Baroque Vocal Music: Bach and Handel

0.0(0)
Studied by 0 people
call kaiCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/22

flashcard set

Earn XP

Description and Tags

Flashcards covering Johann Sebastian Bach's Cantata 140 (Awake, A Voice Calls to Us) and George Frideric Handel's Messiah from Ch. 20 and Ch. 21 lecture notes.

23 Terms

1
New cards

What musical genre did J. S. Bach compose for the weekly Lutheran service?

Cantata

2
New cards

Why were chorales used in Lutheran churches?

They were used so that everyone could participate.

3
New cards

Around what musical element is the composition Cantata 80 ("A Mighty Fortress Is Our God") based?

A chorale melody

4
New cards

For services of which different religious faiths did Baroque composers write music?

Catholic, Lutheran, and Anglican

5
New cards

From what does "Awake, a Voice Calls to Us" derive its name and primary melody?

A chorale tune

6
New cards

In the seventh movement of Bach's Cantata 140, what does the orchestra double to create musical unity?

The chorus

7
New cards

How are the first and final movements of Bach's Cantata 140 unified?

By using a common chorale melody

8
New cards

Which compositional principle is used by Bach in the first movement of Cantata 140?

The ritornello principle

9
New cards

What feature similar to a French overture did Bach use at the beginning of Cantata 140 to suggest a procession?

Dotted rhythms

10
New cards

Where does the chorale melody of "Awake, a Voice Calls to Us" appear in the finale of Cantata 140?

In the chorale sections

11
New cards

How many cantatas did J. S. Bach write within his first three years in Leipzig?

About 150150 cantatas (at the rate of roughly one per week)

12
New cards

What musical genre is very similar to an opera but is unstaged and based on a sacred topic?

The oratorio

13
New cards

In what two ways does Handel's Messiah differ from most other oratorios?

It does not really have characters or a plot, and it also contains New Testament material.

14
New cards

Which word best describes the recitative style of "He That Dwelleth in Heaven"?

Declamatory

15
New cards

How is the short text of "Thou Shalt Break Them" made into an extended aria?

By repeating words several times and writing long melismas on key words

16
New cards

What word-painting technique does Handel use to represent the text in the aria "Thou Shalt Break Them"?

A shaking figure

17
New cards

Which three textures are featured in the "Hallelujah" chorus?

Monophony, homophony, and polyphony

18
New cards

Which texture does Handel use in the "Hallelujah" chorus to emphasize God's power on the line "For the Lord God Omnipotent reigneth"?

Monophony

19
New cards

Which timbres are used to emphasize the regal nature of the "King of Kings" text in the "Hallelujah" chorus?

Trumpet and timpani

20
New cards

What musical accompaniment is used for the recitative section of "He That Dwelleth in Heaven"?

Basso continuo only

21
New cards

What did King George II do during the London premiere of Messiah after being moved by the beauty and majesty of the music?

He stood in respect.

22
New cards

Which two major vocal genres did G. F. Handel compose?

Opera and oratorio

23
New cards

Who performed a well-known "cover" of Handel's "Hallelujah" chorus?

Quincy Jones