quiz 4 media literacy

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59 Terms

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Agent vs. Manager Licensing
California talent agents need licenses; managers do not.
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Agent
Finds employment for artists.
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Artist
Actors, writers, directors, musicians, models, and other performers.
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Packaging
Combining talent or clients into a project to pitch.
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Agent Commission
Usually 10%.
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Manager Commission
Usually 15%.
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The Pitchening
Pitching a project through producers, studios, and networks.
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TV Pitch Order
Producer to studio to network.
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Notes
Feedback and requested changes to a proposed show.
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Studio vs. Network Notes
Studios focus on profits; networks focus on their audience and brand.
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Showrunner
Leads creative production and balances business and story needs.
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Outline
Detailed plan for an episode before scripting.
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Pilot Script
Written script for the show's first episode.
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Put Pilot
Strong commitment to produce a pilot, often with a penalty.
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Script Order With Penalty
Script development deal with a financial penalty for not proceeding.
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Pilot Order
Network orders production of a pilot episode.
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Direct-to-Series
Ordering a series without first producing a separate pilot.
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On-Air Commitment
Promise that the network will broadcast the project.
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First Position
An actor's priority commitment when schedules conflict.
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Second Position
A secondary commitment behind another show.
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Upfronts
Events where networks present programming to advertisers.
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Logline
A one- or two-sentence summary of a show's premise.
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Pitch Treatment
Written overview of concept, characters, and storylines.
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Verbal Pitch Preparation
Know your logline, practice naturally, and expect interruptions.
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Verbal Pitch Delivery
Start strong, explain uniqueness, and listen carefully.
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When to Follow Up
When the executive expresses genuine interest.
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When Not to Follow Up
When the executive clearly passes on the project.
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Why Networks Change TV Shows
To fit audiences, advertisers, schedules, and financial goals.
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Possible Network Changes
Characters, casting, plot, episode structure, or tone.
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Elevator Pitch
A very short explanation of a project.
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Situation Merits the Outcome
Adjust pitch length and detail to the meeting.
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Most Important Part of a Long Pitch
The first ten minutes, when you build connection.
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Everyone Wants the Pitch to Work
Writers want opportunities; buyers want successful projects.
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Pitch Meeting Preparation
Communicate clearly, build confidence, and reduce nerves.
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Preparation
Know the project, buyer, and meeting expectations.
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Passion
Communicates enthusiasm and belief in the project.
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Clarity
Helps buyers understand the concept quickly.
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Originality
Distinguishes the project from similar shows.
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Characters
Give viewers someone to follow and care about.
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Conflict
Shows what drives the story and creates stakes.
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Connection
Creates trust and keeps the pitch engaging.
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Getting a Pitch Meeting
Research companies and identify appropriate contacts.
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Contacting Assistants
They may be more accessible and become future decision-makers.
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Networking With Peers
Peers can share opportunities as their careers grow.
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Script as a Writing Sample
A script can open career opportunities without being sold.
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Script Purchase Price
Depends on the production budget and negotiated deal.
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Budget Is Relative
Budget figures can differ depending on who's calculating and why.
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Paradigm
The established way an industry operates.
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Disrupting the Paradigm
Finding alternatives to traditional industry gatekeepers.
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Adapting a Script
Turning a script into a book or another format.
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Building an Audience
Existing interest can make a project more attractive to buyers.
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Academy Inclusion Standards Effective Year
96th Oscars, in 2024.
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Academy Inclusion Standards Category
Best Picture.
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Academy Inclusion Standards Requirement
Two out of four standards.
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Academy Standard A
On-screen representation, themes, and narratives.
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Academy Standard B
Creative leadership and project team.
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Academy Standard C
Industry access and opportunities.
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Academy Standard D
Audience development.
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Purpose of Academy Standards
To encourage equitable representation on and off screen.