Music Theory Final

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Last updated 8:56 PM on 10/7/26
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33 Terms

1
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5, 4, 3, 2, 1, small, Great, Contra, Subcontra

order of Octave Identification (descending from 5)

2
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2nd space of bass clef

where is small c

3
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2 ledger lines below the bass clef

where is Great C

4
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2nd line of bass clef

where’s Great B

5
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under the 2nd ledger line below the bass clef

where’s Contra B (BB)

6
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under the 5th ledger line below the bass clef

where’s Contra C (CC)

7
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6 ledger lines below the bass cled

where’s SUBCONTRA B (BBB)

8
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Simple Meter

main beat divides into 2 equal parts

9
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Compound

main beat divides into 3 equal parts

10
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6,9,12

these numbers on top signify Compound meter

11
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2,3,4

these numbers signify Simple meter

12
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4, 12

these numbers signify quadruple meter

13
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4 & 7 (tritone)

do you omit to construct the Major Pentatonic

14
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2 & 4

what do you remove from the Natural Minor scale to make Minor Pentatonic

15
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7

what do you omit to make the whole tone scale

16
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2 & 4

what do you omit to make the minor pentatonic blues scale

17
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3 semitones & letters down

how to find relative minor from major

18
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III - median

what scale degree do you look at if you want to know if a scale is major or minor

19
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Submedian

what scale degree is the relative key

20
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Leading Tone

name of the 7th scale degree if it’s a halfstep

21
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Subtonic

name of the 7th scale degree if it’s a whole step

22
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W H W W H W

formula for Dorian

23
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H W W H W W

formula for Phygian

24
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W W W W W H

formula for Lydian

25
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last part of Lydian and last part of Dorian

mixolydian is the mix of what 2 church modes

26
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W W H W H W

formula for Mixolydian

27
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start the range from 3 notes below the finalis

how do you make plagal church mode

28
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Phrygian

the reciting tone is the V except in this one church mode where it is the 6th because of the tritone

29
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3,6,7

you have to lower these in a major scale to make it natural minor

30
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3,6

you have to lower these from a major scale to make harmonic minor

31
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Ascending

when do you lower the 3rd note in a major scale to make it melodic

32
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descending

when do you lower the 6th & 7th note in a major scale to make it melodic

33
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4,5,8

in intervals, these 3 are perfect