1/48
Looks like no tags are added yet.
character types
intertextual constructions with commonly understood traits and behaviors
stereotypes
reduce an entire group into a few simple characteristics
representation
stand in for; the practice of image creation
the Other
anyone who is “not like us”; “we” are “normal” while the other is “strange” and “different”
symbolic annihilation
the absence of representation
splitting
(Hall) the fixing of boundaries between social groups; creating differences and assigning those differences worth
multicultural representation
the portrayal of cultural differences within groups
4 media sales logics
commodities, turnstile, ad-supported, microtransactions
commodities (media sales logic)
paid in full by consumers, 1 time sale
turnstile (media sales logic)
sell access to content, consumer pays “admission”/”subscription”
ad-supported (media sales logic)
“free” to consumer, advertisers pay cost of media in exchange for access to consumers, consumers pay in attention/time/increased product costs/data
microtransactions (media sales logic)
lots of little payments, payments from whales subsidize other users
3 hybrid sales logics
combination, economies of scope, premium option
combination (hybrid sales logic)
multiple simultaneous logics (e.g. streaming service as turnstile + ad-suported)
economies of scope (hybrid sales logic)
selling a product across multiple revenue windows and logics (e.g. movie windows/movement)
premium option (hybrid sales logic)
charging additional money for a premium version with additional perks (e.g. ad-free Spotify/YT)
maximizing profit
to sell more at the highest price the market will bear (economies of scope + scale)
market share
the percentage of the market held by a specific company
maximizing investment capital
the more money one invests in/promotes a subject, the greater the likelihood of success
sunk cost fallacy
the more time and energy one invests in something, the harder it is to walk away from it
9 advertising persuasive strategies
expert opinion, satisfied consumer, celebrity endorsement, snob appeal, association principle, bandwagon effect, hidden fear appeal, slogans/jingle, shock advertising
expert opinion (1)
expertise adds credibility
satisfied consumer (2)
product fits into the lives of everyday people
celebrity endorsement (3)
capitalize on celebrity recognizability and admiration
snob appeal (4)
product will elevate your social status
association principle (5)
associate product with positive image/value
bandwagon effect (6)
claims you are being left behind
hidden fear appeal (7)
plays on anxiety/insecurity
slogan/jingle (8)
name recall by getting in your head
shock advertising (9)
edgy appeal cuts through clutter
culture industry
commercial producers of mass culture; reinforcing dominant ideology + placate public through the media
mass culture
industrialized and formulaic media produced by the culture industry; for, not from, the masses
impact of mass culture
conformity, mindless stimulation, artificial concerns, commodification of leisure time, no community/collectivity
false consciousness
the misleading of people into thinking that the route to contentment comes from consumption rather than upward mobility
standardization
formulaic assembly-line production
social cement
commodified catharsis providing just enough relief to sustain capitalism
criticisms of Frankfurt school
elitist defense of high culture, sweeping generalizations regarding production, greater media choice today; doesn’t account for producer failure, innovation, and actual audience interpretation
popular culture
a process of assembly from mass culture resources; a site of struggle
excorporation
(Fiske) pop culture scans mass culture for resources it can appropriate (e.g. The Rachel)
incorporation
(Fiske) mass culture scans pop culture for resources it can commodify (e.g. ripped jeans)
criticisms of pop culture analysis
populist celebration + romanticization of ability to resist mass culture, pop culture spreads harmful ideas too, validates dominant/commercial interests, audiences have little power to produce/distribute on own
media industry view of child audience
view children as desirable and lucrative demographic as high consumers and receptive to ads
protectionist view of child audience
assert children must be protected from the media industry as blank, impressionable slates
productive practices of consumption
interpretation, speculation, projection, discussion
dystopian understanding of fandom
fans presented as falling outside “normal” media consumption; care too intensely, duped by mass culture products, obsessed with fictional world/lives of others
utopian understanding of fandom
high engagement, close scrutiny, social practice, public display of passion
fandom online
info seeking, consumption through additional outlets, backstage access, social media, media appropriation
grassroots culture
(Dalelio) bottom up and spread organically
media appropriation
(Dalelio) fans can analyze and transform texts, express critique, address underserved audiences, networks of mentorship/collaboration/audiences