Renaissance Art Final

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<p>Nicola Pisano (with Giovanni), Siena Cathedral Pulpit, 1265-68</p>

Nicola Pisano (with Giovanni), Siena Cathedral Pulpit, 1265-68

  • Last Judgement spread across 2 panels, + scene of Massacre of Innocents

  • 7 liberal arts and philosophy


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<p>Nicola Pisano (with Giovanni), <em>Massacre of the Innocents</em>, Siena Cathedral Pulpit, 1265-68</p>

Nicola Pisano (with Giovanni), Massacre of the Innocents, Siena Cathedral Pulpit, 1265-68



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<p>Duccio, <em>Maestà</em>, front main panel of altarpiece for Siena Duomo, 1308-11</p>

Duccio, Maestà, front main panel of altarpiece for Siena Duomo, 1308-11

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<p>Duccio, <em>Annunciation of the Death of the Virgin</em>, from the <em>Maestà</em>, from scenes from the end of the life of the Virgin, front side panels 1308-11</p>

Duccio, Annunciation of the Death of the Virgin, from the Maestà, from scenes from the end of the life of the Virgin, front side panels 1308-11

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<p>Duccio, <em>Maestà</em>, back panel containing scenes from the <em>Passion of Christ</em>, 1308-11</p>

Duccio, Maestà, back panel containing scenes from the Passion of Christ, 1308-11

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<p>Pala d’Oro, 1345, restored and embellished by Doge Andrea Dandolo for St. Mark’s, Venice, Gold and enamel</p>

Pala d’Oro, 1345, restored and embellished by Doge Andrea Dandolo for St. Mark’s, Venice, Gold and enamel

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<p>detail of Christ, Pala d’Oro, 1345</p>

detail of Christ, Pala d’Oro, 1345

restored and embellished by Doge Andrea Dandolo for St. Mark’s, Venice, Gold and enamel

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<p><em>Pala Feriale</em> (cover for the <em>Pala D’Oro</em>), 1345, commissioned by Doge Andrea Dandolo from Paolo Veneziano, St. Mark’s, Venice</p>

Pala Feriale (cover for the Pala D’Oro), 1345, commissioned by Doge Andrea Dandolo from Paolo Veneziano, St. Mark’s, Venice

  • “weekday altarpiece”

  • Interior specifically St. Mark

    • Glass roundels



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<p><em>Pala Feriale</em> 1345, commissioned by Doge Andrea Dandolo from Paolo Veneziano, detail of St Mark appears to calm the waters carrying his relics to Venice </p>

Pala Feriale 1345, commissioned by Doge Andrea Dandolo from Paolo Veneziano, detail of St Mark appears to calm the waters carrying his relics to Venice

(cover for the Pala D’Oro)


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<p><em>Pala Feriale</em> 1345, commissioned by Doge Andrea Dandolo from Paolo Veneziano, Detail of The Rediscovery of the Relics of St Mark</p>

Pala Feriale 1345, commissioned by Doge Andrea Dandolo from Paolo Veneziano, Detail of The Rediscovery of the Relics of St Mark

(cover for the Pala D’Oro)


11
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<p><em>Enthroned Justice Flanked by St. Michael the Archangel and the Angel Gabriel</em>, 1421, commissioned by the Magistrato del Proprio from Jacobello del Fiore for their offices in the Doge’s Palace, Venice</p>

Enthroned Justice Flanked by St. Michael the Archangel and the Angel Gabriel, 1421, commissioned by the Magistrato del Proprio from Jacobello del Fiore for their offices in the Doge’s Palace, Venice

  • Equates Venice with Justice



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<p>Giovanni Bellini, Saint Vincent Ferrer Polyptych. Venice, San Zanipolo (Dominican Church), Venice, 1464-68</p>

Giovanni Bellini, Saint Vincent Ferrer Polyptych. Venice, San Zanipolo (Dominican Church), Venice, 1464-68

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<p>Antonio Vivarini and Giovanni d’Allemagna, <em>Virgin and Child with Saints</em>, 1446. Oil on canvas, Galleria dell’Accademia, Venice</p>

Antonio Vivarini and Giovanni d’Allemagna, Virgin and Child with Saints, 1446. Oil on canvas, Galleria dell’Accademia, Venice

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<p>Giovanni Bellini, San Giobbe Altarpiece, before 1478, Accademia, Venice, Oil on panel. Commissioned by the Confraternity of St. Job for San Giobbe, Venice</p>

Giovanni Bellini, San Giobbe Altarpiece, before 1478, Accademia, Venice, Oil on panel. Commissioned by the Confraternity of St. Job for San Giobbe, Venice

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<p>Giorgione, <em>The Tempest</em>, c. 1506-08, oil on canvas, Accademia, Venice</p>

Giorgione, The Tempest, c. 1506-08, oil on canvas, Accademia, Venice

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<p>Andrea di Firenze, <em>Way of Salvation</em>, 1365-67, Guidalotti Chapel, Santa Maria Novella</p>

Andrea di Firenze, Way of Salvation, 1365-67, Guidalotti Chapel, Santa Maria Novella

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<p>Andrea di Firenze, <em>Triumph of Saint Thomas Aquinas</em>, 1365-67, Guidalotti Chapel, Santa Maria Novella</p>

Andrea di Firenze, Triumph of Saint Thomas Aquinas, 1365-67, Guidalotti Chapel, Santa Maria Novella

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<p>Ghirlandaio, <em>Annunciation to Zacchariah</em>, 1485-90, Scenes from the life of Saint John the Baptist, east wall, Tornabuoni Chapel, Santa Maria Novella, Florence</p>

Ghirlandaio, Annunciation to Zacchariah, 1485-90, Scenes from the life of Saint John the Baptist, east wall, Tornabuoni Chapel, Santa Maria Novella, Florence

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<p>Ghirlandaio, <em>Visitation</em>, 1485-90, Scenes from the life of Saint John the Baptist, east wall, Tornabuoni Chapel, Santa Maria Novella, Florence</p>

Ghirlandaio, Visitation, 1485-90, Scenes from the life of Saint John the Baptist, east wall, Tornabuoni Chapel, Santa Maria Novella, Florence

20
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<p>Paolo Uccello, <em>Flood and the Recession of the Waters</em>, c. 1450, Fresco, Chiostro Verde, Santa Maria Novella, Florence</p>

Paolo Uccello, Flood and the Recession of the Waters, c. 1450, Fresco, Chiostro Verde, Santa Maria Novella, Florence

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<p>Fra Angelico, <em>Crucifixion</em>, c. 1441-42. Fresco, Chapter House, San Marco, Florence</p>

Fra Angelico, Crucifixion, c. 1441-42. Fresco, Chapter House, San Marco, Florence

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<p>Fra Angelico, <em>Annunciation</em>, 1438-45, within a friar’s cell, Dormitory, San Marco</p>

Fra Angelico, Annunciation, 1438-45, within a friar’s cell, Dormitory, San Marco

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<p>Gentile Bellini, <em>Procession with the Relic of the True Cross</em> 1496. Commissioned for the Scuola Grande di San Giovanni Evangelista, in the Accademia, Venice</p>

Gentile Bellini, Procession with the Relic of the True Cross 1496. Commissioned for the Scuola Grande di San Giovanni Evangelista, in the Accademia, Venice

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<p>Florence Baptistery, c. 1059-1150; final exterior form 1202; cladding added 11th-13th centuries</p>

Florence Baptistery, c. 1059-1150; final exterior form 1202; cladding added 11th-13th centuries

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<p>Andrea Pisano<em>, Baptism of Christ</em>, 1330-36, gilt bronze, Florence, panel from first set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)</p>

Andrea Pisano, Baptism of Christ, 1330-36, gilt bronze, Florence, panel from first set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)

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<p>Filippo Brunelleschi, <em>Sacrifice of Isaac</em>, 1401, gilt bronze, Florence, competition panel for the second set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)</p>

Filippo Brunelleschi, Sacrifice of Isaac, 1401, gilt bronze, Florence, competition panel for the second set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)

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<p>Lorenzo Ghiberti, <em>Sacrifice of Isaac</em>, 1401, gilt bronze, Florence, competition panel for the second set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)</p>

Lorenzo Ghiberti, Sacrifice of Isaac, 1401, gilt bronze, Florence, competition panel for the second set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)

28
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<p>Lorenzo Ghiberti, <em>Baptism of Christ</em>, c. 1416-19, gilt bronze, panel from second set of baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)</p>

Lorenzo Ghiberti, Baptism of Christ, c. 1416-19, gilt bronze, panel from second set of baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)

29
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<p>Lorenzo Ghiberti, <em>Jacob and Esau</em>, 1425-52, gilt bronze, Florence, panel from third set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)</p>

Lorenzo Ghiberti, Jacob and Esau, 1425-52, gilt bronze, Florence, panel from third set of Baptistery doors, commissioned by the Arte del Calimala (wool merchants guild)

30
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<p>Donatello, <em>David</em>, 1408-09, commissioned by Arte della Lana (wool manufacturers guild) for Cathedral buttresses but deemed too small</p>

Donatello, David, 1408-09, commissioned by Arte della Lana (wool manufacturers guild) for Cathedral buttresses but deemed too small

31
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<p>Donatello, <em>Saint Mark</em>, 1411-13, from Tabernacle of the Linaiuoli (Linen guild), Orsanmichele</p>

Donatello, Saint Mark, 1411-13, from Tabernacle of the Linaiuoli (Linen guild), Orsanmichele

32
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<p>Donatello, Saint George, c. 1415-17, for the tabernacle of the Armorers’ and Swordsmiths’ guild, Orsanmichele</p>

Donatello, Saint George, c. 1415-17, for the tabernacle of the Armorers’ and Swordsmiths’ guild, Orsanmichele

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<p>Donatello, predella of <em>Saint George Slaying the Dragon</em>, c. 1415-17, for the tabernacle of the Armorers’ and Swordsmiths’ guild, Orsanmichele</p>

Donatello, predella of Saint George Slaying the Dragon, c. 1415-17, for the tabernacle of the Armorers’ and Swordsmiths’ guild, Orsanmichele

34
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<p>Donatello, <em>Feast of Herod</em>, c. 1425-27. Gilt bronze. Baptismal font, Siena Cathedral Baptistery</p>

Donatello, Feast of Herod, c. 1425-27. Gilt bronze. Baptismal font, Siena Cathedral Baptistery

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<p>Cimabue, Madonna of the Holy Trinity, c. 1280-90, tempera, Uffizi</p>

Cimabue, Madonna of the Holy Trinity, c. 1280-90, tempera, Uffizi

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<p>Duccio, Enthroned Madonna and Child, 1285, originally in Santa Maria Novella, tempera, now in Uffizi</p>

Duccio, Enthroned Madonna and Child, 1285, originally in Santa Maria Novella, tempera, now in Uffizi

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<p>Giotto, Ognissanti Madonna, c. 1310, tempera, Uffizi</p>

Giotto, Ognissanti Madonna, c. 1310, tempera, Uffizi

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<p>Pietro Cavallini, <em>Last Judgment</em>, fresco, 1293, Nun’s Choir (former counterfacade), Santa Cecilia in Trastevere, Rome</p>

Pietro Cavallini, Last Judgment, fresco, 1293, Nun’s Choir (former counterfacade), Santa Cecilia in Trastevere, Rome

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<p>Pietro Cavallini, detail of Christ, <em>Last Judgment</em>, fresco, 1293, Nun’s Choir (former counterfacade), Santa Cecilia in Trastevere, Rome</p>

Pietro Cavallini, detail of Christ, Last Judgment, fresco, 1293, Nun’s Choir (former counterfacade), Santa Cecilia in Trastevere, Rome

40
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<p>Pietro Cavallini, detail of Saint Paul, <em>Last Judgment</em>, fresco, 1293, Nun’s Choir (former counterfacade), Santa Cecilia in Trastevere, Rome</p>

Pietro Cavallini, detail of Saint Paul, Last Judgment, fresco, 1293, Nun’s Choir (former counterfacade), Santa Cecilia in Trastevere, Rome

41
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<p>Scrovegni Chapel, Padova, interior looking toward the apse, frescoes by Giotto, 1304-06</p>

Scrovegni Chapel, Padova, interior looking toward the apse, frescoes by Giotto, 1304-06

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<p>Giotto, <em>The Last Judgment</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, The Last Judgment, 1304-06, fresco, Scrovegni Chapel. Padova

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<p>Giotto, detail of Christ, <em>The Last Judgment</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, detail of Christ, The Last Judgment, 1304-06, fresco, Scrovegni Chapel. Padova

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<p>Giotto, <em>Charity</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, Charity, 1304-06, fresco, Scrovegni Chapel. Padova

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<p>Giotto, <em>Envy</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, Envy, 1304-06, fresco, Scrovegni Chapel. Padova

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<p>Giotto, <em>Visitation</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, Visitation, 1304-06, fresco, Scrovegni Chapel. Padova

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<p>Giotto, <em>Expulsion of the Merchants from the Temple</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, Expulsion of the Merchants from the Temple, 1304-06, fresco, Scrovegni Chapel. Padova

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<p>Giotto, <em>Betrayal of Judas</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, Betrayal of Judas, 1304-06, fresco, Scrovegni Chapel. Padova

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<p>Giotto, <em>Kiss of Judas</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, Kiss of Judas, 1304-06, fresco, Scrovegni Chapel. Padova

50
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<p>Giotto, <em>Joachim Expelled from the Temple</em>, Fresco, Scrovegni (Arena) Chapel, Padua, 1304-06</p>

Giotto, Joachim Expelled from the Temple, Fresco, Scrovegni (Arena) Chapel, Padua, 1304-06

51
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<p>Giotto, <em>Lamentation</em>, 1304-06, fresco, Scrovegni Chapel. Padova</p>

Giotto, Lamentation, 1304-06, fresco, Scrovegni Chapel. Padova

52
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<p>Giotto, <em>Saint Francis Receiving the Stigmata</em>, 1325-28, above the entrance to the Bardi Chapel, Santa Croce, Florence</p>

Giotto, Saint Francis Receiving the Stigmata, 1325-28, above the entrance to the Bardi Chapel, Santa Croce, Florence

53
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<p>Giotto, <em>Saint Francis Renounces His Father</em>, 1325-28, Santa Croce, Florence, Bardi Chapel, north wall</p>

Giotto, Saint Francis Renounces His Father, 1325-28, Santa Croce, Florence, Bardi Chapel, north wall

54
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<p>Giotto, <em>The Death of Saint Francis</em>, 1325-28, Santa Croce, Florence, Bardi Chapel, north wall</p>

Giotto, The Death of Saint Francis, 1325-28, Santa Croce, Florence, Bardi Chapel, north wall

55
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<p>Taddeo Gaddi, View of the east wall of the Baroncelli Chapel, c. 1330, Santa Croce, Florence</p>

Taddeo Gaddi, View of the east wall of the Baroncelli Chapel, c. 1330, Santa Croce, Florence

56
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<p>Taddeo Gaddi, <em>Expulsion of Joachim from the Temple</em>, Fresco, Baroncelli Chapel, Santa Croce, Florence 1330s</p>

Taddeo Gaddi, Expulsion of Joachim from the Temple, Fresco, Baroncelli Chapel, Santa Croce, Florence 1330s

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<p>Taddeo Gaddi, <em>Marriage of the Virgin</em>, Fresco, Baroncelli Chapel, Santa Croce, Florence 1330s</p>

Taddeo Gaddi, Marriage of the Virgin, Fresco, Baroncelli Chapel, Santa Croce, Florence 1330s

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<p>Taddeo Gaddi, <em>Annunciation to the Shepherds</em>, Fresco, Baroncelli Chapel, Santa Croce, Florence 1330s</p>

Taddeo Gaddi, Annunciation to the Shepherds, Fresco, Baroncelli Chapel, Santa Croce, Florence 1330s

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<p>Masaccio and Masolino, Brancacci Chapel, 1426-28. Santa Maria del Carmine, Florence.&nbsp;</p>

Masaccio and Masolino, Brancacci Chapel, 1426-28. Santa Maria del Carmine, Florence. 

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<p>Masaccio, <em>The Tribute Money</em>, c. 1426-28. Fresco. Brancacci Chapel, Santa Maria del Carmine, Florence</p>

Masaccio, The Tribute Money, c. 1426-28. Fresco. Brancacci Chapel, Santa Maria del Carmine, Florence

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<p>Masaccio, <em>St. Peter Baptizing the Neophytes</em>, Brancacci Chapel, 1426-28. Fresco, Santa Maria del Carmine, Florence</p>

Masaccio, St. Peter Baptizing the Neophytes, Brancacci Chapel, 1426-28. Fresco, Santa Maria del Carmine, Florence

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<p>Masolino (with Masaccio), <em>The Raising of Tabitha</em>, c. 1426-28, Fresco. Brancacci Chapel, Santa Maria del Carmine, Florence</p>

Masolino (with Masaccio), The Raising of Tabitha, c. 1426-28, Fresco. Brancacci Chapel, Santa Maria del Carmine, Florence

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<p>Masaccio, <em>Trinity</em>, 1425-28. Fresco, Santa Maria Novella, Florence</p>

Masaccio, Trinity, 1425-28. Fresco, Santa Maria Novella, Florence

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<p>Gentile da Fabriano, <em>Nativity</em>, detail from the predella of <em>the </em>Strozzi altarpiece, 1423</p>

Gentile da Fabriano, Nativity, detail from the predella of the Strozzi altarpiece, 1423

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<p>Pisanello, <em>The Vision of Saint Eustace</em>, 1438-42, Egg tempera on wood, National Gallery, London</p>

Pisanello, The Vision of Saint Eustace, 1438-42, Egg tempera on wood, National Gallery, London

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<p>Simone Martini, <em>The Dream of Saint Martin</em>, c. 1317, San Francesco, Assisi, Lower Church</p>

Simone Martini, The Dream of Saint Martin, c. 1317, San Francesco, Assisi, Lower Church

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<p>Simone Martini, <em>St. Martin and the Miraculous Mass</em>, c. 1317, San Francesco, Assisi, Lower Church</p>

Simone Martini, St. Martin and the Miraculous Mass, c. 1317, San Francesco, Assisi, Lower Church

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<p><em>Raising of Lazarus</em>, c. 1315, Chapel of Mary Magdalene, San Francesco, Assisi, Lower Church (Mary of Bethany, sister of Martha and Lazarus - Gospels)</p>

Raising of Lazarus, c. 1315, Chapel of Mary Magdalene, San Francesco, Assisi, Lower Church (Mary of Bethany, sister of Martha and Lazarus - Gospels)

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<p><em>Noli Me Tangere</em>, c. 1315, Chapel of Mary Magdalene, San Francesco, Assisi, Lower Church (Mary Magdalene - Gospels)</p>

Noli Me Tangere, c. 1315, Chapel of Mary Magdalene, San Francesco, Assisi, Lower Church (Mary Magdalene - Gospels)

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<p>Upper Church, San Francesco, Assisi, begun 1228</p>

Upper Church, San Francesco, Assisi, begun 1228

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<p><em>San Damiano Cross Speaks to St. Francis</em>, c. 1300, Upper Church, San Francesco, Assisi</p>

San Damiano Cross Speaks to St. Francis, c. 1300, Upper Church, San Francesco, Assisi

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<p><em>Saint Francis Renounces His Worldly Possessions</em>, c. 1300, Upper Church, San Francesco, Assisi</p>

Saint Francis Renounces His Worldly Possessions, c. 1300, Upper Church, San Francesco, Assisi

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<p><em>Dream of Innocent III</em>, c. 1300, Upper Church, San Francesco, Assisi</p>

Dream of Innocent III, c. 1300, Upper Church, San Francesco, Assisi

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<p><em>The Crib at Greccio</em>, c. 1300, Upper Church, San Francesco, Assisi</p>

The Crib at Greccio, c. 1300, Upper Church, San Francesco, Assisi