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Meter
Pattern of stressed (accented) and unstressed (unaccented) syllables in a line of poetry.
Foot
A unit of meter, having two or three syllables usually having one stressed and one or more unstressed syllables
Iamb
A two-syllable foot with the stress on the second syllable
Trochee
A foot with a stressed syllable followed by an unstressed syllable
Anapest
Foot with three syllables and the stress on the last syllable
Spondee
Foot of two stressed syllables
Dactyl
Three syllables with the stress on the first syllable
Pyrrhic
Two unsterssed syllables, rare
Monometer
One foot line
Dimeter
Two foot line
Trimeter
Three foot line
Tetrameter
Four foot line
Pentameter
Five foot line
Hexameter
Six foot line
Heptameter
Seven foot line
Octometer
Eight foot line
Verse forms
Rhymed verse, blank verse, and free verse
Rhymed verse
Verse with end rhymes and usually with a regular meter
Blank verse
Lines of iambic pentameter without end rhyme
Free verse
Lines that do not have a regular meter and do not contain rhyme
End rhyme
Consists of the similarity occurring at the end of two or more lines of verse
Internal Rhyme
Consists of the similarity occurring between two or more words in the same line of verse
Masculine rhyme
Occurs when one syllable of a word rhymes with another word (bend and send(
Feminine Rhyme
Occurs when the last two syllables of a word rhyme with another word (lighting and fighting)
Triple rhyme
Occurs when the last three syllables of a word or line rhyme (victorious and glorious)
Assonance
The similarity or repetition of a vowel sound in two or more words (lake and fate)
Consonance
The repetition of consonant sounds within a line of verse (such a tide as moving seems asleep)
Refrain
The repetition of one or more phrases or lines at intervals in a poem, usually at the end of a stanza
Synecdoche
The technique of mentioning a part of something to represent the whole (âAll hands on deck)
Metonymy
The substitution of a word naming an object for another word closely associated with it (pay tribute to the crownâ
Allegory
A narrative or description having a second meaning beneath the surface one
Overstatement
An exaggeration for the sake of emphasis not to be taken literally (rivers of blood)
Understatement
Consists of saying less than one means, or saying what one means with less force than the occasion warrants
Antithesis
A balancing or contrasting of one term against another (Man proposes, God disposes)
Apostrophe
The addressing of someone or something usually not present, as through present âOh Captain, My Captain!)
Dramatic irony
A device by which the author implies a different meaning from that intended by the speaker (or by a speaker) in a literary work. An incongruity or discrepancy between what a character says or thinks and what the reader knows to be true (or between what a character perceives and what the author intends the reader to perceive)
Irony of situation
A situation in which there is an incongruity between actual circumstances and those that would seem appropriate or between what is anticipated and what actually comes to pass
Verbal irony
A figure of speech in which what is meant is opposite of what is said
Oxymoron
A compact paradox - a figure of speech that combines two contradictory words, placed side by side (bitter sweet)
Stanza
A division of a poem based on thought or form, marked by their rhyme scheme and number of lines they contain
Heroic couplet
Two successive rhyming verses that contain a complete thought within the two lines, usually iambic pentameter
Couplet
Two line stanza
Triplet
Three line stanza
Quatrain
Four line stanza
Sestet
Six line stanza
Septet
Seven line stanza
Octave
Eight line stanza
Terza rima
Three line stanza form with an interlaced or interwoven rhyme scheme (a-b-a, b-cb, etc.) usually in iambic pentameter
Limerick
A five line nonsense poem with an anapestic meter; Rhyme scheme is usually a-a-b-b-aâ The first, second, and fifth lines have three stresses, and the third and fourth have two stresses
Ballad stanza
Consists of four lines with a rhyme scheme of a-b-c-b; the first and third lines are tetrameter and the second and fourth are trimeter
Rime Royal
A stanza consisting of seven lines in iambic pentameter rhyming a-b-a-b-b-c-c used by King James I
Ottava rima
Consists of eight iambic pentameter lines with a rhyme scheme of a-b-a-b-a-b-c-c borrowed from the Italians
Spenserian stanza
A nine-line stanza consisting of eight iambic pentameter lines followed by an alexandrine, a line of iambic hexameter; rhyme scheme is a-b-a-b-b-c-b-c-c; name from Edmund Spenser who initiated the form for his Faerie Queene
Sonnet
A fourteen line stanza form consisting of iambic pentameter lines
Petrarchan/Italian sonnet
Divided between 8 lines called the octave and 6 lines called the sestetâ division between octave and sestet usually corresponds to a division of thought
Italian sonnet octave
Uses two rimes arranged a-b-b-a-a-b-b-a
Italian sonnet sestet
Uses any arrangement of two or three rimes, c-d-c-d-c-d and c-d-e-c-d-e are common patterns
English/Shakespearean sonnet
Composed of three quatrains and a concluding couplet riming a-b-a-b c-d-c-d e-f-e-f g-g; units marked off by rimes and the development of the thought often correspond
Villanelle
Consists of five tercets and a quatrain in which the first and third lines of the opening tercet recur alternately at the end of the other tercets and together as the last two lines of the quatrain
Elegy
Usually a poem that mourns the death of an individual, the absence of something deeply loved, or the transience of mankind
Lyric
The most widely used type of poem, so diverse in its format that a rigid definition is impossible. Contains: limited length, intensely subjective, personal expression of personal emotion, expression of thoughts and feelings of one speaker, highly imaginative, and regular rhyme scheme
Ode
An exalted, complex rapturous lyric poem written about a dignified, lofty subject
Anachronism
An element in a story that is out of its time frame; sometimes used to create a humorous or jarring effect and sometimes the result of an authorâs poor research
Antecedent
The word or phrase to which a pronoun refers (sometimes after the pronoun in poetry)
Aphorism
A terse statement that expresses a general truth or moral principle; sometimes considered a folk proverb
Archetype
A character, situation, or symbol that is familiar to people from all cultures because it occurs frequently in literature, myth, religion, or folklore
Conceit
A far-fetched comparison between two seemingly unlike things; an extended metaphor that gains appeal from its unusual or extraordinary comparison
Enjambment
In poetry, the running over of a sentence from one verse or stanza into the next without stopping at the end line of the first
End stopped line
When the sentence or meaning doers stop at the end of the line
Narrative poem
A poem that tells a story
Parable
A short story illustrating a moral or religious lesson
Parody
A comical imitation of a serious piece with the intent of ridiculing the author or his work
Pastoral
A poem, play, or story that celebrates and idealizes the simple life of shepherds and shepherdesses; the term has also come to refer to an artistic work that portrays rural ilfe in an idyllic or idealistic way
Pathos
The quality of a literary work or passage which appeals to the readerâs or viewerâs emotions, especially pity, compassion, and sympathy
Satire
The use of humor to ridicule and expose the shortcomings and failings of society, individuals, and institutions often in the hope that change and reform are possible