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5, 4, 3, 2, 1, small, Great, Contra, Subcontra
order of Octave Identification (descending from 5)
2nd space of bass clef
where is small c
2 ledger lines below the bass clef
where is Great C
2nd line of bass clef
where’s Great B
under the 2nd ledger line below the bass clef
where’s Contra B (BB)
under the 5th ledger line below the bass clef
where’s Contra C (CC)
6 ledger lines below the bass cled
where’s SUBCONTRA B (BBB)
Simple Meter
main beat divides into 2 equal parts
Compound
main beat divides into 3 equal parts
6,9,12
these numbers on top signify Compound meter
2,3,4
these numbers signify Simple meter
4, 12
these numbers signify quadruple meter
4 & 7 (tritone)
do you omit to construct the Major Pentatonic
2 & 4
what do you remove from the Natural Minor scale to make Minor Pentatonic
7
what do you omit to make the whole tone scale
2 & 4
what do you omit to make the minor pentatonic blues scale
3 semitones & letters down
how to find relative minor from major
III - median
what scale degree do you look at if you want to know if a scale is major or minor
Submedian
what scale degree is the relative key
Leading Tone
name of the 7th scale degree if it’s a halfstep
Subtonic
name of the 7th scale degree if it’s a whole step
W H W W H W
formula for Dorian
H W W H W W
formula for Phygian
W W W W W H
formula for Lydian
last part of Lydian and last part of Dorian
mixolydian is the mix of what 2 church modes
W W H W H W
formula for Mixolydian
start the range from 3 notes below the finalis
how do you make plagal church mode
Phrygian
the reciting tone is the V except in this one church mode where it is the 6th because of the tritone
3,6,7
you have to lower these in a major scale to make it natural minor
3,6
you have to lower these from a major scale to make harmonic minor
Ascending
when do you lower the 3rd note in a major scale to make it melodic
descending
when do you lower the 6th & 7th note in a major scale to make it melodic
4,5,8
in intervals, these 3 are perfect