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A comprehensive vocabulary review of Module 5: History of Art from HUM 100, covering major historical art movements, key concepts, artists, and artworks.
Art Movement
A group of artworks sharing similar style, ideals, techniques, philosophy, or historical period.
Cave/Parietal Art
Oldest art; animals and hand stencils; possible communication, religious, or ceremonial purpose.
Ancient Egyptian Art
Tombs, monuments, religion, preservation of the past, and life after death.
Greek Art
Idealism, balance, harmony, beauty, and perfect proportion.
Archaic Classical - Hellenistic
The three major scholarly stages of later Greek art.
Roman Art
Realism, practicality, everyday life, and strong portrait tradition.
Chinese Painting
Brush and ink on paper or silk; landscape traditionally regarded as the highest form.
Gongbi
Meticulous Chinese painting with precise, highly detailed brushwork.
Ink-and-Wash / Xieyi
Freehand Chinese painting using water and ink.
Japanese Painting / Kaiga / Gado
Highly refined Japanese visual art; often shows everyday or narrative scenes.
Medieval Art/Dark Ages
Church-centered art; religious themes; illuminated manuscripts and Gothic architecture.
Renaissance
Revival of Classical ideas; realism, anatomy, perspective, light, and shading.
Chiaroscuro
Strong use of light and shadow; associated with Leonardo da Vinci in the High Renaissance.
Mannerism
Exaggerated, elongated, stylized, and artificially elegant figures.
Baroque
Ornate, emotional, dramatic; strong contrast of light and dark.
Rococo
Graceful, decorative, intimate; soft pastel colors and playful scenes.
Neoclassicism
Simplicity, symmetry, harmony, proportion, and renewed Greek-Roman ideals.
Neo-Impressionism
Science-based approach to color and light; associated with Georges Seurat.
Impressionism
Visible brushstrokes, ordinary subjects, open composition, and changing effects of light.
Post-Impressionism
Bright color, symbolism, structure, emotion, and distorted natural color.
Paul Cezanne
Called the father of Post-Impressionism.
Art Nouveau
Curving natural forms and decorative design applied to everyday objects.
Fauvism
Extremely bright, non-naturalistic colors; Henri Matisse.
Expressionism
Intense emotion, pathos, violence, chaos, or tragedy; example: The Scream.
Cubism
Geometric forms, fragmented planes, and multiple viewpoints; Picasso and Braque.
Futurism
Speed, machinery, motion, and modern industrial society.
Abstractionism
Moves away from realistic representation; shape, texture, and idea become more important.
Distortion
Twisting or misshaping a subject.
Elongation
Lengthening or extending a subject.
Mangling
Showing forms as cut, mutilated, or heavily altered.
Dadaism
Protest art; absurd, playful, experimental, and intentionally nonsensical.
Marcel Duchamp
Best-known Dadaist; associated with Fountain and L.H.O.O.Q.
Surrealism
Dreams, subconscious thought, strange imagery, and a reality beyond daily life.
Constructivism
Russian movement emphasizing construction and social concerns.
De Stijl / Neoplasticism
Pure abstraction using horizontal/vertical lines, black, white, and primary colors.
Abstract Expressionism
Large canvases, strong color, rough brushwork, and deliberate lack of refinement.
Optical Art/Op Art
Uses optical illusion to suggest movement, vibration, or visual distortion.
Pop Art
Uses advertising, mass media, brands, comics, and popular culture imagery.
Post-Minimalism
Uses raw, unprocessed, sagging, or unconventional materials.
Conceptual Art
The idea or concept is more important than the finished art object.
Photorealism
Reproduces a photographic image as realistically as possible in another medium.
Installation Art
Objects/materials arranged in a space to create a message or experience.
Body Art
Uses the human body as a canvas or medium.
Land Art/Earth Art
Uses earth materials such as stone, soil, clay, or landscape itself.
Performance Art
Uses live bodies, movement, voice, or action as artistic expression.
Jacques-Louis David
Major Neoclassical artist.
The Scream
Expressionist work by Edvard Munch.
Guernica
Cubist work by Pablo Picasso.