3rd Movement of Trumpet Concerto in Eb Major

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Last updated 12:48 PM on 5/26/26
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14 Terms

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Artist

Franz Joseph Haydn

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Release date

1796

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2 other song

The creation, farewell symphony

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Genre

concerto

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Characteristics of Genre

Soloist plays main melody accompanied by orchestra, shows soloist skill

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Instrumentation (instruments)

Flute, Oboe, Bassoon, 2 Trumpets, 2 Trombone, Timpani, 2 violin, Viola, Cello

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expressive elements/ instrumentation techniques

Tremolo, Tutti, a2 , Pizz/Pizzicato, Arco, simile, forzando, acciaccatura, trill, fermata, fortepiano, crescendo, mordents

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Form and Structure

Orch Exp (AB), Exp (ABA), Dev (C), Recap (ABA?A!), between subjects is transition that introduces accidentals if modulating

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Pitch and Melody

All major tonality apart from dev (c section), Modulates to the V, IV, ii and III throughout the song. sharp, fast notes to show skill at instrument (showcase keyed trumpet), two main themes, large leaps and pitch ranges shown. even and symmetrical phrases. chromaticism showcases trumpet

Theme A: 4ths, 3rds, stepwise movement underscoring chordal

Theme B: starts higher and descends (contrasts A theme), larger range

<p>All major tonality apart from dev (c section), Modulates to the V, IV, ii and III throughout the song. sharp, fast notes to show skill at instrument (showcase keyed trumpet), two main themes, large leaps and pitch ranges shown. even and symmetrical phrases. chromaticism showcases trumpet</p><p>Theme A: 4ths, 3rds, stepwise movement underscoring chordal </p><p>Theme B: starts higher and descends (contrasts A theme), larger range</p>
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Harmony

Orch Exp (all Eb/I), Exp (Eb/I: A, Bb/V: B, Eb/I: A), Dev (C: Ab/IV, Fm (ii), G (III)), Recap (all Eb/I), Eb major

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Rhythm

straight, 2/4, allegro (quickly/bright), fermata (pauses)

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Texture/Timbre

Homophonic

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Context

part of classical period(1750 - 1820), beginning of 18th century natural trumpets with no valves (only play from harmonic series), end 18th cent keyed trumpet invented that played chromatic scale, one of two pieces written for Anton Weidinger (most prominent keyed trumpet player of time) to showcase Keyed Trumpet

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compositional devices

Imitation, pedal, call and response, sequence