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Umayyad Palace of Mshatta
mid 8th century
Jordan
stone and brick
German acquisition shows 19th century European interest in the Ornamental
Questions of the role of the art historian — Islam art has previously been defined by the tastes of western art historians; the role of the art historian in advancing western colonial interests?
Persian + Byzantine art traditions = development of a unique Umayyad artistic identity
Ka’ba
7th century; rebuilt many times throughout history
Mecca
stone, marble, limestone
holiest site in Islam, the qibla (direction of prayer)
start of the Tawaf (ritual of pilgrammage that starts at the black stone)
Dome of the Rock
late 7th century
Jerusalem
stone, tile, wood, glass, mosaic
oldest surviving work of Islamic architecture
inscriptions proclaim Islam and the prophet Mohammad
religious and political supremacy of Islam in Jerusalem
inside the Al-Aqsa Mosque, first qibla before the Ka’ba, also holy to Jewish tradition
Coins
late 7th century
gold
Umayyad Caliphate, Syria
reform by Abd al-Malik
imerial currency and the development of Umayyad political state
if the coin has an icon, it is pre-reform
Mosque of Damascus
715
Damascus
stone, glass, marble, mosaic
mosaics represent idealized paradise, version of empire
developing Umayyad power, built with state tax revenue
Muslim victory and the appropriation of a major Christian site
Wooden Panels w/ Inlay
2nd half of 8th century
wood, bone, ivory
Egypt
shows Roman influence, Sassanian and Byzantine influence
likely from side of cenotaph
Silks from Cathedral of Split
~700
Adriatic coast
floral decorations, abstract motifs
Blue Quaran Page
9th or 10th century
parchment, gold leaf
possibly Islamic Iberia
colored parchment and gold leaf
opulence
calligraphy developed out of religious need to make copies of quaran
arabic text is stretched to guide the reader
Ivory
8th century
Athens Museum if fragments or Jordan if head
Islamic influence in trade
opulence