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No Exit
Jean-Paul Sarte
Endgame
Samuel Beckett
The Bald Sorpano
Eugene Ionesco
Master Harold…and the Boys
Athol Fugard
Death of the King’s Horseman
Wole Soyinka
Mulatto
Langston Hughes
The Ohio State Murders
E. Adrienne Kennedy
Raisin in the Sun
Lorraine Hansberry
Dutchman
LeRoi Jones/Amiri Baraka
Jelly’s Last Jam
George C. Wolfe
Fences
August Wilson
Zoot Suit
Luis Valdez
Los Vendidos
Luis Valdez
Fefu and Her Friends
Maria Irene Fornés
The Heidi Chronicles
Wendy Wasserstein
Topdog/Underdog
L. Susan-Lori Parks
Ruined
Lynn Nottage
Eurydice
Sarah Ruhl
The Vagina Monologues
Eve Ensler
Cloud 9
Caryl Churchill
Boys in the Band
Matt Crowley
The Normal Heart
Larry Kramer
M. Butterfly
David Henry Hwang
Angels in America
Tony Kushner
Name of philosophy Sarte illuminated in No Exit
Existentialism
Author of the following essay on theatre theory: The Theatre of the Absurd
Martin Esslin
Name of the play discussed in The Theatre of the Absurd that was performed at San Quentin
Waiting for Gadot
Esslin gave the label to what type of theatre?
Absurdism
The Bald Soprano- type of theatre
Absurdist
Founder of Theatre 47
Margo Jones
Founder of Alley Theatre
Nina Vance
Founder of Guthrie Theatre
Tyrone Guthrie
Founders of the Living Theatre
Judith Malina and Julian Beck
Founder of Open Theatre
Joseph Chaiken
Founder of Bread and Puppet Theatre
Peter Schumann
Founder of La Mama Experimental Theatre Club
Ellen Stewart
Founder of the Performance Group
Richard Schechner
Gave the name to environmental theatre
Richard Schechner
Country & tribal affiliation of Wole Soyanka
Nigeria and Yoruba
Country of Athol Fugard
South Africa
Names of 2 leaders of Harlem Renaissance who called for the development of a distinct dramatic idiom written by black artist for a black audience
W. E. B Dubois and Dr. Alan Locke
Founder of Teatro Campesino
Luis Valdez
Actos
Short satirical improvisational sketches that dramatize the oppression of Chicanos
Mitos
Poetical and lyrical full length plays on Chicano life
Corridos
Adapting Mexican Ballads
Zoot Suit was the first play by what kind of playwright (be specific to ancestral country) to appear in Broadway?
The first Chicano play on Broadway