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golden age
5th century BCE in Athens
three of the key tragedians
Aeschylus, Sophocles, Euripides
aristophanes
greek comic playwright
the age of pericles
a time period where the general pericles led Athens during its peak. Parthenon, home to dramatists, democracy.
Parthenon
former ancient greek temple on the acropolis in athens; a temple/shrine for the goddess Athena
tragedy
Explored serious human struggles, fate, pride, divine justice, and the conflict between mortals and gods. Aeschylus, Sophocles, and Euripides
comedy
Focused on contemporary society, politics, human vanity, and everyday civic life rather than distant mythological epics. Aristophanes.
satyr
Acted as a "joking tragedy" or comic relief performed as the fourth piece after a trilogy of tragedies to lighten the audience's mood. Features a chorus of satyrs—mythological half-human, half-goat or horse creatures. Euripides' Cyclops.
structure of greek tragedy
The structure of a Greek tragedy followsa fixed, cyclical pattern of alternating dialogue and choral songs
prologue
An opening speech or scene by one or more characters that introduces the drama and explains the background story.
parados
The initial entrance song and march of the chorus into the circular orchestra, often establishing the mood.
Episode (Episodion)
Three to five dramatic scenes where actors interact with each other and the chorus. These are spoken or chanted in verse.
Stasimon
A stationary choral ode sung and danced by the chorus after each episode. Typically composed in pairs of strophe (movement across the orchestra) and antistrophe (return movement), these odes reflect on the preceding action, weigh moral dilemmas, or connect the plot to broader mythology.
strophe
movement across the orchestra
antistrophe
return movement
exodos
The final exit scene where the characters depart and the chorus leaves the orchestra, providing a concluding resolution or final lament.
theatron
The tiered viewing area carved into a natural hillside where spectators sat. “seeing place”
orchestra
The flat, circular or semi-circular space in the center where the chorus sang, danced, and interacted with the actors. “dancing place)
skene
A rectangular building located behind the orchestra that served as a backdrop, dressing room, and storage area for props and costumes. “stage building”
Parodos
The wide entrance archways and pathways on either side of the orchestra used by the chorus and actors to enter and exit
Thymele
An altar dedicated to Dionysus, the god of wine and theater, typically located in the center of the orchestra
diazoma
horizontal walkways located between the epitheatron and theatron
logeion
speaking area, located in front of the skene
mechane
crane used in greek theater to represent flight, lifted actors
ekkyklema
moving platform used in performances for revealing or changing scenes (usually murder/dying scenes)
scaena ductilis
painted scenery panels that could be drawn apart or slid on tracks to reveal scenes/interiors
origins of greek drama
Greek drama originated in6th-century BCE Athensas a form of religious worship honoring Dionysus, the god of wine, fertility, and ritual madness
Dithyrambs
Early performances began as dithyrambs—hymns and choral chants sung and danced by a chorus of men around an altar to praise Dionysus
City Dionysia
a major ancient Athenian religious and civic festival held annually in honor of the god Dionysus
more info about city dionysia
held each spring, centered at the theatre of dionysus on the southern slope of the acropolis, dramatic competitions
Proagon (day 1)
ceremony before the contest in which poets and actors announce plays
Pompe (Day 2)
procession from town to sacred precinct of Dionysus, music and dancing along the way, sacrifice of a bull; dithyrambs in the theater
Day 3 of city dionysia
five comedies performed
Days 4-6 of city dionysia
each day a single poet would present three tragedies and one satyr
Day 7 of city dionysia (last day)
assembly, winners announced
how many of Euripides plays survived
18
agon
conflict, action
temple of dionysus
Ancient Greek theaters were built inside sanctuaries dedicated to Dionysus, most famously on the southern slope of the Acropolis in Athens