intensity achieved by complete contact, female dancer wrapping, reaching and falling into the male dancer, contrast between falling into and pulling away from the male dancer highlighting the pull to her late lover while truing to move on
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performance environment of within her eyes
site sensitive, dance for camera
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costume of within her eyes
female beige shirt and skirt, male khaki jumper and jeans
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choreographer of a linha curva
itzik galili
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which company performed a linha curva?
rambert dance company
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stimulus of a linha curva
Brazilian culture, celebration of the brazilian way of life and the ability to live in the moment, a curved line
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choreographic intention of a linha curva
brazilian samba parade, communication between men and women, showing off and competing
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performance environment of a linha curva
end stage
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choreographer of shadows
christopher bruce
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which company performs shadows?
phoenix dance theatre
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costume of a linha curva
black vest tops and different coloured lycra shorts, metallic disks around male dancers necks in section 1
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stimulus of shadows
arvo part's 'fratres' (music), family dynamic, unseen but ever present outside force
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choreographic intention of shadows
coming to terms with poverty, deprivation and the realities of what lies outside of the family home
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costume of shadows
clearly gendered, depicting era of 1930-40s, simple shirts, skirts trousers and dresses, overcoats at the end. muted colours to symbolise poverty
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performance environment of shadows
end stage
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choreographer of infra
Wayne McGregor
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which company performed infra?
the royal ballet
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stimulus of infra
T.S. Eliot's 'The Wasteland'- 'a crowd flowed over London bridge, so many', life beneath the surface of the city, latin for below, human interactions
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choreographic intention of Infra
seeing below the surface of things, pedestrian language, about people, particular types of relationships
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costume of infra
tight fitting: black/white/grey long sleeve tops and black shorts, solo female dancer in white tank top and black shorts
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performance environment of infra
proscenium arch
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choreographer of E of E
Kenrick H2O Sandy
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which company performs E of E?
Boy Blue Entertainment
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stimulus of E of E
'Til Enda' by Olafur Arnalds
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choreographic intention of E of E
order and chaos, finding individuality through each dancer's own hiphop style
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costume of E of E
short sleeve blue t-shirt, jeans grey trainers with white sole, some dancers wear jewellery to show individualism
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performance environment of E of E
Proscenium arch stage
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choreographer of Artificial things
Lucy Bennett
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which company performs Artificial things?
Stopgap dance company (inclusive dance)
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stimulus of artificial things
a snow globe, paintings by Goran Djoravic (paintings influenced costume and set design)
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choreographic intention of artificial things
coming to terms with life's limitations, being subject to others gaze, being constricted within a snow globe, characters finding a resolution by coming together
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costume of artificial things
sleeveless pale green dress, navy blue sleeveless top and grey loose fitting trousers, green and blue short sleeved shirt, colours running reflect paintings
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performance environment of artificial things
proscenium arch
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aural composer for shadows
arvo part
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aural composer for a linha curva
Percossa (percussion group from holland)
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aural composer for artificial things
andy higgs
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aural composer for EofE
1&2 Micheal Asante, 3 max richter, 4 olafur arnalds