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She is painted in profile, presenting her not as a dynamic human but instead a passive displayed object - completely open to male gaze.
Her adverted eyes were a sign of a women's modesty and chastity.
Being the cousin of the ruler of Florence (Lorenzo the Magnificent), Lorenzo commissioned the portrait to present him as well-educated, knowledgeable and wealthy.
An inscription from the classical author Martial demonstrates Lorenzo's classical education.
The embraided 'L' on Giovanna's shoulder showcases Lorenzo's societal achievements.
Giovanna is dressed in fashionable clothes, such as the Gamurra, which were accessible to only the wealthy.
The figure of the Fury was inspired by Virgil's Aeneid.
The relief of Mars (Roman God of War) on his right shoulder plate.
The weapons at Charles's feet are divine symbols from antiquity - Hercules' club and Neptune's trident.
Standing in contrapposto a technique invented by the Romans.
Carrara marble is an expensive material which is associated with sculptures from antiquity (parallels with the idealised classical beauty seen in Venus de Milo c.150 BC).
It also raises the sculptures status and blends it with its surrounding neoclassical architecture.
The sculpture is located on Trafalgar Squares 4th Plinth - a location surrounded by sculptures which celebrate the glory of empire and military success (the original statue of scientist Edward Jenner was removed).
Juxtaposes the celebration of imperialist, patriarchy, white men with a celebration of a previously ignored community of disabled women.
Located in a tavern.
Non-biblical figures included (like the cat, maid and servants).
The table aligns with the alter in the sanctuary of the Church of San Giorgio Maggiore.
Warped perspective, the table invites the viewer (unlike traditional depictions of the Last Supper where the viewer is shut of from the painting).
Turn of the millennium (Christ's 2000th Birthday) a time where people were reluctant to mention faith (the legacy of religion in Western culture - Nietzsche 1882).
The first commissioned work for Trafalgar Squares 4th Plinth.
NOBLE- positioned in a contrapposto pose taken from antique sculpture.
- robes representing Roman togas further associates him with the classical world.
- the whiteness and purity of his robes demonstrates his purity.
- the lack of shoes shows his harmony with nature.
SAVAGE - tattooed hands show exoticism.
- oriental turban demonstrate the generalised depiction of foreigners.
The Enlightenment - a time of immense scientific progress and belief in human reasoning and the individual.
They believed that all humans were created equal, but they developed at different stages - Tahiti was in a stage of 'before civilisation'.
A glazed and mirrored surface reflects the surrounding buildings, compositionally pulling Rome into the building.
Similarly, the use of concrete was shared by Roman architects.
To consolidate his dynasty and rule in the newly conquered Khajuraho region.
Public works convinced his people that he was a 'good' ruler, thus legitimising his rule.
A Skull -symbolises the Mexican tradition of day of the dead
A papal picado - she is holding a traditional Mexican flag
Aztec temple - located at Teotihuacan, link to Mexican history.
Pile of rocks - symbolic of the fall of Aztecs at the hands of the Spanish Conquistadors.
complete Aurier's quotes:
'______ and _____ genius'
'______ and almost ______ sincerity'
'so ______ and so ______ from the milieu of our pitiable art today'
'an enemy of the _______'
'terrible and maddened genius'
'profound and almost childlike sincerity'
'so original and so apart from the milieu of our pitiable art today'
'an enemy of the bourgeois'
What do these symbols on the Benin Plaque symbolise?:
Leopard
Coral
Python
Leopard - symbolic of Oba power
Coral - kingship
Python - strength, king of the snakes
as primitive, an example of before civilisation.
'Benin is indeed a city of blood' Bacon 1897
'City of Skulls'
Potato Eaters - Artist and Date
Vincent van Gogh, 1885
How did Van Gogh describe his artistic identity to Theo?
‘When I say that I am a painter of peasant life, that is a fact’ Van Gogh 1885
when did Nietzsche ‘kill’ God?
1882