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drama
work designed to be represented on a stage by actors. More strictly, however, is a serious play (though it may end either happily or unhappily) dealing with a problem of importance.
dramatis persona
The list of characters in a play so the audience knows who is who before the action begins. Provided at the beginning of the play’s script.
act
A chunk of the play’s action. Shakespeare’s plays always have five that are noted with a large Roman numeral.
scene
A division of action within an act. Shakespeare’s plays have a variety of numbers of scenes that are noted with a small Roman numeral.
monologue
A long speech delivered by one person, often in a play, film, or television show—mostly addressed to others but sometimes alone.
tragedy
A type of drama that focuses on human suffering. The main character, the tragic hero, suffers through the story, but in the end, learns something about himself and his place in the world, a lesson that makes the suffering worth his while.
comedy
A genre of theatrical performance that aims to entertain and amuse the audience, primarily by using humor, wit, and satire to highlight human flaws and social absurdities
tragic hero
a person of high estate who has the potential for greatness. The person is pre-eminently virtuous and just, but his/her misfortune is brought about, in part, by an error in judgment. has a flaw in his/her character, which contributes to his/her destruction.
hamartia
the tragic figure suffers from a tragic flaw in character. As a result of this flaw s/he makes errors of judgment that are later directly responsible for the hero/ine’s tragic downfall, leading to the catastrophe of the play. At this point the protagonist still seems in control of his/her fate.
crisis/climax
This is the turning point in the fortunes of the tragic protagonist, the consequence(s) of “hamartia” serving to compound the tragic situation. After the crisis the tragic figure seems more controlled by events than in control of them, the situation as a direct result of his/her previous action(s).
hubris
In traditional Greek tragedies, the tragic hero’s tragic flaw is often pride to excess
catharsis
The terror and pity felt by the audience of a tragedy produce ____ a cleansing or purifying of emotion. The audience should feel empty and limp after watching, reading, or otherwise participating in a tragedy; that feeling of emptiness
soliloquy
When a character speaks his/her true thoughts and feelings while alone on stage. reveal the character’s “real” thoughts on a subject.
aside
When a character says something privately to another character while other characters are also on stage. The line(s) are meant for one character’s ears alone. Sometimes are addressed to the audience.
comic relief
A humorous scene, incident, or remark within an essentially serious or even tragic drama. Following scenes of intense emotion, comic relief evokes laughter as a release from the tension of the serious action. (Shakespearean only)