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Range of Human Hearing
20hz to 20khz
Dynamic microphones
less sensitive to sound
more durable
do NOT REQUIRE PHANTOM POWER
Condenser Mic
more sensitive
better for quiet sources
less durable
REQUIRE PHANTOM POWER
Ribbon Mics
vary in sensitivity
sounds darker
fragile
NEVER USED WITH PHANTOM POWER
not plugged into an XLR
Proximity Effect
The closer a microphone is to a source, the more low frequency energy it will register (lower pitches)
Cardioid directionality
Microphone picks up sounds in the front of the mic
Hypercardioid
Microphone picks up a narrower range in the front
Figure 8
Microphone picks up sound from front and back of mic
Omnidirectional
Picks up sounds all around the mic
Gain
Signal level at the input stage
Volume
Signal level at the ouput stage
Mono recording
using one microphone
Recording in stereo
using two microphones
Frequency
physical measure of vibrations per second, correlates to pitch which is psychologically and culturally situated process of categorization
Doubling a frequency
Double hertz= increaing one octave in pitch
ex. 220hz to 440hz will be percieved as one octave change
Amplitude
Difference between the highest and lowest pressure of a wave
loudness or volume
Phase
where a wave starts in relation to an arbitrary starting time
if two recordings of the same sonic event or performance are out of phase, they can cancel each other out or create unusual or irregular variations in volume
How does DAW measure amplitude
Decibel full scale (dbFs) which are negative numbers
analog/digital converter
Converts voltage into digital information and vice versa. Takes thousand of samples of a sound signal per second
Sampling rate
how many samples per second is it taking of the signal’s frequency content
Most common sampling rates
44.1khz and 48khz
Bit depth
the dynamic range available to your audio in the digital realm
Most common bit depth
16-bit and 24-bit
Lossless file formats
.wav and .aiff
Compressed (lossy) file formats
.mp3 and .m4a