Inleiding II: Deeltoets 1

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Description and Tags

H13 - 18

71 Terms

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<p>-</p>

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The Italian Peninsula’s key sea trade routes

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<p>Interior of Upper Church</p>

Interior of Upper Church

Basilica of San Francesco, Assisi. Begun 1228; consecrated 1253

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<p>Anonymous. <em>St Francis Preaching to the Birds</em></p>

Anonymous. St Francis Preaching to the Birds

Begun 1290. Basilica San Francesco. Fresco

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<p><em>Altarpiece of St. Clare</em></p>

Altarpiece of St. Clare

ca 1280. Tempera on panel. 2.73×165m. Convent of Santa Chiara, Assisi

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<p>Anonymous (Francesco Traini?)</p>

Anonymous (Francesco Traini?)

Sinopia drawing for The Triumph of Death (detail). Camposanto, Pisa

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<p>Arnolfo di Cambio(?). Nave and choir</p>

Arnolfo di Cambio(?). Nave and choir

Santa Croce, Florence. Begun ca 1295

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<p>-</p>

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Plan of Santa Croce

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<p>Nicola Pisano</p>

Nicola Pisano

Pulpit. 1259-60. Height 4.6m. Baptistery, Pisa

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<p>Nicola Pisano. <em>Fortitude</em></p>

Nicola Pisano. Fortitude

Detail of pulpit

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<p>Nicola Pisano. <em>Nativity</em></p>

Nicola Pisano. Nativity

Detail of pulpit

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<p>Giovanni Pisano. <em>Nativity</em></p>

Giovanni Pisano. Nativity

Detail of pulpit. 1302-10. Marble. Pisa cathedral

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<p>-</p>

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Florence cathedral and baptistery seen from the air. Cathedral begun 1296

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Nave and choir of Florence cathedral

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<p>-</p>

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Plan of Florence cathedral and campanile

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<p>Andrea Pisano. South doors</p>

Andrea Pisano. South doors

Baptistery of San Giovanni, Florence. 1330-36. Gilt bronze

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<p>Andrea Pisano <em>The Baptism of Christ</em> (from south doors)</p>

Andrea Pisano The Baptism of Christ (from south doors)

Baptistery of San Giovanni, Florence. 1330-36. Gilt bronze (detail)

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<p>Palazzo della Signoria (Palazzo Vecchio)</p>

Palazzo della Signoria (Palazzo Vecchio)

Florence. Begun 1298

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<p>Cimabue <em>Madonna Enthroned</em></p>

Cimabue Madonna Enthroned

ca 1280-90. Tempera on panel. 3.9×2.2m. Galleria degli Uffizi, Florence

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<p>Giotto <em>Madonna Enthroned</em></p>

Giotto Madonna Enthroned

ca 1310. Tempera on panel. 3.3×2m. Galleria degli Uffizi, Florence

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Interior of Arena (Scrovegni) Chapel, Padua. 1305-06

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<p>Giotto <em>Christ Entering Jerusalem </em></p>

Giotto Christ Entering Jerusalem

1305-06. Fresco. Arena (Scorvegni) Chapel, Padua. (Jerusalem)

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<p>Giotto <em>The Lamentation</em></p>

Giotto The Lamentation

1305-06. Fresco. Arena (Scrovegni) Chapel, Padua. (lamentation)

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Palazzo Pubblico, Siena. Begun ca 1298

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<p>Duccio <em>Madonna Enthroned</em> (centre of the <em>Maestà Altar</em>)</p>

Duccio Madonna Enthroned (centre of the Maestà Altar)

1308-11. Tempera on panel. Height 2.1m. Museo dell’Opera del Duomo, Siena

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<p>Duccio <em>Annunciation of the Death of the Virgin </em>(from <em>Maestà Altar</em>)</p>

Duccio Annunciation of the Death of the Virgin (from Maestà Altar)

Museo dell’Opera del Duomo, Siena

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<p>Duccio <em>Christ Entering Jerusalem</em> (from the back of the <em>Maestà Altar</em>) </p>

Duccio Christ Entering Jerusalem (from the back of the Maestà Altar)

1308-11 Tempera on panel. 103×53.7cm. Museo dell’Opera del Duomo, Siena

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<p>Simone Martini <em>Annunciation </em></p>

Simone Martini Annunciation

ca 1330. Tempera on panel. 3×2.7m. Galleria degli Uffizi, Florence

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<p>Pietro Lorenzetti <em>Birth of the Virgin</em></p>

Pietro Lorenzetti Birth of the Virgin

1342 Tempera on panel. 1.9×1.8m. Museo dell’Opera del Duomo. Siena

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<p>Ambrogio Lorenzetti <em>Allegory of Good Government </em>(left) and portion of <em>Good Government in the Country </em>(far right)</p>

Ambrogio Lorenzetti Allegory of Good Government (left) and portion of Good Government in the Country (far right)

1338-40. Fresco. Sala della Pace, Palazzo Pubblico, Siena.

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<p>Ambrogio Lorenzetti </p>

Ambrogio Lorenzetti

Good Government in the City

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<p>Ambrogio Lorenzetti </p>

Ambrogio Lorenzetti

Good Government in the Country

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<p>Anonymous (Francesco Traini?) <em>The Triumph of Death </em></p>

Anonymous (Francesco Traini?) The Triumph of Death

(detail) ca 1325-50. Fresco. Camposanto, Pisa

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<p>Andrea da Firenze <em>the Way of Salvation</em></p>

Andrea da Firenze the Way of Salvation

1365-67. Fresco. width 11.6m. Guidalotti Chapel, Santa Maria Novella, Florence.

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<p>-</p>

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The Bubonic Plague spreads across Europe 1347-1351

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Doge’s Palace, Venice. Begun 1340

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<p>Tomb of Bernabò VIsconti</p>

Tomb of Bernabò VIsconti

Before 1363. Marble. 6m. Castello Sforzesco, Milan

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<p>Giovannino dei Grassi <em>Hours of Giangaleazzo Visconti </em></p>

Giovannino dei Grassi Hours of Giangaleazzo Visconti

ca 1395. Tempera and gold on parchment. 24.7×17.5cm. Banco Rare, Biblioteca Nazionale, Florence

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Craft and manufacturing specialties in Northern Europe in teh Early Modern period

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<p>Claus Sluter <em>The Well of Moses</em></p>

Claus Sluter The Well of Moses

1395-1406. Stone. Height of figures approx 1.8m. Chartreuse de Champmol, France

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<p>Melchior Broederlam <em>In fancy of Christ</em> panels</p>

Melchior Broederlam In fancy of Christ panels

Wings of the altarpiece of the Chartreuse de Champmol. 1394-99. Tempera on panel. Each 167×125cm. Musee des Beaux-Arts, Dijon, France

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<p>Limbourg Brothers, January page</p>

Limbourg Brothers, January page

1413-16. Les Très Riches Heures du Duc de Berry. 22.5×13.7cm. Musee Conde, Chantilly, France (jan)

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<p>Limbourg Brothers, July Page</p>

Limbourg Brothers, July Page

1413-16. Les Très Riches Heures du Duc de Berry. 22.5×13.7cm. Musee Conde, Chantilly, France (July)

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<p>Master Theodoric <em>St. Matthew and the Angel</em></p>

Master Theodoric St. Matthew and the Angel

ca. 1360-65. Panel. 1.15×0.93m. National Gallery, Prague

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<p><em>The Wilton Diptych</em></p>

The Wilton Diptych

ca. 1400. Panel. 53×37cm. National Gallery of Art, London

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<p>-</p>

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Façade of Bruges Town Hall, begun 1376

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<p>Robert Campin and workshop <em>Mérode Triptych </em></p>

Robert Campin and workshop Mérode Triptych

ca 1425-30. Oil on oak, centre panel 64.1×63.2cm. Each wing approx. 64.5×27.4cm. Metropolitan Museum of Art, New York

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<p>Hubert and Jan van Eyck <em>Ghent Altarpiece </em>(closed)</p>

Hubert and Jan van Eyck Ghent Altarpiece (closed)

(closed) Completed 1432. Oil on panel. 3.4×2.25m. Church of St. Bavo, Ghent, Belgium.

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Hubert and Jan van Eyck (open)

(open) Completed 1432. Oil on panel. 3.4×4.5m. Church of St. Bavo, Ghent, Belgium.

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<p>Hubert and Jan van Eyck <em>Adam and Eve </em>(detail)</p>

Hubert and Jan van Eyck Adam and Eve (detail)

detail of Ghent Altarpiece. Left and right wings

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Painting of Ghent Altarpiece in chapel. Rijksmuseum, Amsterdam

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<p>Jan van Eyck <em>Man in a Red Turban</em> (Self portrait?)</p>

Jan van Eyck Man in a Red Turban (Self portrait?)

1433 Oil on panel. 33×25.8cm. The National Gallery, London.

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<p>Jan van Eyck <em>The Arnolfini Portrait </em></p>

Jan van Eyck The Arnolfini Portrait

1434 Oil on panel. 83.7×57cm. The National Gallery, London

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<p>Rogier van der Weyden <em>Descent from the Cross</em></p>

Rogier van der Weyden Descent from the Cross

ca 1435 Oil on panel. 2.2×2.6m. Museo del Prado, Madrid

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<p>Rogier van der Weyden <em>St Luke Drawing the Virgin </em></p>

Rogier van der Weyden St Luke Drawing the Virgin

ca 1435-40. Oil and tempera on panel, 1.38×1.11m. Museum of Fine Arts, Boston.

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<p>Gerard Loyet <em>Statuette of Charles the Bold</em></p>

Gerard Loyet Statuette of Charles the Bold

ca 1471. 53×32×17.5m. Cathedral treasury, Liege

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<p>Mary of Burgundy painter, page with <em>Mary at her Devotions</em> from <em>Hours of Mary of Burgundy</em></p>

Mary of Burgundy painter, page with Mary at her Devotions from Hours of Mary of Burgundy

ca 1480 (before 1482). Colours and ink on parchment. 19.1×13.3cm. Österreichisches Nationalbibliothek, Vienna

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<p><em>Penelope Weaving (Penelope at Her Loom</em>) fragment from <em>The Story of Penelope and the Story of the Cimbri Women</em></p>

Penelope Weaving (Penelope at Her Loom) fragment from The Story of Penelope and the Story of the Cimbri Women

ca 1480. Tapestry, 100×150cm. Museum of Fine Arts, Boston.

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<p>Hugo van der Goes <em>The Portinari Altarpiece </em>(open)</p>

Hugo van der Goes The Portinari Altarpiece (open)

ca 1474-76. Tempera and oil on panel, centre 2.5×3.1m, wings each 2.5×1.4m. Galleria degli Uffizi, Florence

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<p>Hans Memling <em>Madonna and Child </em>left hand wing of <em>Diptych of Martin van Nieuwenhove</em></p>

Hans Memling Madonna and Child left hand wing of Diptych of Martin van Nieuwenhove

1487 Panel. 44×33cm. Hans Memling Museum, Brugge Sint-Jans Hospital, Brugs

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<p>Hieronymus Bosch <em>The Garden of Earthly Delights</em></p>

Hieronymus Bosch The Garden of Earthly Delights

ca 1480-1515. Oil on panel. Centre 2.19×1.95cm, each wing 2.19×0.96m. Museo del Prado, Madrid

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<p>Hieronymus Bosch <em>The Garden of Earthly Delights</em> (outer wings closed)</p>

Hieronymus Bosch The Garden of Earthly Delights (outer wings closed)

ca 1480-1515. Oil on panel, each wing 2.19×0.96m Museo del Prado, Madrid

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<p>Jean Fouquet <em>Étienne Chevalier and St. Stephen</em>, left wing of the <em>Melan Diptych </em></p>

Jean Fouquet Étienne Chevalier and St. Stephen, left wing of the Melan Diptych

ca 1450. Oil on panel 92.7×85cm. Staatliche Museen zu Berlin, Gemäldegalerie

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<p>Jean Fouquet <em>Madonna and Child</em>, right wing of the <em>Melun Diptych</em></p>

Jean Fouquet Madonna and Child, right wing of the Melun Diptych

ca 1450. Oil on panel. 94.5×85.5cm. Koninklijk Museum Voor Schone Kunsten, Antwerpen

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<p>Bartolomé Bermejo <em>Pietà</em></p>

Bartolomé Bermejo Pietà

1490 Panel. Cathedral Barcelona. 189×175cm including frame

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<p>Conrad Witz <em>The Miraculous Drought of Fishes</em></p>

Conrad Witz The Miraculous Drought of Fishes

1444 Oil on wood of fir tree. 132×154cm. Musee d’Art et d’Histoire, Geneva, Switzerland

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<p>Michael Pacher <em>St. Wolfgang Altarpiece</em> </p>

Michael Pacher St. Wolfgang Altarpiece

1471-81. Carved wood. Figures about life-size. Wings: oil on panel. Church of St. Wolfgang, Austria

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<p><em>Buxheim St. Christopher</em></p>

Buxheim St. Christopher

1423 Handcoloured woodcut. 28.8×20.6cm. John Rylands University Library, Manchester

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<p>Jacques Daret, woodcut of St. Christopher <em>Annunciation </em>(detail)</p>

Jacques Daret, woodcut of St. Christopher Annunciation (detail)

ca 1435. Musee Royaux d’Art et d’Histoire, Brussels, Belgium

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<p>Martin Schongauer <em>The Temptation of St. Anthony</em> </p>

Martin Schongauer The Temptation of St. Anthony

ca 1480-90. Engraving. 29.2×21.8cm. Metropolitan Museum of Art, New York.

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<p><em>Scholar in Study</em></p>

Scholar in Study

Woodcut from Sebastian Brant’s Ship of Fools, Basel 1494

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