Melody
Restricted melodic range
Gets higher during the final phrase
Made up of short melodic motifs
Some use of pentatonic shapes (b15)
Mainly stepwise
Portamento on final note
Harmony
Conventional harmonies (tonic, subdominant, mediant chords)
No dominant chord (Emaj)
Final chord ambiguous (ABE)
Parallel 5ths
Rhythm/Metre/Tempo
Obsessive quaver pulse
Changes in metre (4/4 to 3/4)
Rhythmic displacement - 3 note motif is gradually displaced to create a cross rhythm
Scotch snaps and triplets
Texture
dialogue between lead and backing vocals in coda
open 5ths in bass ostinato thing
Tonality
A minor throughout
Instrumentation
Synths/samples
Fairlight CMI Strings
Vocals - low tessitura
Backing vocals - up to 3 part harmonies
Syllabic
Dynamics/Articulation
starts pp, swells up to the “It’s me” at the end
Structure
Through composed
Based on motifs