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audience
the person(s) reached by a piece of writing
attitude:
a writer’s intellectual position or emotion regarding the subject of the writing.
tone:
The attitude a literary work/author takes toward its subject, audience, and/or theme. It reflects the narrator’s tone. Without tone, a piece of literature would evoke no emotion, and may seem very dull.
diction:
an author’s choice of words to convey a tone or effect
ethos:
the ethical appeal; to convince an audience of the author’s credibility or character
logos:
the appeal to logic; to convince an audience by use of logic or reason
pathos:
the emotional appeal; to persuade an audience by appealing to their emotions
fallacy:
a mistaken belief, especially one based on unsound argument
ad hominem argument:
From the Latin meaning “to or against the man,” this is an argument that appeals to emotion rather than reason, to feeling rather than intellect; falls under the umbrella of a fallacy.
infer:
to draw a reasonable conclusion from the information presented
break
yay
connotation
The nonliteral, associative meaning of a word; the implied, suggested meaning, which may involve ideas, emotion, or attitudes.
denotation
the dictionary definition of a word; the direct and specific meaning
apostrophe
a figure of speech in which a person, thing, or abstract quality is addressed as if present
imagery
Sensory details in a work; the use of figurative language to evoke a feeling, call to mind an idea, or describe an object. Imagery involves any or all the five senses.
deductive
reasoning from the general to the specific.
inductive
reasoning from the specific to the general.
structure
the framework or organization of a literary selection
synthesis
the joining of two or more ideas or arguments to produce a new idea or argument
warrant
connection, often unstated and assumed, between the claim and the supporting reason(s). The assumption makes the claim seem plausible. Audience needs to share the writers'/speakers' assumptions or the argument will not be effective.
syntax
the way words are put together to form phrases, clauses, and sentences
symbol/symbolism
Generally, anything that represents, stands for, something else. Usually, this is concrete (an object, character, or scene) and represents something much more abstract.
mood
The feeling or ambiance resulting from the tone of a piece as well as the writer/narrator’s attitude and point of view. The effect is created through description of feelings or object that establishes a particular feeling such as gloom, fear, or hope.
atmosphere
The emotional mood created by the entirety of a literary work, established partly by the setting and partly by the author’s choice of objects that are described.
abstract
not related to the concrete properties of an object; pertaining to ideas, concepts, or qualities, as opposed to physical attributes
ambiguity
use of language in which multiple meanings are possible; the quality of being open to more than one interpretation
persona
the voice or figure of the author who tells the story and who may or may not share the values of the actual author.
rhetoric
the art of persuasion, using language purposefully, in order to get something done; the use of spoken or written word (or a visual medium) to convey ideas and convince an audience
rhetorical situation
the context or set of circumstances out of which a text arises. It can be described in five parts: audience, author (rhetor), purpose, context, content/topic
rhetorical analysis
this considers all elements of the rhetorical situation in which a text was generated and delivered in order to make an argument about the text; including the evaluation of the text and its effectiveness
rhetorical mode
these are ways of using language with a specific focus. Some examples are narration, description, definition, division/classification, comparison/contrast, cause/effect, etc.
prose
the ordinary of form of written language without metrical structure, as distinguished from poetry or verse
colloquial
informal words, phrases or even slang in a piece of writing
sarcasm
A sharp, caustic remark. A form of verbal irony in which apparent praise is actually bitterly or harshly critical. For example, a coach saying to a player who misses the ball, “Nice catch.”
satire
a literary style used to make fun of or ridicule an idea or human vice or weakness
motif
recurrent device, formula, or situation that often serves as a signal for the appearance of a character or event.
metaphor
a comparison of two unlike things that have something in common but not using “like” or “as”: e.g., “Time is money.”
simile
a comparison of two different things or ideas through the use of the words “like” or “as.” It is a definitely stated comparison which says one thing is like another: e.g., “The warrior fought like a lion.” "My love is like a red, red rose."
catharsis
purification or cleansing of the spirit through the emotions of pity and terror as a witness to a tragedy
cliché
an expression or idea that has been overused to the extent that it loses its original meaning or novelty
irony
verbal, dramatic, and situational – A situation or statement characterized by significant difference between what is expected or understood and what actually happens or is meant.
paradox
occurs when the elements of a statement contradict each other. Although the statement may appear illogical, impossible, or absurd, it turns out to have a coherent meaning that reveals a hidden truth: e.g., “Much madness is divinest sense.”
juxtaposition
placing of two items side by side to create a certain effect, reveal an attitude, or accomplish some other purpose.
oxymoron
a figure of speech that combines two apparently contradictory terms into a single unusual expression, as in “jumbo shrimp” or “deafening silence.”
allegory
the device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning.
allusion
a direct or indirect reference to something that is presumable commonly known, such as an event, book, myth, place, or work of art
epigraph
quote set at the beginning of a literary work or at its divisions to set the tone or suggest a theme
elegiac
expressing sorrow often for something past; sorrowful
contradiction
a direct opposition between things compared; inconsistency
understatement
the opposite of hyperbole. It is a kind of irony that deliberately represents something as being much less than it really is: e.g., “I could probably manage to survive on a salary of two million dollars per year.”
hyperbole
an overstatement characterized by exaggerated language. e.g., “The shot heard ‘round the world.”
metonymy
A term from the Greek meaning “changed label” or “substitute name,” a figure of speech in which the name of one object is substituted for that or another closely associated with it.
antithesis
the juxtaposition of sharply contrasting ideas in balanced phrases or clauses. Example: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness…”
epiphany
a sudden or intuitive insight or perception into the reality or essential meaning of something usually brought on by a simple or common occurrence or experience
anecdote
a brief story or tale
pun
a play on words that are either identical or similar in sound but have sharply diverse meanings
wit
In modern usage, intellectually amusing language that surprises and delights. This usually uses terse language that makes a pointed statement.
didactic
intended for teaching or to teach a moral lesson
syllogism
a form of deductive reasoning; an extremely subtle, sophisticated, or deceptive argument; a formal argument consisting of a major and a minor premise and a conclusion
invective
the use of angry or insulting language in satirical writing
euphemism
substitution of a milder or less direct expression for one that is harsh or blunt. For example, using “passed away” for “dead.”