ART H 200 Exam 1 Study Guide

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80 Terms

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Anonymous, Spotted Horses and Human Hands, Pech-Merle Cave. Dordogne, France. Horses 25,000-24,000 BCE; hands 15,000 BCE. Pain on limestone

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Anonymouse, Bird-Headed Man with Bison, Shaft scene in Lascaux Cave. c. 15,000 BCE. Paint on limestone

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Anonymous, Hero and centaur (Herakles and Nessos?), ca. 750-730 BCE, Bronze

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Polykleitos, Doryphoros (Spear Bearer), ca. 450-440 BCE, Roman marble copy after a bronze original

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Phidias, Athena Parthenos, Cell of Parthenom (reconstruction), 438-432 BCE, gold and ivory, 38’

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Plan of the Parthenon

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Iktinos and Kallikrates, Parthenon, the Temple of Athena Parthenos, 447-438 BCE

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Parthenon East Pediment, Three goddesses (Hestia, Dione, and Aphrodite?), ca. 438-432 BCE)

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Lapith Fighting a Centaur, metope on the Doric Frieze of the Parthenon, ca. 447-443 BCE, marble

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Lapith Fighting a Centaur, metope on the Doric Frieze of the Parthenon, ca. 447-443 BCE, marble

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Sacrificial cattle with attendants; south frieze of the Parthenon, ca. 438-432 BCE

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Parthenon east frieze; gods and acolytes (Erechtheus’s daughter with shroud?), 477-438 BCE, marble

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Panathenaic festival and procession

The most important religious and civis celebration in Athens, help annually to honor the city’s patron goddess, Athena

Festival held in late summer, offering athletic games, musical performance, poetry, races…

Procession is the ritual centerpiece of the festival w a long line of horsement, charioteers, musicians, elders carrying olive branches, youth leading sacrificial animals, and maidens carrying sacred ritual baskets… also had a new woven peplos for the cult statue… ends in big ol sacrifice of oxen

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Kouros and Kore

Freestanding sculptures from the archaic period serving as votive offerings for gods in sanctuaries or funerary grave markers for the dead

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Frieze in low relief

long, narrow, decorative band that features slightly raised scultural carvings, often in Ionic or Corinthian orders

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Metope in high relief

rectanangular architectural panel in a Doric frieze where the sculpted figures are carved deeply from the background so the project heavily and appear nearly free-standing

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Classical orders of architecture

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Fluted shaft

A vertical column or pilaster w/ a seris of shallow, parallel, concave grooves (flutes) cut or molded into the surface

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Polykleitos’ “canon of proportions”

Established a mathmatical + numerical system of ideal human body proportions

<p>Established a mathmatical + numerical system of ideal human body proportions</p>
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Leonardo da Vinci, Vitruvian Man, ca. 1490, ink on paper

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Leonardo da Vinci, Last Supper, 1495-97, oil and tempera on plaster

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Leonardo da Vinci, Virgin, Child and Saint Anne, 1508-13, oil on panel

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Raphael, Madonna of the Goldfinch, 1505-06, oil on wood

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Raphael, Study for Madonna of the Goldfinch, 1505-06 pen and brown ink over preliminary indications…

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Raphael, Disputa, 1508-11, fresco

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Raphael, School of Athens, 1509-11, fresco

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Michelangelo Buonarroti, Bacchus, 1496-97, marble

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Michelangelo Buonarroti, Pieta, ca. 1500, marble

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Michelangelo Buonarroti, David, 1501-1504, marble

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Michelangelo Buonarroti, Bound Captive, 1513-16, marble

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Michelangelo Buonarroti, Sistine Chapel Painting, Creation of Adam, 1508-12, fresco

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Renaissance

“re-birth” of Classical art of culture, that is, Greece and Rome

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Humanism

14th- to 17th- century intellectual and cultural movement originating in Italy that shifted the focus of art and philosophy from abstract, church-dominated medieval themes to human experience, individual potential, and classical antiquity

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Neo-Platonism

Renaissance revival and artistic application of late Platonic philosophy —> connects visible, physical beauty with divine, spiritual truth, treating art as a ladder that helps the human soul ascend from the material world back to a higher, spiritual reality.

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Paragone

Famous debate from Italian Renaissance where different art forms—especially painting and sculpture—competed to prove which one was superior

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One-point linear perspective

Horizon line

Vanishing point

Orthogonals

One-point linear perspective = mathematical drawing method that creates an illusion of 3D depth on a flat, 2d surface

Horizon line - horizontal reference line that stretches across the picture

Vanishing point = single spot of the horizon line where parallel lines appear to meet and disappear as the move deeper into the distance

Orthogonals = the diagonal lines drawn from the edges of objects back toward the vanishing point

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Sfumato

Italian Renaissance painting technique that softens the transitions between colors, tones and outlines so that they blend into one another without hard lines or borders

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Foreshortening

art technique used to draw, paint, or photograph an object, body, or structure so that it appears compressed, shorter, or receding dramatically into space

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Chiaroscuro

art technique using strong contrasts between light and dark to give flat figures and objects a 3D illusion of volume, depth, and dramatic mood

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Fresco

technique of mural painting where water-based pigments are applied directly onto freshly laid, wet lime plaster

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Tempera

a permanentm fast-drying painting medium made by mixing color pigments with a pater soluble binding agent

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Oil painting (glazing)

technique of applying a thin, transparent or semi-transparent layer of paint of a thoroughly dried, opaque layer of paint underneath

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Angogical axis

method of interpretation that reveals the spiritual, mystical, or ultimate divine meaning of a text, object, or architectural space

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Disegno

Means “drawing” or “design” —> intellectual concept, creative plan, and linear structure underlying a work of art.

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Colore

16th-century Venetian painting approach that prioritized rich color, light effects, and direct pain application over hard lines or preliminary sketches

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Pope Julius II

one of greatest and most influential patrons of the High Renaissance, using grand architectural and fine art commissions to project political power, revive classical antiquity, and secure his historical legacy

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Trompe l’oeil

“fool the eye” —> technique that uses realistic imagery and perspective to create a 3D optical illusion on a flat, 2D surface

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Mannerism

European art movement that emerged in Italy ~1520 and lasted until ~1600 before transitioning into Baroque period —> figures feature stretched limbs, small heads, elongated necks… self-conscious style…

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‘Poesie’

enigmatic pastoral themes inspired by literary revival of pastoral poetry

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Figura serpentinata

describes a twisting, spiral pose used in Mannerist painting and sculpture —> human body twists around a central vertical axis

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Nonfinito

“not finished” —> aesthetic or artistic technique where a work of art is intentionally left rough, unpolished, or incomplete

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Raphael, Portrait of Baldassare Castiglione, ca. 1514, oil on canvas

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Robert Campin, The Merode Alterpiece (Triptych of The Annunciation), 1425-28, oil on wood panel

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Jan van Eyck, Madonna and Child in a Church, ca. 1425, oil on panel

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Jan van Eyck, Ghent Altarpiece, (closed), finished 1432, oil on panel

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Jan van Eyck, Ghent Altarpiece, (opened), finished 1432, oil on panel

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Jan van Eyck, Double Portrait, Giovanni Arnolfini & wife (Giovanna Cenami?), 1434, oil on panel

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Hieronumus Bosch, Garden of Earthly Delights, ca. 1505-15, oil on wood

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Pieter Breugel the Elder, Large Alpine Landscape, 1555, engraving

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Pieter Bruegel the Elder, Netherlandish. Proverbs, 1559, oil on wood panel

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Pieter Breugel the Elder, Christ Carrying the Cross, 1564, oil on wood panel

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Pieter Breugel the Elder, The Harvesters, 1565, oil on wood panel

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Pieter Aertsen, The Meat Stall, 1551, oil on panel

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Pieter Aertsen, “Vanitas Still Life” (Christ in the House of Mary and Martha), 1552, oil on panel

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Pieter Aertsen, Christ in the House of Mary and Martha, 1553, oil on panel

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Northern Renaissance

a cultural, intellectual, and artistic movement in Europe north of the Alps

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The Reformation

major 16th-century religious and political movement in W. Europe that challenged the authority of the Pope and the Roman Catholic Church, leading to the birth of Protestantism and the divisian of Western Christianity

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Indulgences

a remission before God of the temporal punishment due for sins whose guilt has already been forgiven

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Erasmus and his Praise of Folly

Praise of Folly by Desiderius Erasmus is a foundational satirical text that heavily influenced 16th-century visual culture, printmaking, and iconography

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Chambers of rhetoric

15th-to-16th-century dramatic. and literary societies in Low Countries

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The Polyglot Bible

an edition of the Bible that features the scriptural text translated into multiple languages arranged side-by-side in parallel column or on facing pages

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Christopher Plantin

a pioneering French-Flemish Renaissance printer, publisher, and bookbinder whose work revolutionized the visual standards of the print medium

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Hieronymous Cock

An influential Flemish Renaissance painter, etcher, and the most prominent print publisher in Northern Europe during the 16th century

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Hendrik Nichlaes and the “Family of Love” (Familia Caritatis)

a 16th-century radical spiritualist and mystical sect founded around 1540 by German-born merchant and visionary Hendrik Niclaes

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The Duke of Alva and the Spanish Inquisition

A brutal Spanish general sent by King Philip II in 1567 to crush political and religious dissent in the Netherlands

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Genre painting

A style of art that depicts scenes from everyday life, featuring ordinary people engaged in common activities like working, eating, or relaxing at home

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“Inverted still life”

A genre of painting—pioneered in 16th-century N Europe by artists like Pieter Aertsen—where traditional religious or historical subject matter is pushed into the distant background, while large, detailed everyday objects like food, meat, or market produce dominate the foreground

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Vanitas

refers to a genre of still-life painting that flourished primarily in the Netherlands during the 16th and 17th centuries

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Repoussior

an artistic and compositional technique where an object, figure, or shadow is placed in the extreme foreground—usually at the left or right edge of a frame—to “push back” the rest of the scene and create a strong sense of spatial depth

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Moralizing subject matter

art, literature, media, or discourse that is explicitly designed to teach a moral lesson, pass ethical judgement, or reform human behavior