Auditory Perception

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Last updated 7:22 PM on 6/12/26
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42 Terms

1
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What are the key functions of hearing?

  • Alarm/orienting system (links to visual density) 

  • Object classification/identification 

  • Communication by self-generated sound → more evolutionarily advanced 

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What are sounds?

Spherical pressure waves that travel through the air in all directions, expanding from the sound source 

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What are the attributes of sound?

  • Frequency

  • Amplitude

  • Complexity

<ul><li><p>Frequency</p></li><li><p>Amplitude</p></li><li><p>Complexity</p></li></ul><p></p>
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What is frequency?

Number of air pressure oscillations per second (why sounds are heard differently) 

  • 1 cycle /second = 1Hz 

  • Compression + rarefaction (expansion)

  • Changes in frequency over time allow identification of the location of sounds + allows understanding of speech and appreciation of music

  • Fundamental frequency = pitch

    • Changes in the physical frequency of a sound wave are perceived as changes in pitch

  • Harmonic frequencies = timbre

<p><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Number of air pressure oscillations per second (why sounds are heard differently)</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p><ul><li><p class="Paragraph SCXO196424433 BCX0" style="text-align: left;"><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">1 cycle /second = 1Hz</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p></li><li><p class="Paragraph SCXO196424433 BCX0" style="text-align: left;"><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Compression + rarefaction (expansion)</span></p></li><li><p class="Paragraph SCXO196424433 BCX0" style="text-align: left;"><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Changes in frequency over time allow identification of the location of sounds + allows understanding of speech and appreciation of music</span></p></li><li><p class="Paragraph SCXO196424433 BCX0" style="text-align: left;"><span style="line-height: 21.85px; color: windowtext;">Fundamental frequency = pitch</span></p><ul><li><p class="Paragraph SCXO196424433 BCX0" style="text-align: left;"><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Changes in the physical frequency of a sound wave are perceived as changes in pitch</span></p></li></ul></li><li><p>Harmonic frequencies = timbre</p></li></ul><p></p>
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Which frequencies can we detect?

  • Between about 20-20,000 Hz 

  • Human ear is most sensitive to frequencies around 1,000 to 3,500 Hz 

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What is amplitude?

  • Loudness/intensity of sound 

  • Height relative to threshold for human hearing 

  • Any sounds above 85 dB can be enough to cause hearing damage, depending on the length and type of exposure 

  • Contribute texture to auditory perception 

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Waves diagram

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What is a pure tone?

A simple sound wave that first increases air pressure + then creates a relative vacuum 

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What is complexity? What do complex sounds consist of?

  • Perception of timbre (experience of sound quality/resonance) -> info about nature of sound (e.g. flute vs piano) 

  • Contribute texture to auditory perception 

  • Direct tones → can be described as a sum of pure tones 

<ul><li><p><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Perception of timbre (experience of sound quality/resonance) -&gt; info about nature of sound (e.g. flute vs piano)</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p></li><li><p class="Paragraph SCXO218904887 BCX0" style="text-align: left;"><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Contribute texture to auditory perception</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p></li><li><p><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Direct tones → can be described as a sum of pure tones</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p></li></ul><p></p>
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What do tones consist of?

A fundamental frequency + a set of specific harmonics (which define the timbre)

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What does complexity correspond to?

Perception of timbre

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What does a Fourier transform do?

Decomposes any complex signal that evolves over time/space into its constituent oscillatory components

  • How synthesisers work

<p><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Decomposes any complex signal that evolves over time/space into its constituent oscillatory components</span></p><ul><li><p>How synthesisers work</p></li></ul><p></p>
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What does signal processing in psychological research involve?

Analysis of image stats (spatial freq), sound properties, waveforms from EEG + MEG 

<p><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Analysis of image stats (spatial freq), sound properties, waveforms from EEG + MEG</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p>
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<p>What are psychophysical masking experiments?</p>

What are psychophysical masking experiments?

  • Detecting a target tone in the presence of another (masking) tone

  • Vary intensity of masking tone until the target disappears/reappears → threshold

<ul><li><p>Detecting a target tone in the presence of another (masking) tone</p></li><li><p>Vary intensity of masking tone until the target disappears/reappears → threshold</p></li></ul><p></p>
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What is sound pressure level?

  • Physical measure of sound intensity

  • Measured in decibels

<ul><li><p>Physical measure of sound intensity</p></li><li><p>Measured in decibels</p></li></ul><p></p>
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What is a sone?

Psych measure of loudness derived from psychophysical experiments

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What process causes sones?

Mind tranduces physical pressures into a perceptual quality whose spacing is different

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How are sound waves transduced into neural signals?

  • Outer ear = directional microphone

  • Middle ear = impedance matching, overload protection

  • Inner ear = frequency analysis, neural encoding

  • Outer ear collects sound waves → funnels them towards the middle ear → transmits the vibrations to the inner ear (embedded in the skull) → transduced into neural impulses 

  • Pinna → funnels sound waves into auditory canal → eardrum vibrates in time with sound wave → ossicles pick up eardrum vibrations → amplifies them + passes them along → vibrations of oval window → vibrations of fluid-filled cochlea → fluid carries wave energy to auditory receptors (inner hair cells) → transduce into electrical activity → exciting the neurons of auditory nerve → brain 

<ul><li><p>Outer ear = directional microphone</p></li><li><p>Middle ear = impedance matching, overload protection</p></li><li><p>Inner ear = frequency analysis, neural encoding</p></li></ul><ul><li><p><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Outer ear collects sound waves → funnels them towards the middle ear → transmits the vibrations to the inner ear (embedded in the skull) → transduced into neural impulses</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p></li><li><p class="Paragraph SCXO104783590 BCX0" style="text-align: left;"><span style="background-color: inherit; line-height: 21.85px; color: windowtext;">Pinna → funnels sound waves into auditory canal → eardrum vibrates in time with sound wave → ossicles pick up eardrum vibrations → amplifies them + passes them along → vibrations of oval window → vibrations of fluid-filled cochlea → fluid carries wave energy to auditory receptors (inner hair cells) → transduce into electrical activity → exciting the neurons of auditory nerve → brain</span><span style="line-height: 21.85px; color: windowtext;">&nbsp;</span></p></li></ul><p></p>
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What is a cochlea? How is it divided along length?

A fluid-filled tube that is the organ of auditory transduction 

  • Divided along length by: 

    • Basilar membrane = a structure in the inner ear that undulates when vibrations from the ossicles reach the cochlear fluid  

      • Wave-like movement stimulates: 

        • Hair cells = specialised auditory receptor neurons embedded in the basilar membrane 

          • Release neurotransmitter molecules → initiates a neural signal in the auditory nerve that travels to the brain 

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<p>What occurs in the cochlea?</p>

What occurs in the cochlea?

  • Ossicles transmit mechanical stimulation onto the oval window → generates a wave in the liquid → travels down basilar membrane

  • Movement of basilar membrane stimulates haircell receptors in the organ of Corti

<ul><li><p>Ossicles transmit mechanical stimulation onto the oval window → generates a wave in the liquid → travels down basilar membrane</p></li><li><p>Movement of basilar membrane stimulates haircell receptors in the organ of Corti</p></li></ul><p></p>
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<p>How is sound transduced?</p>

How is sound transduced?

  • Pure tones lead to basilary membrane oscillations in areas that are responsive to that tone’s frequency

    • Frequency → location on membrane (place code)

  • Further frequency tuning is achieved by lateral inhibition in neurons feeding into the auditory nerve

<ul><li><p>Pure tones lead to basilary membrane oscillations in areas that are responsive to that tone’s frequency</p><ul><li><p>Frequency → location on membrane (place code)</p></li></ul></li><li><p>Further frequency tuning is achieved by lateral inhibition in neurons feeding into the auditory nerve</p></li></ul><p></p>
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What is a place code?

  • Used for high frequencies 

  • Active when the cochlea encodes different frequencies at different locations along the basilar membrane 

  • Works best for relatively high frequencies that resonate at the basilar membrane’s base + less well for low frequencies that resonate at the tip

    • Because low frequencies produce a broad travelling wave → imprecise frequency code

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What occurs in the basilar membrane?

  • Frequency is low → the wide, floppy tip (apex) of the basilar membrane moves the most

  • Frequency is high → the narrow, stiff end (base) of the membrane moves the most

  • Movement of the basilar membrane causes hair cells to bend → initiates a neural signal in the auditory nerve

  • Axons fire the strongest in the hair cells along the area of the basilar membrane that moves the most → the place of activation on the basilar membrane contributes to the perception of sound 

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What is a temporal code?

  • Registers low frequencies via the firing rate of action potentials entering the auditory nerve 

  • Individual neurons can produce action potentials at a maximum rate of only about 1,000 spikes per second → temporal code does not work as well as the place code for high frequencies 

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What did Johnson (1980) argue about action potentials?

Action potentials from the hair cells are synchronised in time with the peaks of the incoming sound waves → provides the brain with precise info about pitch that supplements the info provided by the place code 

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How does the place code and temporal code work together?

Work together to cover the entire range of pitches that people can hear 

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How does auditory perception relate to areas in the brain?

Action potentials in the auditory nerve travel to the thalamus + ultimately to the contralateral hemisphere of the cerebral cortex 

  • AKA area A1 = portion of the temporal lobe that contains the primary auditory cortex  

    • Neurons respond well to simple tones, and successive auditory areas in the brain process sounds of increasing complexity (Schreiner et al., 2000) 

    • Has a tonotopic organisation where similar frequencies activate neurons in adjacent locations 

  • LH → analyse sounds related to language 

  • RH → specialise in rhythmic sounds and music 

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What can frequency tuning curved be measured by?

Masked experiments → neurons are tuned to certain frequencies + preferentially respond to them

<p>Masked experiments → neurons are tuned to certain frequencies + preferentially respond to them</p>
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Equal loudness contours (diagram)

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What is speech?

  • Speech sounds cover a wide range of the audible spectrum

  • Current mobile phone tech only transmits 300-3400Hz

  • Age-related hearing loss = higher frequencies

  • Noise-related hearing loss = temp shifts in threshold or permanent damage

  • Tinnitus = continuous ringing/humming

<ul><li><p>Speech sounds cover a wide range of the audible spectrum</p></li><li><p>Current mobile phone tech only transmits 300-3400Hz</p></li><li><p>Age-related hearing loss = higher frequencies</p></li><li><p>Noise-related hearing loss = temp shifts in threshold or permanent damage</p></li><li><p>Tinnitus = continuous ringing/humming</p></li></ul><p></p>
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What is conductive hearing loss?

  • Caused by damage to the eardrum or ossicles to the point that they can’t conduct sound waves effectively to the cochlea (which works normally) 

  • In many cases, meds or surgery can correct the problem 

  • Sound amplification from a hearing aid also can improve hearing through conduction via the bones around the ear directly to the cochlea 

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What is sensorineural hearing loss?

  • Caused by damage to the cochlea, the hair cells or the auditory nerve 

  • Happens to almost all people with hearing as they age 

  • Effects: 

    • Sensitivity decreases such that sounds have to be more intense to be heard 

    • Acuity decreases such that sounds smear together on the basilar membrane, making voices harder to understand, especially if other sounds are present 

  • Causes: 

    • Genetic disorders 

    • Premature birth 

    • Infections, meds

    • Accumulated damage from sound exposure (particularly intense sounds) and aging (these last two causes are hard to tease apart since older people have been exposed to sound for longer) 

  • Hearing aids amplify sounds BUT cannot fix the acuity problem 

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What is a cochlear implant?

  • For severe hearing loss 

  • Electronic device that replaces the function of the hair cells 

  • The external parts:mas mic + processor (worn behind the ear) + a small, flat, external transmitter that sits on the scalp behind the ear 

  • Implanted parts: receiver just inside the skull + a thin wire containing electrodes inserted into the cochlea to stimulate the auditory nerve 

  • Sound picked up by the mic is transformed into electric signals by the processor (small computer)

  • The signal is transmitted to the implanted receiver → activates the electrodes in the cochlea 

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Where is speech in an audiogram?

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What is music?

  • Musical pitch relates to specific frequencies

  • In Western classical music, harmony is defined through progression of intervals, each defined by their own frequency ratios

<ul><li><p>Musical pitch relates to specific frequencies</p></li><li><p>In Western classical music, harmony is defined through progression of intervals, each defined by their own frequency ratios</p></li></ul><p></p>
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What is an ultrasound?

  • Frequencies above 20 kHz

  • Not audible to humans

  • Dogs can hear up to 40 kHz sounds (dog whistles!

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What is an infrasound?

  • Frequencies below 20 Hz

  • Not audible to humans, but can cause dizziness etc

  • Elephants can hear sounds as low as 15 Hz

  • Whales communicate with infrasounds

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Sensitivity in animals

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How do we known where each sound is coming from in an auditory scene?

From 2 1D sensors (ears) → localise sounds + identify several objects concurrently

  • Pinnae = ridges on ears channel sound differently depending on where it comes from

    • Useful for computing elevation (vertical) of sound source

  • Inter-aural processing = signals are combined to find the angluar location (horizontal) of the sound source

<p>From 2 1D sensors (ears) → localise sounds + identify several objects concurrently</p><ul><li><p>Pinnae = ridges on ears channel sound differently depending on where it comes from</p><ul><li><p>Useful for computing elevation (vertical) of sound source</p></li></ul></li><li><p>Inter-aural processing = signals are combined to find the angluar location (horizontal) of the sound source</p></li></ul><p></p>
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How does sound localisation work?

  • Sound arriving at the ear closer to the sound source is louder than the sound in the farther ear → because listener’s head partially blocks sound energy

    • Loudness difference decreases as the sound source moves from a position directly to one side (max difference) to straight ahead (no difference)

  • Timing → sound waves arrive a little sooner at the near ear than at the far ear

    • Timing difference can be as brief as a few ms BUT together with the intensity difference it’s sufficient to allow people with hearing to perceive the location of a sound

  • Ambiguous location → turn head → changes relative intensity + timing of sound waves arriving in their ears + collects better info about the likely source of the sound 

    • Visual orienting = behavioural response to move the eyes towards a target that might signal a potential prey or predator 

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What is multisensory integration?

Perceptual representation of events from more than one sensory modality 

  • Expect synchrony/integration (e.g. bad dubbing, beat to come from a drum) 

  • Ventriloquist effect (Howard + Templeton, 1966) → ‘throw’ their voice by minimising the movements of their own mouth + accentuating the movements of the dummy, leading to the compelling impression that the dummy is talking 

  • Achieved by neurons in the brain that receive input from more than one sensory modality (Stein + Meredith, 1993) → sensitive to the source of the signals in terms of location and timing, as in the case of beating a drum 

  • When multisensory neurons receive synchronised activity from the visual + auditory channels, they produce an enhanced response that represents the combined activity of the different senses (Stein, 1989) → when they are not synchronised, the multisensory neurons are not activated 

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What is the cocktail party effect?

  • Cherry (1953) → following 1 of 2 concurrent messages is much better + less effortful if these messages are presented to separate ears than if they’re both presented to a single ear

  • Separation of sound sources in space can be facilitated through high-level effects (language, familiarity, attention) + sensory fusion (visual signals)