Percussion Midterm

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Last updated 1:27 AM on 10/12/26
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72 Terms

1
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What is the mallet keyboard grip?

Identical to snare drum matched grip except that it is closed.

2
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How should the hands feel when playing mallet keyboard?

Hands must remain relaxed.

3
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How should the hands be angled on mallet keyboard?

Cock elbows to the outside to help with accuracy.

4
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How should the hands and wrists be positioned on mallet keyboard?

Hands are flat and wrists and hands are low to the keyboard.

5
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Where should the left hand be positioned on mallet keyboard?

Close to the accidentals.

6
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Where should the right hand be positioned on mallet keyboard?

Close to the natural notes.

7
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What part of the body should stroke the mallet?

The wrist only; no arm.

8
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What are three mallet keyboard stroke types?

Up/down stroke; rebound stroke; lift stroke.

9
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How should mallet keyboard strokes move?

Strokes must be vertical; avoid knocking.

10
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What is the rule for mallet height and hand height?

Mallets high means hands low.

11
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What is the rule when mallets are low?

Hands should also be low.

12
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What can extremely low mallets cause?

Injury.

13
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What should move the hands from note to note on mallet keyboard?

The arm

14
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What are lateral and rotary techniques?

Advanced techniques that are necessary.

15
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How should a player change tessitura on mallet keyboard?

Shuffle from side to side; never cross legs.

16
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Where should a mallet strike a bar naturally?

Just off-center.

17
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Can the left or right hand used in a playing area change?

Yes; it may change when moving from high or middle notes to low notes

18
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Where should a player strike for legato?

Use center playing rather than off-center.

19
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Should center playing be used all the time?

No; the notes say not to do this all the time.

20
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What are nodes on a mallet bar?

Places where strings go through the bars.

21
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How many nodes does each bar have according to the notes?

Two.

22
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What sound are nodes used to produce?

Staccato sound.

23
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Where are accidentals played on the bars?

On the bend of the bars.

24
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Where should orchestra bells be played?

In the center because the bars are very small.

25
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What is the default sticking policy for easy or medium parts?

Use common-sense sticking and set up leaps.

26
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How can a piano help with mallet keyboard sticking?

It can help figure out stickings.

27
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What is the standard sticking approach?

Alternate your hands.

28
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What type of playing should be absolutely avoided?

One-handed playing.

29
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What is alternating with shifting?

Lifting hands to get to a note while still alternating.

30
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Why use doublings in mallet keyboard sticking?

To avoid large shifts and crossing.

31
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Should a player cross arms while playing mallet keyboard?

Never.

32
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What can doubling do to the grip and accuracy?

It tightens the grip and reduces accuracy.

33
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How should a player double from an accidental to a natural?

Use the sticking pattern that maintains comfortable hand movement and accuracy; the notes contrast an incorrect pattern with a preferred pattern.

34
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What type of roll is mentioned for single-stroke rolls?

Single-stroke rolls with the left or right hand.

35
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Which instruments are listed as not having rolls?

Marimba; xylophone; bells; vibes.

36
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What is kinesthetic perception in reading music?

Being able to sight-read while keeping the eyes on the music.

37
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What is the first strategy for keeping eyes on the music?

Keep consistent hand position

38
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What should remain consistent when reading music on mallet instruments?

Keep the angles the same.

39
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What is the second strategy for reading music?

Do technical exercises while looking at the bars.

40
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What is important when doing technical exercises while reading?

Stay completely relaxed.

41
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What is the third strategy for reading music?

Do reading and motion exercises so the hands know where the notes are.

42
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What kind of vision should be used to find notes while reading?

Peripheral vision.

43
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What is the fourth strategy for reading music?

Gauge the position of the next note based on what you last played.

44
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What should players do with their hands while reading?

Keep hands low.

45
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What should players avoid while hunting for notes?

Tension.

46
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When is it acceptable to look down at the instrument?

On long notes.

47
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What should a player know when looking down on long notes?

One hand is truly focused; know the keys.

48
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What should teachers give students to read?

Music that they can read.

49
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How should players think about distances between notes?

Not as a set of distances but as a sense of scale.

50
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What are resonators?

Amplifiers.

51
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What are trills according to the notes?

False notes created by rotors when plugged in.

52
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What is the written range of the marimba?

A2–C7; 4.3 octaves.

53
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What is the written range of the xylophone?

F3–C7; sounds an octave higher.

54
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What is the written range of orchestra bells?

G3–C5; sounds two octaves higher.

55
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What is the written range of the vibraphone?

F3–F6.

56
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What is the written range of chimes?

C4–F5.

57
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How should timpani drums be positioned?

In an open semicircle.

58
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What is the English-style timpani arrangement?

Left to right, low to high.

59
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What is the German-style timpani arrangement?

Right to left, low to high.

60
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How should the body move when playing timpani?

Do not move the body; move the trunk to hit the timpani.

61
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Why lean on the timpani stool?

For immediate access to the pedal and to keep stick position parallel to the timpani.

62
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How far from the rim is the timpani beating spot?

3–6 inches.

63
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How should a player position the body to reach each timpani?

Be square to each drum and swivel the trunk to hit the timpani.

64
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What grip should be used for timpani?

The same grip as mallets.

65
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What grip transition is mentioned for advancing timpani players?

As they advance they should move to German grip; the notes also mention French stroke.

66
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Where does natural rebound on timpani come from?

The style of the drum.

67
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What is written about American grip?

Matched; the notes contrast it with French grip and indicate thumb up.

68
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How should a timpani stroke feel?

Like an upstroke; think up.

69
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What is a difficulty when playing successive timpani notes?

Playing successive notes evenly and articulately.

70
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What can change timpani articulation?

The sticks used; how fast the player pulls away from the drum; pressure of the grip.

71
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What is a timpani downstroke good for?

Heavy sound with resonant overtones.

72
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What technique is associated with the timpani downstroke in the notes?

German technique.