CTVA 301 Midterm: EXAMPLE MATCH

Prop

His Girl Friday (1940), Howard Hawks
Hat on Hildy’s head

Costume

His Girl Friday (1940) Howard Hawks
The Cabinet of Dr. Caligari (1920) Robert Wiene

Makeup

The Cabinet of Dr. Caligari (1920) Robert Wiene

Highlight

The Cheat (1915) Cecil B. De Mille

Shadow

The Cheat (1915) Cecil B. De Mille

Hard Lighting

Skyfall (2012) Sam Mendes

Soft Lighting

Skyfall (2012) Sam Mendes

Frontal Lighting

La Chinoise (1967) Jean-Luc Godard

Backlighting

Passion (1982) - Jean Luc Godard

Sidelight

Touch of Evil (1958), Orson Welles

Underlighting

The Cabinet of Dr. Caligari (1920) Robert Wiene

Top Lighting

Shanghai Express (1932) Josef Von Sternberg

Three-Point Lighting

Laura (1944), Otto Preminger

Highkey Lighting

Back to the Future (1985) Robert Zemeckis

Lowkey Lighting

Mauvais sang (1986), Leos Carax

Movement and Acting

The Cabinet of Dr. Caligari (1920) Robert Wiene

Underexposure

Kasba (1991) Kumar Shahani

Overexposure

Kasba (1991) Kumar Shahani

Tinting

The Wrath of the Gods (1913) Reginald Barker
The Cabinet of Dr. Caligari (1920) Robert Wiene

Toning

Cenere (1916) Febo Mari

Hand Coloring

Trip to the Moon (1902) Mielles
The Great Train Robbery (1903), Edwin Porter

Wide Angle Lens

The Cranes Are Flying (1957) - Mikheil Kalatozov

Middle Lens

His Girl Friday (1940) Howard Hawks

Telephoto Lens

Koyaanisqatsi (1982) Godfrey Reggio

Zoom Lens

The Conversation (1973) Franis Ford Coppola

Deep Focus

Citizen Kane (1941) Orson Welles

Superimpostion

Kill Bill (2003) Quentin Tarantino

Rear Projection

Boom Twon (1940) Jack Conway
Vertigo (1958) Alfred Hitchcock

Stop Motion Trick Shot

Melies Shorts

Masking

Raging Bull (1980) Martin Scorsese

Anamorphic Process

Boy (1969) Nagisha Oshima

High Camera Angle

Family Plot (1976) Alfred Hitchcock

Straight On Angle

The Chronical of Anna Magdalena Bach (1968) Danielle Huillet and Jean Marie Straub

Low Angle

They Were Expendable (1945) John Ford

Canted Camera Level

The Conformist (1970) Bernardo Bertolucci

Camera Height

An Autumn Afternoon (1962) Yasujiro Ozu

Tilt

The Avenger (2012) Joss Whedon

Pan

The Avengers (2012) Joss Whedon

Tracking Forward Shot

The Shining (1980), Stanley Kubrick

Track & Pan

Weekend (1967) Jean Luc Godard

Crane Shot

Touch of Evil (1958) Orson Welles

Handheld Camera

The Conformist (1970) Bernardo Bertolucci

SteadiCam

Good Fellas (1990) Martin Scorsese

Reframing

His Girl Friday (1940)

Moving Away From the Subject

Grand Illusion
Touch of Evil
Weekend
Good Fellas

Sequence Shot

Touch of Evil
Good Fellas
Weekend
Grand Illusion

Cut

The Birds (1963) Alfred Hitchcock

Dissolve

Aliens

Wipe

Seven Samurai (1954) Akira Kurosawa

Graphic Match

Aliens (1986) James Cameron

Rhythmic Relations

The Birds (1963) Alfred Hitchcock

Establishing Shot

Rear Window (1954) Alfred Hitchcock

Kuleshov Effect

The Birds (1963) Alfred Hitchcock
She’s Gotta Have It (1986) Spike Lee

Flashback

Hiroshima Mon Amour (1959) Alain Resnais

Flashforward

The Godfather (1972) Francis Ford Coppola

Overlapping Editing

The Battleship Potemkin (1925) Sergei Eisenstein

Frequency

Do the Right Thing (1989) Spike Lee

Montage Sequence

Hot Fuzz (2007) Edgar Wright

Establishing Shot

Rear Window (1954) Alfred Hitchcock

POV Shot

Rear Window (1954) Alfred Hitchcock
Psycho (1960) Alfred Hitchcock

Match on Action

Black Swan (2010) Darren Aronovsky

Crosscutting

The Great Train Robbery (1903) Edwin Porter

Case Study of Continuity Editing in classical Hollywood

The Maltese Falcon (1941) John Huston

Case Study of Continuity Editing in Contemporary Hollywood Cinema

LA Confidential (1997) Curtis Hanson