"Virgil was a symbolist in his word-use in the Aeneid." - Use of language in the Aeneid
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__***Bergk***__
"There is in all Virgil hardly a simile which is not borrowed." - use of simile
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__***Coffey***__
"A large number of similes in the Aeneid draw on violent natural phenomena." - similes
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__***Harrison***__
"Aeneas is a man of loneliness and responsibility." - Aeneas
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__***Harrison***__
"Dido is neither bad or mad, indeed she is highly sympathetic to the modern reader." - Dido
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__***Camps***__
"Turnus is meant to have his share of the reader's sympathy, fatally misguided though he is and bloodthirsty." - Turnus
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__***Rogerson***__
"[Ascanius] is the very embodiment of the future of his family and people." - Ascanius
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__***Jenkyns***__
"[Camilla] is one of Virgil's strangest and most original creations." - Camilla
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__***Morgan***__
"The Aeneid is a battle of giants against gods." - Overview
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__***Camps***__
"Dido and Turnus are victims of the higher powers." - Dido and Turnus
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__***Jenkyns***__
"Aeneas has the burden of destiny imposed on him." - Aeneas
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__***Nussbaum***__
"From the ashes of Troy will rise the Phoenix of Rome."
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__***Mackie***__
"Aeneas' general concern to facilitate fate is the cornerstone of his pietas." - Aeneas
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__***Camps***__
"The Aeneid is in a real sense the poet's tribute to his country." - Overview
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__***Griffin***__
"The uncontrolled domination of a man whose whole career was illegal." - Aeneid and the Augustan Age
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__***Williams***__
As, "terrified, frail and human." - Aeneas at the start of the poem
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__***Williams***__
"Crucial book in the development of Aeneas" - Book 6
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__***Miller***__
"The most successful and sublime celebration of empire ever conceived" - The Aeneid
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__***Basson***__
"As an opponent full equipped to stand up to the Trojan hero" - Mezentius
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__***Rawson***__
"The Romans had an ambivalent attitude towards kings" - Roman Attitudes
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__***Williams***__
"The gods wish Romans to conquer the proud" - Gods
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__***Kerns***__
"Transforming" Homer's Epics - Virgil's Writing
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__***Kerns***__
"Fugitive of Fate" - Aeneas victim of fate
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__***Beard***__
"Unstraight forward hero" - Aeneas
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__***Morgan***__
Aeneas fell in love with Dido because she is building a city
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__***Edwards***__
"Aeneas fails... In all the Stoic divisions of virtue... Except justice"
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__***Duckworth***__
"Double causation... The actions of the god... Externalises the sentiments of the characters and brings them to a decisive fulfillment"
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__***Duckworth***__
"Turnus is a tragic character because he is a brave man devoted to a cause which is righteous"
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__***Cowan***__
"Mezentius... The man you hate to love"
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__***Semple***__ Anti - Augustan → Virgil hated war
Argues that Virgil "hated war" because he saw war and its consequences first hand.
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__***Quinn***__ Pro - Augustan → Aeneas like Julius Caesar.
Julius Caesar had also had an affair with Cleopatra, but he had ended the affair and gone back to Rome. Unlike Antony
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__***Metzger***__ Anti - Augustan → Augustus is a traitor.
He is a traitor to Roman virtue just as much as he is the embodiment of the new era
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__***Parry***__
Voices about Augustus. A voice of public admiration for Augustus. A voice of loss and lamentation - Private Voice
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__***Glover***__ Pro-Augustan → Virgil and Augustus were friends.
"A warm friendship bound them to each other".
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__***Griffin***__
"It would be absurd to suppose that Virgil embarked on an epic poem simply in order to flatter Augustus."
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__***Camps***__ Pro - Augustan
"Augustus in his own day has borne and bears the same responsibility for his people's future that Aeneas bore before him."
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__***Sabine Grebe***__ Pro - Augustan
"It reinforces the divine foundation of the emperor's prestige."
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__***Quinn***__ Anti - Augustan → Justification of Augustus' actions and wars.
"Was not simply the glorification of a general or politician, but the justification of a cause"
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__***Quinn***__ Anti - Augustan → Civil War.
"he must make a serious attempt to justify Augustus' conduct of the civil war."
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__***West***__ →Book 8 - The Shield.
"It is also praise of Augustus" and "in line with Augustan propaganda the name of Antony is never mentioned."
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__***Morgan***__
Pallas is the "Fighting son" compared to Ascanius who is mostly passive/ diplomatic
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__***Morgan***__
Virgil "Takes great effort to side-line women"
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__***Rexine***__
"Fire in the Aeneid is used in both a destructive as well as a constructive sense, both literally and symbolically"
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__***Morgan***__
Women are ‘obstacles in the way of Aeneas’ achievement’
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__***Morgan***__
Women have ‘a license to perform in this epic for as long as they operate like men
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__***Grillo***__
The typical virtues of the roman wife perfectly match Virgil's characterisation of creusa / the gesture of putting herself last shows the responsibility and role of women in the making of peace