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Composition
way of arranging a drawing, painting or photograpjhy
Vertical
active, stength, high energy
Horizontal
calm, low energy, (laying down, relaxed)
cropped images
intrusive, curiosity, close up, in action
similar shapes
unity, rhythem
Negative space
empty area around the main figure
Positive space
main subject, area of interest
Balance
creates a sense of “rightness” in an artwork
Symetrical
having two identical, matching halves (mirror)
Asymetrical
having to pairs of ghalfs that do not match or are not the same
Implyed lines
Directions that lead the viewrs eyes to subject
Close up
intamecy, private, intusive
Rule of thirds
how an image should be composed in order to create an aesthetically pleasing result
Prespctive
From which point of view the viewer percieves the art
From above
Birds point of view (small, powerless)
From bellow
frogs point of view (big, powerful)
Visual texture
a surface painted or drawin to immitate a texture (illusion)
Tectile texture
Physical texture
Blurry
movement, anxiety, dissiness
Primary colours
you cannot mix them from other colours, they create all colors (red, yellow, blue)
Secondary colours
mixed from primary colours
Complimerntary colours
Opposit on the colour wheel, creates vibrant look, to stand out, (contrats)
Monchrome colors
one color, tinted, shaded, earthy colors
Tinted
mix colour with white
Shade
mix colour with black
tone
all the colors between tint and shade
warm colours
vivid, energetic, advance in space
Cold colours
calm, frigid
Colour prespective
Cold colours = distance anddepth
Warm colours = advance in space and create foreground
Colours as symbols
eg. Red = warming, violence, danger, intence, drama
Contrast in light
using light (spotlight) to create focal point and contrast