Spanish art exam 1 part 2
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19 Terms
title: Imago Pietatis
creator:Byzantine
date: 'Early 14th Century, Rome (Basilica of Santa Croce in Gerusalemme)
why:Represents the "Man of Sorrows" devotional imagery, linking Byzantine micro-mosaics to Western Catholic Passion pilgrimage and relic veneration.
title: Imago Pietatis
creator:Juan Sánchez de San Román
date: 'Ca. 1490, Spain
why:Illustrates the adaptation of Byzantine and Flemish Passion motifs into late 15th-century Spanish panel painting for personal and funerary devotion.
title: Virgen de la Antigua
date: 'first recorded in documents in 1403.
why:A major Marian cult image in Seville that served as a spiritual protector for Spanish maritime exploration and imperial conquest in the Americas
title: Mosque-Cathedral at Cordoba
date: '785-1523
why:Iconic architectural site showing centuries of religious transformation, where a Christian Renaissance cathedral choir was built inside the Caliphal prayer hall.
title: Abd al-Rahman I
date: '(731-788)
title: Al-Hakam II
date: '(961-76)
title: Mihrab of Cordoba Mosque
creator:Byzantine craftspersons
date: '961-976
title: Khipu,
creator:Inka craftsperson.
date: 'late 15th century.
why:Complex Inka record-keeping device made of knotted colored cords, used for state administration, census tracking, and taxation without written text
title: 12-Sided Stone.
date: 'Cusco. Pre 1532.
why:Exemplifies Inka ashlar masonry—mortarless stone joinery designed to fit seamlessly and absorb seismic earthquake activity in imperial Cusco
title: Korikancha / Santo Domingo,
date: '15th-17th c. Cuzco, Peru.
why:Colonial architectural superimposition—the Spanish built a Catholic church directly over the polished curved walls of the sacred Inka Sun Temple (Qorikancha)
title: Maize stalk with Cobs.
creator:Inka metalsmiths
date: 'end of 15th century.
why:Likely from Coricancha (Temple of the Sun)
title: Alpaca
creator:Inka metalsmiths
date: 'end of 15th century.
why:Likely from Coricancha (Temple of the Sun)
title: Inka "Echo Stone"
date: 'Pre-1532.
title: Cronica general del Peru
creator:Pedro Lieza de Leon.
date: '1553.
why:Early European ethnographic print documenting Indigenous Andean religious practices and idolatry as witnessed during the Spanish conquest.
title: “Cortes Map”
date: 'Published in Latin edition of Cortés’ Letters. Nuremberg, 1524
why:The first printed depiction of the island capital Tenochtitlan published in Europe, framing the Mexica urban grid alongside imperial Spanish conquest narratives.
title: The Founding of Tenochtitlan. Codex Mendoza.
date: '1541
why:Combines Indigenous pictorial annals with Spanish glosses, depicting the mythic eagle-on-cactus omen, military victories, and the original 4-quadrant plan of Tenochtitlan.
title: The Coyolxauhqui (ko-yo-shaokhi) Stone
date: 'Pre-contact (1325-1519).
why:Relief carving at the base of the Templo Mayor portraying the dismembered Moon goddess Coyolxauhqui, reinforcing Mexica cosmos mythology and state sacrifice rituals
title: Feather Shield with Coyote.
creator:Mexica craftspersons
date: 'Pre-1522
why:Elite Mexica featherwork (feather mosaic) depicting a snarling coyote holding a war sign, worn by high-ranking military commanders and gifted to European rulers
title: Feather shields with geometric patterns
creator: Mexica craftspersons
date: 'Ca. 1500
why:Features precise geometric feather inlay used for royal ceremonial armor, prestige gifts, and state tribute collections