Unit 1: Short Fiction I

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50 Terms

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Literary analysis

Making a defensible claim about what a text means and how it creates that meaning through specific choices (craft).

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Defensible claim

An arguable interpretation that can be supported with textual evidence rather than personal opinion or guesswork.

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Text’s deliberate construction

The idea that “author’s choices” refers to how the text is built (voice, structure, description, etc.), not the author’s biography or private intentions.

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Surface layer (events)

What happens in the story—events in order, to whom, and when.

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Craft layer (choices)

How the writer shapes the story through narration, structure, diction, setting, imagery, and characterization.

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Meaning layer (interpretation)

What the story suggests about people, society, values, identity, power, love, fear, freedom, etc.

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Plot summary

A recounting of what happens; it stays on the surface and does not explain how choices create meaning.

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Inference

A conclusion the reader draws from what the text provides (patterns, tone, contradictions), rather than something the text states directly.

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Plot (sequence shaped for impact)

Not just events, but events arranged and selected to create an effect and develop meaning over time.

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Structure

The purposeful arrangement of the plot: what comes first, what’s withheld, what’s repeated, and where scenes begin/end.

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Chronological/linear structure

Events unfold in time order; meaning often comes from accumulation of details that build pressure toward a turn.

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Nonlinear structure

Events are presented out of order (fragmented time, looping, memory); often reflects trauma, avoidance, or how the past intrudes on the present.

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Flashback

A return to an earlier time that often functions as a present-tense emotional event showing what still controls the character.

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Conflict

The central struggle generating tension; in literary fiction it is often internal or social rather than action-driven.

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Internal conflict

A character torn between desires, values, identities, or fears (character vs self).

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Interpersonal conflict

Character vs character conflict, often rooted in power dynamics and competing needs.

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Turning point

The moment the story’s direction shifts through a decision, revelation, confrontation, or quiet recognition.

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Resolution (ending type)

An ending where the central conflict settles or reaches a clear outcome.

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Epiphany (ending type)

An ending built around a realization that reframes earlier details and deepens meaning.

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Ambiguity (ending type)

An ending that implies meaning rather than stating it, pushing the reader to interpret and judge what cannot be neatly resolved.

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Point of view

The position from which the story is told; it controls what readers know, what’s hidden, and how much intimacy or distance we feel.

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Narration

The system of how the story is delivered—narrator’s voice, knowledge, bias, and distance from events.

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First-person point of view

A narrator using “I/we,” creating intimacy but limiting perspective; often reveals more than the narrator realizes.

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Third-person limited

Third-person narration closely aligned with one character’s perceptions, balancing intimacy with some flexibility.

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Third-person omniscient

A narrator with access to multiple minds and sometimes broader commentary; not automatically neutral or objective.

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Narrative distance

How close the narration feels to a character’s consciousness (close interiority vs far, report-like summary).

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Unreliable narrator

A narrator whose account is compromised by bias, self-deception, limited understanding, instability, or dishonesty—requiring readers to read between the lines.

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Characterization

How a text creates the impression of a person’s traits, motives, contradictions, desires, and change (or refusal to change).

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Indirect characterization

Showing traits through actions, dialogue, thoughts, appearance, and others’ reactions—inviting reader inference.

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Motivation

The “because” beneath behavior: what a character wants or fears that drives repeated choices and actions.

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Foil

A character who highlights another character’s traits through contrast, quickly revealing values, fears, or pressures.

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Setting

Time, place, and social environment; an active force that shapes behavior, mood, and meaning rather than a mere backdrop.

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Mood

The emotional feeling the reader experiences, created by imagery, pacing, and diction.

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Atmosphere

The story’s overall emotional environment, built through description, pacing, and tone across the passage/story.

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Diction

Word choice; AP-level analysis focuses on patterns of vocabulary and register rather than one “big word.”

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Connotation

The emotional or cultural associations a word carries beyond its literal meaning, often shaping tone and interpretation.

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Syntax

Sentence structure (length, complexity, punctuation, arrangement) used to control pacing, emphasis, suspense, and mental-state effects.

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Tone

The narrator’s/speaker’s attitude toward the subject (e.g., skeptical, nostalgic, detached, bitter), built through diction, syntax, and detail selection.

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Detail selection

What the narrator chooses to notice (and ignore); attention patterns reveal values, fears, and character priorities.

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Imagery

Sensory language (sight, sound, touch, taste, smell) that shapes mood and directs interpretation; rarely neutral in analysis.

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Figurative language

Non-literal language (comparisons, symbols, etc.) used to compress meaning and reveal a narrator’s mindset or a story’s thematic pressure.

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Symbol

A concrete element that gains meaning beyond itself through context, repetition/emphasis, key placement, and emotional framing.

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Motif

A recurring image, phrase, situation, or idea whose cumulative pattern helps build meaning across the story.

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Irony

A meaningful gap between expectation and reality (verbal, situational, or dramatic) that often signals critique or complexity.

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Theme

A defensible statement about what the work suggests regarding a topic (not a single word), often acknowledging tension or trade-offs.

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Thesis

A clear, specific, arguable central claim about how the text’s choices create a complex portrayal or meaning (not a list of devices).

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Evidence

Specific textual support (brief quotations, paraphrase, or summarized details) chosen strategically to back up an interpretive claim.

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Commentary

The explanation of how the evidence supports the claim—connecting a textual choice (wording/structure/image) to its effect and meaning.

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Close reading

A set of habits for noticing what a text emphasizes (repetition, contrast, placement, pacing) and connecting those patterns to interpretation.

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Shift

A change in tone, focus, perspective, time, or emotional intensity that often signals a turning point or change in meaning/power.

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