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Mack
Hamlets world is pre-eminently in the interrogative mood.
Hui
Horatios apperances mark pivotal moments of revelation
Shapiro 2
The ghost of hamlets father...not only evoks a catholic past, then, but is also a ghostly relic of the chivalric age.
Shapiro 1
Hamlet was born at the crossroads of the death of chivalry and birth of globalisation
Kittredge
Horatio shows scholars knowledge in his enumeration of the causes that send ghosts back to earth
Swinburn
The single characteristic of hamlets innermost nature is...the strong conflux of contending forces
Hazlitt 1
[hamlet] seems incapable of deliberate action
Hazlitt 2
He is the prince of philosophical speculators
Alexader
The question remains, how does one deal with such a man (Claudius) without becoming like him
Knight
Hamlet is an element of evil in the state of Denmark
Showalter
Ophelia is deprived of thought, sexuality and language
Smith 1
Polonius seems to love his children ... his means of action however are totally corrupt
Smith 2
[polonius] trained his daughter to be obedient and chaste and is able to use her as a price of bait for spying
Vary
[polonius] he is at the heart of the rotten danish state and embodies the new realpolitik
Knight 2
[Claudius] a good and gentle king
Altick
Claudius' evil has corrupted the whole kingdom of Denmark
Bevington
It is his conscience that makes Claudius such a complex villain
Wormald
There is a corruption of both human and natural orders in the play
Vardy 2
In a state characterised by dishonesty, surveillance and subterfuge, hamlet cannot trust anybody.
Limmer
Horatio demonstrates loyalty and virtue throughout the play
Prosser
Laertes is like a hurricane. He rushes into the palace in an uncontrolled rage, roaring for blood.
prosser 2
[leartes] denies his conscience, his king, and his God
Hall
Leartes and Fortinbras are both representatives of action
Kerrigan 2
Hamlet never promises to revenge, only to remember
Adelman
Hamlet's principal concern is not revenge but complex feelings towards his mother
Kerrigan 3
The ghost condemns hamlet to an endless fruitless yearning for the lost figure
Bradshaw
The three sons who all react differently to the loss of a father
Smith 3
Contemporary fears that a foreign military power would annex England on the death of Elizabeth
Smith 4
The play prefers to look backwards rather than forwards: to dare to think forwards, to a time post Elizabeth, was a crime
Bradshaw 2
the new king of Denmark is arguably far more concerned to protect his country and his subjects than the old one was
Knight 3
Claudius is not draw as wholly evil - far from it... Claudius shows every sign of being an excellent diplomatist and king.
Smith 5
Gertrude...has traditionally been played as a sensual, deceitful woman.. but the traditional view of Gertrude is a false one.
Smith 6
In the plays second scene we see two young men setting off on different courses.
Grindlay
The trouble with Ophelia is that she is nothing.
Dusinbeere
[ophelia] his daughter must not rely on her own judgement...Ophelia has no chance to develop in independent conscience of her own.