Fall 26 Indigenous Architectures, Sites, and Environments

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Slide Identifications

37 Terms

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Olmec artist, seated figure, ca. 900-300 BCE. Jadeite.

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Olmec artist(s), Massive Offering/ Mosaic Pavement, ca. 700 BCE. Serpentine blocks and colored earth. La Venta. State of Tabasco, Mexico.

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Teotihuacan architects, Pyramid of the Moon, ca. 100-300 CE. Stone, stucco, and earth infill. State of Mexico, Mexico.

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Teotihuacan architects, Pyramid of the Sun, ca. 100 CE. Stone, stucco, and earth infill.

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Teotihuacan architects, Temple of Quetzalcoatl (or the “feathered serpent”), ca. 100 CE. Stone, stucco, and earth infill with tenon heads.

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Teotihuacan artist(s), Great Goddess Mural, ca. 100-300 CE. Stucco and pigment. State of Mexico, Mexico.

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Maya artist, Lintel 24, 723-26 CE. Limestone. Structure 23, Yaxchilan, State of Chiapas, Mexico.

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Maya artist, Lintel 25, 723-26 CE. Limestone. Structure 23, Yaxchilan, State of Chiapas, Mexico.

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Toltec architects, Pyramid B, ca. 850-1150 CE. Stone masonry, columns, and painted stucco reliefs. Tula de Allende, State of Hidalgo, Mexico.

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Toltec architects, Atlantean Columns (or “Atlantes”), ca. 850-1150 CE. Basalt. Tula de Allende, State of Hidalgo, Mexico.

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Toltec artists, Jaguar and Eagle Reliefs, ca. 850-1150 CE. Stone and traces of pigment. Tula de Allende, State of Hidalgo, Mexico.

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Maya architects, Temple of Kukulcan, ca. 900-1100 CE. Limestone masonry. Chichen Itza, State of YucatĂĄn, Mexico.

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Indigenous artists and scribes, The Foundation of Tenochtitlan (frontispiece of the Codex Mendoza), ca. 1542. Indigenous pigments and ink on amate paper.

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Indigenous artist, Departure from AztlĂĄn (from the Codex Boturini), ca. 1530. Indigenous ink on amate paper.

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European artist(s), The “Nuremberg” Map of Tenochtitlan and the Gulf Coast (from CortĂ©s’ Second Letter), 1524. Woodblock print with hand-colored pigments. Germany.

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Indigenous scribes and artists, The Founding of Tenochtitlan (from the Codex Aubin), mid-1570s. Indigenous pigments and ink on European paper.

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Diego DurĂĄn, The Founding of Tenochtitlan (from the History of the Indies of New Spain), 1579. Indigenous pigments and ink on amate paper.

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Luis Covarrubias, View of the Valley of Mexico, ca. 1955. Mural.

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Mexica (or Aztec) artist, Coatlicue Monument, 15th century CE. Andesite.

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Mexica (or Aztec) artist, The Coyolxauhqui Stone, ca. 1473 CE. Andesite with trace pigments.

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Mexica (or Aztec) architects, Templo Mayor (or Huey Teocalli), 15th to 16th century. Masonry, stucco, and pigment.

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Indigenous artists, The Birth of Huitzilopochtli and The Battle of Coatepec (from The Florentine Codex), 1577. Indigenous pigment and ink on amate paper.

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Diego DurĂĄn, The Temples of Tlaloc and Huitzilopochtli (from the History of the Indies of New Spain), 1579. Indigenous pigments and ink on amate paper.

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ChavĂ­n architects, ChavĂ­n de HuĂĄntar, ca. 900-200 BCE. Stone masonry.

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ChavĂ­n artists, tenon heads (or “cabezas clavas”), ca. 900-500 BCE. Volcanic tuff. Department of Ancash, PerĂș.

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ChavĂ­n artist, LanzĂłn (“The Great Lance”), ca. 900-500 BCE. Stone stela. Department of Ancash, PerĂș.

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ChavĂ­n artist, The Raimondi Stela, ca. 900-200 BCE. Stone.

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Andean artist, Textile Fragment with Condor Design, ca. 2500 BCE. Cotton fiber. Huaca Prieta, Department of La Libertad, PerĂș.

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Wari architects, Pikillacta, ca. 500-800 CE. Stone masonry. Department of Cusco, PerĂș.

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Wari artists, Tunic with Geometric Motifs, ca. 650-1000 CE. Cotton and camelid fiber.

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Wari artist(s), Wall Banner, ca. 600-900 CE. Macaw feathers, cotton fiber, and camelid fiber. Department of Arequipa, PerĂș.

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Moche artist(s), Mural E, ca. 650-800 CE. Low-relief incised adobe and pigment. Pañamarca, Department of Ancash, PerĂș.

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Moche artist(s), Stepped Vessel with Triangle Motif, ca. 200-600 CE. Clay and pigment.

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Moche artist, Mural A, ca. 650-800 CE. Low-relief incised adobe and pigment. Pañamarca, Department of Ancash, PerĂș.

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ChimĂș artist, Vessel with Palatial Scene, ca. 1000-1470 CE. Silver.

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ChimĂș artist(s), Wall Hanging, ca. 1300-1470 CE. Cotton fiber.

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ChimĂș artists, Pelican Frieze, ca. 1000-1470 CE. Sculpted adobe. Chan Chan, Department of La Libertad, PerĂș.