Music 1107 - Unit 4

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29 Terms

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Romanticism

A self-conscious break from Enlightenment ideals emphasizing passionate, individual expression.

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Romantic Period

A period emphasizing individual expression, public concerts, aristocratic salons, and idolized solo performers.

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The Lied

A German-texted Romantic art song for solo voice and piano accompaniment.

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Song Cycle

A group of Lieder unified by a common theme.

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Unity of Expression

The close integration of text and music, with music enhancing the meaning of poetry.

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Franz Schubert

Vienna-born composer (1797–1828) known for melodic gifts and subtle interactions between music and text.

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Schubertiads

Private gatherings of writers, artists, and musicians where Schubert's music was performed.

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Erlkönig

Schubert's first published work, based on Goethe's dramatic ballad about the Elf-King.

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Erlkönig Characters

The narrator, father, child, and Elf-King, all portrayed by one singer.

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Elf-King

The supernatural king of the elves; anyone touched by him must die.

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Robert Schumann

German composer and critic (1810–1856) known for impassioned melodies, novel harmonies, and driving rhythms.

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Neue Zeitschrift für Musik

Schumann's influential European music journal, meaning “The New Journal of Music.”

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Dichterliebe

Schumann's 1840 song cycle that evokes the fragility and sentimentality of new love.

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Romantic Program Music

Instrumental music with literary or pictorial associations supplied through a title or explanatory notes.

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Absolute Music

Instrumental music without literary or pictorial meanings that relies on musical structure for expression.

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Hector Berlioz

French composer and conductor (1803–1869), a major French Romantic and master of innovative orchestration.

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Symphonie fantastique

Berlioz's autobiographical program symphony featuring an idée fixe representing his infatuation with Harriet Smithson.

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Idée fixe

A recurring melody representing a person, emotion, idea, or other subject.

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March to the Scaffold

The fourth movement of Symphonie fantastique, depicting an opium-induced dream of an artist's execution.

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Romantic Symphony

A symphony that expanded the orchestra and expressive musical language while retaining large-scale formal structures.

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Johannes Brahms

German composer and conductor (1833–1897) who favored absolute music and traditional Classical forms.

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Richard Wagner

German composer and conductor (1813–1883), the leading figure in German opera who unified music and drama.

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Gesamtkunstwerk

“Total artwork”; Wagner's fusion of music, poetry, drama, and visual spectacle into music drama.

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Wagner's Music Drama

A dramatic form using endless melody, natural German speech inflections, and no separate traditional numbers.

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Leitmotif

A concise recurring theme associated with a specific person, emotion, idea, or object.

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The Ring of the Nibelung

A cycle of four Wagner music dramas based on Norse sagas and the medieval German Nibelungenlied.

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Die Walküre

The second work in Wagner's Ring cycle, featuring the Valkyries and Brünnhilde.

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Valkyries

Daughters of Wotan who ride winged horses, circle battlefields, and carry fallen heroes to Valhalla.

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Ride of the Valkyries

A famous Die Walküre passage featuring a lively leitmotif, swirling strings and woodwinds, and massive brass for