COMPRESSION,LIMITING,CLIPPING, &MORE

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Last updated 5:20 AM on 10/11/26
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29 Terms

1
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<p>In a compressor ? = The volume level (in dB) that audio must exceed for <strong>compression </strong>to start.</p>

In a compressor ? = The volume level (in dB) that audio must exceed for compression to start.

Threshold

2
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On a trap snare peaking at -3 dB, setting the ?? to -8 dB compresses only the top 5 dB transient spike.

threshold

3
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Your trap snare spikes 4 dB over the compressor's threshold.

  • At a 4:1 ??? the compressor clamps down so only 1 dB pokes through.


Ratio

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Ratio does not apply gain reduction until the audio signal exceeds the _____.

Threshold

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When audio is below the threshold the ratio does = ?

Nothing

6
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<p>The 1st waveform has a ? Attack time </p><p>The 2nd waveform has a ? Attack time </p>

The 1st waveform has a ? Attack time

The 2nd waveform has a ? Attack time

Slow > Fast

7
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<p>When using a compressor, with a high enough ? Value (ie; 20 : 1) </p><p>The compressor essentially acts as a ?</p>

When using a compressor, with a high enough ? Value (ie; 20 : 1)

The compressor essentially acts as a ?

Ratio, Limiter

8
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<p>The ratio knob turned to the left causes + ?</p>

The ratio knob turned to the left causes + ?

Expansion

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When compressing a 1:1 ratio does = ?

Nothing

10
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When compressing

Turning the ? knob to the Right causes downward compression

Ratio

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The primary goal when compressing is to ? the dynamic range

(However you can also use fruity limiter to “Expand”)

Reduce

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The primary goal of expansion is to ? the dynamic range

By making transients punchier or quite sounds quieter

Expansion

13
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For every 4dB the signal exceeds threshold, output only increases by 1dB

This would be written as ?:?

4:1

14
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When using a compressor having a ratio of 10:1, the compressor essentially becomes a ?

Limiter

15
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? control in fruity limiter COMP tab

Sets the dB level at which compression or expansion processing engages

(By default its at ?dB)

Threshold , 0dB

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The ? Control in fruity lmiter COMP tab

Applies post-processing makup gain

Gain

17
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The Attack control in fruity limiter

Set how quickly dynamic processing engages after your signal crosses the threshold

(Measured in milliseconds)

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When compressing. setting an attack time of : 15-20ms is considered a

? Attack vs 0.1-1ms would be a ? Attack.

19
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The ? Control in fruity Limiter

Sets how fast compression turns OFF AFTER the signal drops back below the threshold.

Release

20
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When compressing, A..

? Release value is around (10–50 ms) vs a

? Release is around (100–500 ms)

Fast vs slow

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The ? Control when compressing

Controls how abruptly or smoothly

the compression transitions around the threshold

(By default in Fruity limtier its set to ?)

Knee , 0%

22
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? How sudden or smooth the volume reduction kicks in when audio gets loud.

Knee

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A Hard Knee is good for ?

A Soft Knee is good for ?

Drums vs vocals

24
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IN Fruity limiter the ? tab

? Provides peak brick-wall limiting

Limit tab

25
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IN Fruity limiter the ? tab

Allows flexible compression/expansion

COMP

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? Compression Reduces signal gain when audio level exceeds threshold

Downward compression

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Upwards ? Increases signal gain when audio level exceeds threshold.

Expansion

28
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A ? Attack on snare drums clamps down instantly on transients, making the snare sound flatter

Fast

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A ? attack on snare drums lets initial transients pass uncompressed before compressing the drum body

slow