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Textiles production forms
Spinning and dyeing
Pushka
A drop spindle used by Quechua weavers for spinning.
Puskhay
The traditional Andean act of spinning.
Red
Very important colour to Andean people, bright and highly saturated
Cochineal
An insect found on prickly pear cacti, dried, ground, and boiled to produce red dye.
Yanali
A tree with bright orange bark used to make orange natural dye.
Textile art forms
Weaving and embroidery
weaving
women pass down the traditions and stories of their ancestors
Embroidery
used to create many motifs that convey traditional stories throughout Peruvian textiles
Importance of weaving
sits at the core of their culture, acts as a means of conveying thoughts and impression and also a recording of historical events
Lliclla
A traditional Quechua cape or manta used for carrying children is different in communities.
Chumpi
A traditional belt worn by women to fasten skirts or by men for back support.
Polleras
Wide skirts traditionally made from handwoven bayeta cloth, often layered.
Puyto
A colourful band trimming traditional Peruvian skirts that varies in size.
Peru in contemporary fashion
Many designers are inspired by Peruvian textiles' rich colours, prints and embellishments to create designs that combine traditional Peruvian textile with modern trends
External factors on Peruvian textiles
The economy, politics, social life, and environment
The economy
Dependent on the export of raw materials and the import of manufactured goods
Employment
Peru's textile industry employs approximately 250,000 people.
Alpaca exports
Peru provides 80% of the world's supply of alpaca wool.
Export of textiles
Manufactured textiles account for over 30% of Peru's non-traditional exports.
Politics
While Peru is rich in culture and resources, over half the population live in poverty
Social Life
Weaving/embroidery is a social act where family member weave and talk for many hours
Ecology and environment
Peru has 84 of the 13 existing ecosystems and 28 of the 32 climates on the planet
Pacchanta
a geographic location near cold mountain glaciers which provide mineral rich runoff that irrigates potato fields
Ayni
An Incan organisational principle of reciprocity.
Mita
An Incan organisational principle of labour tribute.
Ayllu
An Incan organisational principle of extended social networks.
Pagos
Traditional offerings made to mountain gods.
Resources available
Alpacas, sheep, pima cotton
Alpacas
Raised on the Andean plateau grasslands at altitudes above 3,500m, their fine fleece commands high prices globally
Sheep breeds
Corriedale, Junin and Criollo
Criollo sheep
The most adaptable and commonly kept sheep breed in high Andean conditions.
Peruvian Pima cotton
Cotton distinguished by exceptionally long fibres, double the length of standard cotton, producing strong, smooth textiles
Technological Advancements
Modern machinery advances Peru's manufacturing, injecting them into the global textile market, however the industry balances technology with traditional hand textiles to preserve traditional techniques
Inti Raymi
The Sun Festival honouring the Incan sun god Inti.
Aya huma mask
Worn along side colourful traditional costumer at the Inti Rayami
Skills
Weaving and embroidery skills are passed down through generations with children beginning spinning as young as 3/4 years old
Weaving age for girls
Peruvian girls typically begin weaving belts at age eight.
Dyeing skills
nearly lost due to the rise of synthetic dyes
Social Status
language and dress, rural workers, urban residents, clothing
Language and dress
Primary symbols of status and class distinction in Peru
Rural workers
Daily life is dictated by the agricultural cycle, centred on planting and harvesting seasons
Urban residents
Lower-income residents work 2-3 jobs within the informal economy, leaving little leisure time
Clothing
Urban Peruvians dress in Western-style clothing, and each Andean region has distinctive garments made from homemade textiles