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Through the focus on the child’s loss of innocence.
This focus on the child’s lost innocence helps Blake comment on the injustice children experienced in the age of the Industrial revolution. It helps Blake get the image of this child into the minds of readers. It makes them feel pity and subsequently it helps them recognise the injustice faced.
“Crying ‘weep, weep’”
Regular rhyme scheme and mostly steady rhythm (AABB CACA DEDE)
3 stanzas of 4 lines each
Simplicity of the structure and lines juxtapose the child’s increasingly cynical and complex world view.
‘I was happy upon the heath’
Through focusing on religion as a damaging force in the child’s life, contrasting it to how religion is usually presented (glorified and praised)
Blake uses the focus and reference to religion to show how it was used (and still is used) as a tool of manipulation of the masses. The blind following of God by the parents, to the extent that they leave their own child in the snow to go to church, shows how that kind of blind faith can be damaging and also how it can be someone’s escape from the world.
‘gone up to the church to pray.’
‘gone to praise God and his priest and king’
‘make up a heaven of our misery’
By highlighting how neglectful the chimney sweeper’s parents are.
This presentation of the parents as neglectful elicits more sympathy from the reader while also highlighting the society that forces the parents to do this. Blake doesn’t take blame off of the parents, he instead blames both the parents and the system while portraying the chimney sweep as the product of both of their neglect.
‘clothed me in the clothes of death’
‘taught me to sing the notes of woe’
Shows how the parents are doing their job but in a warped and wrong way. Parents are supposed to teach children, which is what the parents are doing, but they’re teaching the chimney sweep the wrong things.
‘sing’ has connotations of freedom and joy. The combination of ‘sing’ with ‘woe’ adds to the semantic field of sadness.
it also perpetrates a metaphor started in the first stanza, creating a memorable impression of the child as something bird-like.
‘Where are thy father and mother, say?’