1950s Egyptian Cinema, Youssef Chahine & The Politics of the Canon

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Last updated 3:49 PM on 4/27/26
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13 Terms

1
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Name both screenings for this topic

Barsoum Looking for a Job - Mohamed Bayoumi (1923)

The Blazing Sun/Struggle in the Valley - Youssef Chahine (1954)

2
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Name 3 events in Egyptian History from 1919 to 1960 (EXCLUDING film history)

  • 1919: Revolution against British occupation of Egypt and Sudan

  • 1922: Formal independence from Britain

  • 1952: King Farouk overthrown and replaced by a president

3
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When is the Egyptian Film Industry NATIONALISED?

1960s

4
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During what decade was the first Egyptian films made?

1920s

5
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Give two titles of early Egyptian films and their years of release

  • Kiss in the Desert (1927)

  • Laila (1927)

6
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Give 3 points of information about the nature of Egyptian Film in the early 20th century

  • Focus on producing Commercial entertainment

  • Genre and star driven

  • Popular with a broad audience of both Egypt and the wider Arab World

7
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Give 2 dominant genres of Egyptian Cinema

  • Musicals

  • Melodramas

8
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According to JOEL GORDON, what two factors contributed to Egyptian Cinema’s focus on ENTERTAINMENT?

  • Market demand

  • Impact of working within a repressive political and social order

9
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“the - of - within a - - and - order” - Joel Gordon on why Egyptian Cinema focused on entertainment

“the exigencies of working within a repressive political and social order”

10
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Give the year of birth and year of death for Youssef Chahine

1926

2008

11
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Name the required reading for this week

‘The Arab National Project in Youssef Chahine’s Cinema’ by Malek Khouri’

12
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According to Malek Khouri, The Blazing Sun was among the first Egyptian films to “- express an - - favoring the - over - - -”

“unambiguously express an intellectual position favoring the peasants over the feudal lord”

13
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How does Youssef Chahine’s cinema relate to the socio-economic system of Egypt? (3 points)

  • Chahine’s films (Such as The Blazing Sun) provides meaningful social commentary on Egyptian working class struggles of the 1950s

  • Empathy for marginalized social classes can be seen in his work

  • Utilises the commercial genre of melodrama in order to achieve this