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General themes of poem
- Childhood
- Loneliness
- Remeniscence
- Growing apart from friends
Structure of Poem + devices used throughout
- Free verse - one long stanza
- Direct speech - used at the start and end of poem - progression of innocence to abandonment, dramatic irony, empathise with speaker
- Rhyming couplets every so often
- Assonance and sibilance
- Personification
- Imperatives
Call out. Call loud: 'I'm ready! Come and find me!'
The sacks in the toolshed smell like the seaside. [lines 1-2]
- Call out. Call loud - imperatives - throws the reader straight into the excitement of the game
- Direct speech + exclaimations - further excitemet
- Sibilance - fun, silly, brings everything together nicely
- Connotations of seaside - leisure, comfort
They'll never find you in this salty dark,
But be careful that your feet aren't sticking out.
Wiser not to risk another shout. [lines 3-5]
- Use of modal verb (they'll) + negative (never) - certainty, isolation
- salty dark - contrasts to the comforting seaside in previous line - more menacing and uncomfortable
- Rhyme - (out, shout)
- Tension is building.
The floor is cold. They'll probably be searching
The bushes near the swing. Whatever happens
You mustn't sneeze when they come prowling in. [lines 6-8]
- Short sentence followed by a caesura - discomfort
- Prowling in - predatory
And here they are, whispering at the door ;
You've never heard them sound so hushed before.
Don't breathe. Don't move. Stay dumb. Hide in your blindness. [lines 9-11]
- Other people referred to in the poem - nameless + ambiguous
- They seem to be plotting or planning against him as they are searching for the hiding person
- Listing of imperatives and caesura - dramatic tension.
They're moving closer, someone stumbles, mutters;
Their words and laughter scuffle, and they're gone.
But don't come out just yet; they'll try the lane.
And then the greenhouse and back here again. [lines 12-15]
- Assonance - representative of the struggle the hiding person is going through
- Sense of relief when the hider hears the seekers go away, yet is reminded not to celebrate too soon - imperative don't breaks celebration and creates sense of hesitancy
They must be thinking that you're very clever,
Getting more puzzled as they search all over.
It seems a long time since they went away. [lines 16-18]
- Positivity - the hider is proud that he has hidden so well and does not consider the seekers have stopped looking for him.
- Sense of doubt - hider realises that he has been waiting a long time.
Your legs are stiff, the cold bites through your coat;
The dark damp smell of sand moves in your throat.
It's time to let them know that you're the winner. [lines 19-21]
- Following the hider's initial doubt, there seems to be a growing sense of discomfort.
- Sibilance - uncomfortable, suffocating, claustrophobic feeling
Push off the sacks. Uncurl and stretch. That's better!
Out of the shed and call to them: 'I've won!
Here I am! Come and own up I've caught you!' [lines 22-24]
- Brushes off uncomfortable feeling by deciding to announce he has won
- Burst of excitement - repitition of exclaimations + direct speech
The darkening garden watches. Nothing stirs.
The bushes hold their breath; the sun is gone.
Yes, here you are. But where are they who sought you? [lines 25-27]
- Uncanny, unsettling atmosphere. - the day is over now and the seekers have abandoned him.
- garden watches + bushes hold their breath - personification, predatory, vulnerability
- Ends with rhetorical question - the hider won but at what cost?