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Amplifier
An electronic device that increases the power of an audio signal allowing for greater volume
Backing Vocals
Vocal accompaniment to the lead singer or band
Blue Notes
Additional chromatic notes used for colour (normally the flattened 3rd, 5th and 7th of a normally major scale)
Bridge/Middle Eight
A contrasting section in the middle of a song, usually following the second repeat of the chorus. If it's exactly eight bars long it is termed a middle eight
Chorus
The main, repetitive section of a song
Close harmony
One with which the voice parts lie close together
Consonant Harmonies
Harmonies/Notes that work well together, usually because they are part of the same chord. 3rds and 6ths are the most consonant sounding harmonies, often provided by BVOX
Distortion
Distorting (making fuzzy, growly) the sounds by further increasing their gain (volume)
Drum Fill
An often improvised short section of drum rhythm normally in the last bar of a phrase or section
Falsetto
Singing above the natural range of pitch (male, especially tenors)
Finger clicks
Clicking of the fingers
Flanger
Sound effect that creates a 'whoosing' sound
Freddie Mercury
Lead singer of Queen
Glam rock
Theatrical rock music, also known as operatic rock
Hammer on and Pull Off
Sharply bringing a hand down onto a string to create sound, and vice versa
Harmonic Progressions
A sequence of chords
Harmonic sequence
The repetition of a chord pattern at a higher of lower pitch
Hook
The catchiest part of a song. Can be a riff, lyric or lick
Intro/Outro
The opening and closing sections of a song
Layering
Music built with layers to create varying textures
Multi-tracking
[Separately] recording multiple tracks of audio in order to mix them together to create a cohesive whole
Overdubbing
The addition of new material to an existing recording
Palm-Mute
Muting the strings with your hand to create a dampened sound
Pitch Bend
Bending a string to raise and/or lower the pitch a little
Portamento
Slide between pitches
Power Chords
Chords comprised of only the first and fifth (no third - no middle note to determine if it's major or minor)
Riff
A short repeated pattern of notes
Rock Band
Group of musicians specialising in rock music, usually 2 x guitars, bass, drums and singer
Rock Opera
Collection of rock music songs with lyrics that relate to a common story
Slap Bass
Percussively playing the bass guitar
Sliding
Moving between notes/pitches
Solo/Instrumental
Section of a song showcasing fluent/virtuosic performance on an instrument/voice
Stock Chords Progressions
Common chord sequences used in rock and pop music, e.g. I, V, VI, IV
String bending
Bending the string on a guitar to slightly change the pitch
Syllabic
Setting words one syllable per note
Syncopation
Playing through the beat/off the beat
Verse
Section of a song, potentially same melody but different in lyrics
Verse/chorus form
A structure consisting of at least both choruses and verses
Vocalisation
Oohs and aahs
Multi-track
Recording different audio channels to separate ‘tracks’ (one by one or simultaneously) for greater ease and effectiveness of processing than when all information is stored on a single track
Pitch shift
Where the original pitch of a sound is raised or lowered, often by means of an effects unit called a ‘pitch shifter’
(Studio) effects
Methods of artificially creating sounds, or of modifying or enhancing recorded sounds, through use of music technology
Track (1)
(1) An individual song, piece or movement on a recording (e.g. on a CD).
Track (2)
(2) A path on a magnetic recording tape (or a computerised recording system) that receives or contains information from a single audio channel
Reverb
Echo
Wah-wah
change EQ to make “wah” sound
EQ
(equalizer) relative balance of different frequencies
Panning
moving the sound from the left to right speaker
Phaser
swirling tinny effect that doesn’t change the notes
Melismatic
more than one note per syllable
Nonsense syllables
e.g. doo be doo ba
triadic
when a melody is based around the notes of a chord
sequences
repetition, up or down a step
anacrusis
upbeat
Cadence
the chord sequence at the end of a harmony
Functional Harmony
uses cadences
Non-Functional Harmony
doesn’t use cadences
Pedal
bass line stays same while the harmony changes
Circle of fifths
when bass note goes down a fifth each time (same as going up a fourth)
Antiphonal
"call-and-response" texture or effect