Music History II Test 3

Absolute Music

Alberti Bass

Coda

Double-Exposition Sonata Form

Dramma Giocoso

Esterhazy Court

Galant Style

Grand Traité d’instrumentation et d’orchestration moderne (Treatise on Instrumentation and Orchestration)

Impresario

Mezzo Carattere

Prima Donna (Leading Female Role)

Program Music

Sonata Form

Sturm und Drang

Mozart’s Piano Sonata in F Major, First Movement, First Theme Songlike, Imitative, Hunting

Mozart’s Piano Sonata in F Major, First Movement, Transitional Theme Sturm und Drang

Mozart’s Piano Sonata in F Major, First Movement, Second Theme Galant Style

Mozart’s Piano Sonata in F Major, First Movement, Closing Theme Folk-Like

Beethoven’s Piano Sonata in C minor, First Movement, First Theme and Transitional Theme Symphonic Style

Beethoven’s Piano Sonata in C minor, First Movement, Slow Introduction

Beethoven’s Piano Sonata in C minor, First Movement, Second Theme Operatic Style

Beethoven’s Piano Sonata in C minor, First Movement, Closing Theme and Codetta: Presence of the Alberti Bass

Haydn’s String Quartet in E-flat Major, First Movement

Haydn’s String Quartet in E-flat Major, Fourth Movement

Beethoven’s String Quartet in C-sharp Minor, First Movement

Beethoven’s String Quartet in C-sharp Minor, Second Movement

Beethoven’s Third Symphony First Movement, First Theme in the Exposition

Beethoven’s Third Symphony First Movement, Transitional Motives in the Exposition

Beethoven’s Third Symphony First Movement, Second Theme in the Exposition

Beethoven’s Third Symphony First Movement, New Subject in the Development