DoM & Streetcar - Analysis of Corruption, Power, and Social Critique in Renaissance and Modern Drama (Hugo)

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Last updated 4:41 PM on 9/21/26
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14 Terms

1
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What country is the center of Catholicism?

Italy

2
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What does the religious aspect of the court remind us of?

Divine Right of Kings

3
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Whose speech does Antonio's opening speech mirror?

King James' Basilikon Doron, 1599

4
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What character type does Webster use as a backdrop for revenge tragedy?

The Malcontent

5
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What does the Malcontent character express through asides?

Objective truths about the social structure

6
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What societal expectation was placed on women during this period?

To be chaste and rid of lust

7
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How does the Duchess challenge contemporary attitudes to marriage?

She represents a progressive force and has more freedom as a widow

8
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What ideals does the Duchess fulfill in marriage?

Protestant 'companionate ideals of marriage'

9
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What does the Duchess threaten in the feudalistic court?

Class insecurity and the creation of a meritocracy

10
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What tradition does Antonio's adoration represent?

The Petrarchan Tradition

11
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DoM Source texts:

1) The Palace of Pleasure 1567 (William Painter)

2) Novelle 1554 (Matteo Bandello, original Italian account on Giovanna d'Aragona's murder)

12
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What does 'Streetcar' map out?

Industrialisation that displaced agricultural industries following the war

13
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What type of theatre does 'Streetcar' represent?

Naturalistic, 'drawing-room-theatre' tragedy

14
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What does 'Streetcar' use?

Stage effects mirroring cinema