Crash Course Literature: Romeo and Juliet

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Description and Tags

Vocabulary flashcards covering literary sources, theatrical conventions, poetic structures, and key historical contexts for William Shakespeare's Romeo and Juliet.

20 Terms

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Romeo and Juliet

A tragedy written by William Shakespeare in 1595 or 1596 featuring one off-stage sex scene, seven on-stage fatalities, and the eventual resolution of a family feud through tragic sacrifice.

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The Tragicall Historye of Romeus and Juliet

A 3,000-line narrative poem published in 1562 by Arthur Brooke that served as Shakespeare's immediate source material for Romeo and Juliet.

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Arthur Brooke

The English author of The Tragicall Historye of Romeus and Juliet (1562), who framed the story as a cautionary tale of disobedient teenagers who deservedly suffered death for lust and filial neglect.

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Cautionary tale

A narrative genre exemplified by Arthur Brooke's 1562 poem, which presented Romeus and Juliet's deaths as a moral punishment for unhonest desire, disobeying parents, and abusing lawful marriage.

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Ovid's Metamorphosis

The classical literary work representing a long tradition of tragic romances from which Arthur Brooke and later Shakespeare drew source inspiration.

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Petrarch

An Italian poet referenced by Mercutio whose love poems endorsed intense adoration and love at first sight, directly influencing Shakespeare's depiction of romance.

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Holy shrine

A sacred metaphor used by Romeo to address Juliet during their first meeting, reflecting the polite courtship etiquette recommended in Shakespeare's day.

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Good pilgrim

A sacred courtship metaphor used by Juliet in response to Romeo calling her a holy shrine, welcoming his flirtation within accepted social conventions.

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Northrup Frye

The literary critic who observed that whenever Shakespeare wanted to write about the problems of feuding nobles, he set his plays in the distant past or in a land far, far away.

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Verona, Italy

The distant Mediterranean setting Shakespeare used to safely examine sensitive political questions of loyalty to self, family, faith, and the state away from Elizabethan England.

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Aristotelian tragedy

A dramatic structure described in the 5th century BCE where mostly good characters of noble extraction make an error and are brought low.

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Star-crossed lovers

A literary convention dating far back in literature that allows authors to explore concepts of fate and free will while entertaining audiences.

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Iamb

A poetic foot consisting of an unstressed syllable followed by a stressed syllable.

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Iambic pentameter

A poetic meter consisting of five iambic feet in a line, used to mirror and heighten the natural rhythms of English speech.

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The Globe

A large Elizabethan theater partly open to the air and covered by a thatched roof, where Shakespeare's company typically performed.

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The Curtain

An Elizabethan theater on the good side of the river Thames where Romeo and Juliet was likely originally staged, which was rediscovered in London by archaeologists.

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The Wooden O

The descriptive phrase used by William Shakespeare to refer to the Curtain theater.

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The pit

The standing area in an Elizabethan theater where less wealthy patrons stood for more than three hours to watch performances.

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Galleries

Tiered benches in Elizabethan playhouses where patrons with sufficient money paid to sit with a good view of the stage.

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Angel

A descriptive word that William Shakespeare used in Romeo and Juliet, making him the first person on record to use the term to describe an attractive woman.