Cadences and NonChord Tones

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15 Terms

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Perfect Authentic Cadence


V/V7 to I

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Plagel Cadence

IV to I

3
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Half Cadence

Ends on V

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Deceptive Cadence

Dominant to Six

5
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Phrygian cadence (Minor)

iv6-V (Upper up)

6
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Neighbor Tone

Up and Back

7
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Passing Tone

Skips Made Stepwise

8
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Imperfect Authentic Cadence

Dominant to Tonic

9
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Suspension

A chord Tone held over and resolved down

10
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Retardation

suspension that resolves up

11
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Escape Tone,

approached by step, resolved by leap

12
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Double Neighbor

A turn

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Pedal point

a note, usually in the bass, sustained or continually repeated for a period of time while the harmonies change around it

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anticipation

Note shows up prior to chord change

15
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Appoggiatura

approached by leap, resolved by step