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How do producers attract, reach and address audiences
Production factors
Distribution/Marketting
Consumption/ Engagement-technology
Technological impact on audiences ST
-Lack of Watershed
-Binge Culture
-No ads breaks
-Social Media marketing
-Lack of regulation
Technological Impact on Audiences Deutchland 83
Sundance TV focus on world cinema
Channel 4 fulfills remit of diverse
Social Media marketing
Publicly funded higher audience
How audiences view TV
-Appointment viewing-sense of anticipation waiting for next episode
-Ritual viewing-ability to organise week around next episode
-Shared Experience
-Comfort viewing
-Family Viewing (cultural decline due to online streaming-less mass audiences)
How Audiences use LFTVDS
Informing
Cultural Tourism
Personally Identify with characters
Escapism
Pleasure: Hunour, pathos, suspense, action
Targeting and Addressing Audiences Context
-Culturally and Economically globalised tv must attract international and national audiences
This results in:
Stars
High budget
Genre hybridity
Seasonal
D83 Channel 4
-9pm peak time
-Sunday night
-2.5 million viewers of ep 1
-Was highest foreign on British Tv at the time
D83 American Appeal
-East socialism would be exotic to American capitalism
ST audience appeal-Trailer
-Humour: Joyce and Hopper comedy
-Pathos:Wills disappearance
-Action scenes montage
ST ideology
-Family Values:
Dominant:Identify joyce as mother
Negotiated: Family not very convincing
Oppositional: Critic Joyce’s entrapment in domestic roles
Audience Interpratioins
-English language:America positively represented
-Non english:More complex
Effect of Audiences Nostalgia
Depends on experience of era (80s)
Channel 4 demographic
ABC1
Netflix audience demographics
Not released but younger is expected due to online media
Disruption to audience loyalty (Historical Context)
-Growth of streaming
-Less class structure
-Social and cultural identity changing
Audience Expectations
Choice
Accessibility
Immediacy
Due to cheap smart Tvs (Economic) and Increase in broadband speed (political)
Why is traditional regulation at risk
Globalisation
Digital media
Convergence
EU regulation
30% EU content to operate in global streaming