organist

    • He was organist to the Royal Chapel

    • He composed church music

  • His music was newer at the time compared to some of his more old-fashioned contemporaries

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1538 - 1574 - Robert White (All Facts)

  • English Composer

    • He composed High Renaissance Music

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<p>1505 - 1585 - Thomas Tallis (All Facts) </p>

1505 - 1585 - Thomas Tallis (All Facts)

  • English Composer

    • He mentored William

    • He sought out a royal license from Queen Elizabeth to published music

    • He was the most influential English composer in his day

    • He was a Gentleman of London’s Royal Chapel

  • His early work was more old-fashioned than that of some of his contemporaries

  • His work was mature and he was a master of most forms and styles, from masses and other church music in Latin and English to small-scale instrumental works

  • He was a member of Queen Elizabeth’s royal household

  • He was one of the first composers to write music for the (new) Anglican liturgy of 1547-1553

  • He composed for the Catholic Queen Mary of England as well

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<p>1570 - Thomas Tallis: Spem in Alium (All Facts) </p>

1570 - Thomas Tallis: Spem in Alium (All Facts)

  • 40-part Renaissance motet composed for eight choirs of five voices each

  • It is considered the namesake’s greatest work and the greatest work of early English music

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<p>1567 - 1620 - Thomas Campion (All Facts) </p>

1567 - 1620 - Thomas Campion (All Facts)

  • English Composer and Musician

  • He set Latin and English poems to music

  • He created several books of “Ayres” for the voice, with lute accompaniment

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<p>1540 - 1623 - William Byrd (All Facts) </p>

1540 - 1623 - William Byrd (All Facts)

  • English Composer

    • He was mentored by Thomas Tallis

    • He was a Gentleman of London’s Royal Chapel, where he served as its organist alongside his mentor

  • He composed many works including madrigals, pieces for keyboard, songs, and three masses

    • His output ranged from music for both the Anglican and Catholic churches to songs and instrumental music

    • His masses, written for three, four, or five voices; demonstrated the vitality of the art of counterpoint

    • He was particularly renown for his masses and madrigals, which demonstrated a mastery of polyphony which gave him an unsurpassed reputation at home and abroad

  • Some called him the “Father of English Music”

  • He died at his Essex home

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1576 - 1623 - Thomas Weelkes (All Facts)

  • English Composer and Organist

  • He was famous for his madrigals

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<p>1583 - 1625 - Orlando Gibbons (All Facts) </p>

1583 - 1625 - Orlando Gibbons (All Facts)

  • English Composer and Keyboardist

  • He was famous for his madrigals and anthems

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1563 - 1626 - John Dowland (All Facts)

  • English Composter and Lutenist

  • His early career was overshadowed by his failure to obtain a position in Queen Elizabeth’s “Musick”

  • He was appointed court lutenist to King Christian IV of Denmark

  • He eventually gained a position in the English court during the reign of King James

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