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Texture
A term in music referring to the way the different strands or layers of music relate to each other.
Homophony
A musical texture where all the parts move together at the same rate, with primacy given to the highest part.
Chordal homophony
Also known as homorhythmic, this is a stricter type of homophony where the different parts move together, forming effectively a sequence of chords.
Melody-dominated homophony
Also called melody-and-accompaniment, a looser form of homophony in which there is a clear focus on the main melody, with the other parts in a secondary, accompanimental role.
Monophony/monody
A musical texture where there is a single line of music without accompanying harmony.
Unison
When two or more musical parts play the same music as each other – can be specified as octave unison if the parts are in different octaves.
Polyphony/counterpoint
A musical texture in which different and independent melodic lines are heard at the same time.
Cadence
A pair of chords that marks the completion of a phrase or section of music, often used as a way of emphasising the sense of key.
Perfect cadence
A V-I cadence that has a sense of completion or finality.
Imperfect cadence
A cadence ending on V that has a sense of incompleteness.
Plagal cadence
A IV-I cadence that has a sense of finality.
Interrupted cadence
A cadence with a sense of incompleteness, moving from V to a chord that isn’t chord I – usually VI.
Melody
A sequence of notes and pitches that listeners hear as a distinct line of music.
Harmony
The effect of combining different pitches simultaneously to form chords and chord progressions.
Rhythm
A sequence of note durations that listeners hear as a distinct pattern.
Motif
A short melodic or rhythmic phrase that is repeated and subjected to change and transformation in a passage of music.
Ostinato
A distinctive motif or rhythmic phrase that is repeated through a passage of music.
Countermelody
A secondary melody heard at the same time as the main tune, which complements it.
Modulation
The process of changing from one key to another in tonal music.
Basso continuo
A bassline played by a single-line instrument, accompanied by a chordal instrument improvising a harmony part.
Soprano
A high (commonly female) voice category.
Alto
A lower (commonly female) voice category.
Tenor
A high (commonly male) voice category.
Bass
The lowest (male) voice category.
Dynamics
Musical loudness or softness.
Major key
A tonal centre that uses the major scale and triad.
Minor key
A tonal centre that uses the minor scale and triad.
Natural minor scale
T-S-T-T-S-T-T.
Harmonic minor scale
T-S-T-T-S-aug2nd-S.
Melodic minor scale
Ascending: T-S-T-T-T-T-S; Descending: T-T-S-T-T-S-T.
Diatonic
Music that uses the pitches of the home key.
Chromatic
Music that uses pitches from outside the home key.
Modal
A scale or pitch collection that occurred before tonal music emerged.
Atonal/non-tonal
Music that doesn’t follow the tonal or modal system.
Metre
The time signature or beat grouping of a piece of music.
Simple time
Music with a 4 at the bottom of the time signature.
Compound time
Music with an 8 at the bottom of the time signature.
Irregular metre
Either a time signature where the divisions of the bar are not all the same length or a passage of music with changing time signatures.
Swung quavers/semis
A jazz technique of playing quavers in a long-short pattern.
Dotted rhythm
Pairs of notes in a long-short rhythm.
Triplet
Three notes in the time usually occupied by two.
Tessitura
The main pitch range of an instrumental or vocal part.
Articulation
The technical or characteristic way a note is sounded.
Staccato
Notes articulated separately with a space in between.
Legato
Notes articulated smoothly, without a gap in between.
Melisma
The singing of more than one note to a single syllable of text.
Syllabic word setting
A way of setting words so that each syllable has a single note.
Secondary dominant
A chord which functions as the dominant of a chord other than the tonic.
Binary form
A two-part structure AB.
Ternary form
A three-part structure, usually ABA.
Sonata form
A principle of music construction prevalent in the Classical period.
Exposition
The opening section of a sonata form.
Development
The section of a sonata form where musical ideas are explored.
Recapitulation
The concluding section of a sonata form.
Rondo form
A musical structure based on the repetition of a theme.
Symphony
A large-scale work for orchestra, usually in 4 movements.
Sonata
A multi-movement work for a single player or a player plus piano accompaniment.
Concerto
A piece for solo performer accompanied by an orchestra.
Chamber music
Music for a small number of players.
Song without words
A short Romantic piece for solo piano with song-like qualities.
Imitation
Where one line of music copies the melody of another.
Canon
Repeating a melody but starting after a time delay.
Hemiola
The rhythmic phrasing of two bars of triple time music as if they were three bars of duple time.
A cappella
Choral music performed without instrumental accompaniment.
Choir
A group of singers singing together.
Backing vocals
Supporting singers in pop music.
Strings
A family of musical instruments characterized by vibrating strings.
Brass
A family of musical instruments made of brass.
Woodwind
A family of musical instruments producing sound by air.
Percussion
A family of musical instruments producing sound by being struck.
Keyboard
A family of musical instruments producing sound via a player striking a key.
Rubato
The varying of strict tempo for expression.
Clef
A symbol placed at the start of a line of music.
Key signature
A symbol indicating which notes should always be played as sharps or flats.
Ornaments
Musical embellishments that decorate the line for variety.
Consonance/dissonance
Consonance denotes pleasantness, dissonance denotes harshness.
Transposition
Moving a passage of music up or down to be in a different key.
Pedal point/pedal note
A sustained or repeated bass note over which the harmony changes.
Arpeggio
Spreading the notes of a triadic chord so they are heard sequentially.
Circle of fifths
A harmonic progression where the bass moves progressively by the interval of a fifth.
Verse / pre-chorus / chorus / middle-eight / intro / outro
Names given to sections of a pop song.
Full score/reduction
A score in which all instruments appear in full / a simplified score.
Sequence
A melodic phrase that is repeated, getting progressively higher or lower.
Conjunct
When a melody moves up or down to the next nearest note.
Disjunct
When a melody moves up or down by a larger interval than a step.