HOA2 FINALS(PAG GINAMIT MAY BAYAD)

FILIPPO BRUNELLESCHI

He is traditionally regarded as the

father of Renaissance architecture, who, in

the words of Vasari, ‘was sent by Heaven

to invest architecture with new forms, after

it had wandered astray for many

centuries’.

MANNERISM

During this period, architects experimented

with using architectural forms to emphasize solid and

spatial relationships.

QUATTROCENTO

HIGH RENAISSANCE

MANNERISM

RENAISSANCE BUILDING CHARACTERISTICS

The plans of Renaissance buildings have a square,

symmetrical appearance in which proportions are

usually based on a module.

ST. ANDREA DE MANTUA- ALBERTI

PALAZZO RUCELLAI- ALBERTI

ST. PETER’S BASILICA

CEILINGS

Roofs are fitted with flat or coffered ceilings.

PALAZZO CAMPIDOGLIO- MICHAELANGELO

WINDOWS

Windows may be paired and set within a semi-circular

arch.

PALAZZO FARNESE- A. DA SANGALLO

FILIPPO BRUNELLESCHI

FLORENCE CATHEDRAL

BASILICA OF SAN LORENZO

BASILICA OF SANTO SPIRITO

MARCUS VITRUVIUS POLLIO

LEON BATTISTA ALBERTI

ANDREA PALLADIO

PALAZZO CHIERICATI, VICENZA

GIORGIO VASARI

la rinascita

▪The word "Renaissance" derived from

the term_________(meaning re-

birth)which first appeared in Giorgio

Vasari’s Vitede’più eccellenti architetti,

pittori, et scultori Italiani (The Lives of

the Artists,1550–68)

VASARI

Considered as the “Father of Art History”

VITRUVIUS

According to ________, architecture is an immitation of nature

1401

Brunelleschi competed against Lorenzo Ghiberti,

a young rival, and five other sculptors for the commission

to make the bronze reliefs for the door of the Florence

baptistery.

Brunelleschi

trained as a goldsmith and sculptor

and enrolled in the Arte della Seta, the silk merchants'

guild,

QUATTROCENTO

concepts of architectural order were

explored and rules were formulated. The study of classical

antiquity led in particular to the adoption of Classical detail and

ornamentation.

HIGH RENAISSANCE

concepts derived from

classical antiquity were developed and used with

greater surety.

SAN PIETRO, MONTORIO

OUR LADY OF SORROWS

PALAZZO MEDICI RICARDI- MICHELLOZO

BASILICA OF SAN LORENZO

BASILICA OF SANTO SPIRITO

On Painting

The first was Della Pittura [————-] in 1435 in which he provided the first systematic exposition of the rules of

one-point perspective and the theory of painting as

grounded in visual experience with geometrical

principles.

On Sculpture

The second was Della Statua

(———) in 1436 (with a

later version in 1450) in which

he argued that statues are

geometric imitations of nature

and for which he worked out

a canon of human

proportions.

CHURCH OF SAN MAGGIORE, VENICE