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semiotics
study of ‘signs’ and meanings, unravel meanings built into human products (words, symbols, narratives, art, books, movies, TV, etc.), how use, structure and function of sign or symbol in medium to produce meaning.
context
when, how, where we encounter the ‘sign’
prior knowledge
assumptions, perspectives, background knowledge brought to experience of the sign based in social and cultural backgrounds
denotation vs connotation
demonstrably there or factually literal vs implied or felt sense or meaning provided, open to interpretation
text vs content
individual instance of media, something made by a producer and received by a consumer, by a parameters around something and analyzing it
form vs content
textual/critical analysis
act of looking closely at a text
interpretation
making sense of a text, (making another text describing of speaking about the first one)
analysis (what is its etymology?)
taking apart a piece of media, loosening it up (greek)
medium specific
characteristics/traits unique to a different medium catagory, films having visual narrative analyses and separation or understanding camerawork whereas a book does not have this
genre specific
anticipation
e
experience
description
an
analysis
interpretation
ev
evauluation
appropriation
intertextuality
polysemy
comes from “poly” (many) and “semeion’ (sign)
intentional fallacy
Does authorial intent have ‘authority’
conspicuous authorship