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"dem tell me"
- repeated throughout poem
- the repetition of the creole language throughout the poem highlights the divide between Agard ('me') and the educators/authorities ('them')
- it creates a monotonous rhythm which Agard uses to show that colonial history is drilled into school curriculums and people's heads
- he is suggesting he is living in a society where nursery rhymes and fictional characters are more important than real revolutionary characters of a different culture or religion
"Dem tell me/ Dem tell me/ Wha dem want to tell me"
- first lines/stanza of the poem
- the phonetic Caribbean dialect challenges standard English - rejects colonial authority
- repetition of 'dem tell me' shows how the speaker is force fed a controlled version of history
- the repetition also highlights monotony and boredom, it mimics brainwashing, implying identity has been deliberately constructed by those in control
- 'tell' anger and frustration, he wants to ensure he is heard and his message is clear
"Bandage up me eye with me own history/
Blind me to me own identity"
- metaphor of 'bandage' suggests deliberate injury and restriction, not accidental ignorance
- 'blind' implies the speaker has been prevented from seeing their cultural truth - shows how colonial education erases identity
- also the plosives here 'b' creates an aggressive tone, it implies the violent lengths they will go to in order to sustain their power- links to violence of european empires at the time
- also the irony of 'me own history' suggests it is being used against him- history becomes a weapon of control
'Toussaint
A slave
With vision
Lick back
Napoleon'
- enjambment breaks the lines, it reflects fragmented but powerful rediscovery of history
- 'lick back' is a colloquial phrase that shows rebellion and pride in black resistance, he is fighting to keep his history alive - this contrasts sharply with earlier passive tone, shift to empowerment , he wants to take over the role of 'Toussaint' and overthrow oppressive educational system
- the monosyllabic structure here mirrors drum beats/oral storytelling, it reconnects the speaker to ancesteral culture
"Of mountain dream / fire woman struggle / hopeful stream / to freedom river"
- nature imagery here has connotations of pure and eternal, Agar is using this to be parallel with the constant resilience of black people
- 'hopeful' and 'freedom' is part of a semantic field of liberation and individuality, Agar uses these words to outline the importance of these historical figures throughout times when places were heavily controlled
- the short lines show history was cut short, and the italic font shows black people were treated differently - intention
Mary seacole is a 'healing star'
- metaphor- Agar mythologises mary seacole as if she is someone to guide us, reflects his purpose to conduct reader to a new understanding of history through 'healing' as he provides a 'bandage' to black brits
- tone shifts from anger to a conciliatory tone, he is trying to come to a compromise with the reader so they can understand what he proposes is fair
- motif of light throughout the poem 'beacon' , 'fire' , 'star' stops the speaker from being 'blind' by colonial syllabus, the figures pierce through the darkness of ignorance
"I carving out me identity"
- verb 'carving' suggests identity is something actively created not passively received, this implies struggle as carving is slow and painful but permanent
- Agar intent here : telling reader to be vocal about their identity by making it visible and lasting, rewriting history
- 'me' - represents his personal heritage, highlights a rejection of the colonizer's rules in favor of his own voice
- this is a volta - shifts to speakers perspective, an active agent of his own future, contextual rebellion he is no longer following a eurocentric view
context
- born in guyana
- pointing out British curriculum - written by white oppressors - black history isolated
- eurocentric- European focus
- poem is part of 'Empire fights back'
- poem is written in creole (a stable natural language that develops from the simplifying and mixing of different languages)
who wrote it
John agard
comparison
London- power of authority figures, oppression in physical context and oppression in education context