Broadway Producers/ Stage Management & Rehearsal Reports

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Last updated 5:47 PM on 10/7/26
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23 Terms

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  • Lead Producer (Corporate Role)


The CEO and founder of the show. Holds all final decision-making power.

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Lead Producer (Duties)

  • Finds the script, raises all the money, oversees marketing, and finalizes the budget.


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Co-Producer (Corporate Role)

Acts like a board member who invests or raises capital for the show.

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Co-Producer (Perks)

Receives a preferred return on money, Tony Award eligibility, and billing credits.

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Co-Producer (Pay)

Only makes money after the show recoups its initial costs.

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executive Producer (Corporate Role)

A "hired gun" and industry expert brought in to advise the Lead Producer.

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Executive Producer (Value)

Saves money and creates financial efficiencies when millions of dollars are on the line.

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Executive Producer (When to Hire)

Hired if the Lead Producer is new to theater, busy writing, or lacks day-to-day management time.

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Rehearsal Report (Primary Purpose)

A communication log that records what happens in rehearsal and shares technical needs.

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"Presenting Problems, Not Solutions"

  • The intentional title used when numbering notes in a rehearsal report.


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Rehearsal Report (Must-Haves)

Includes the time, show name, location, dates, names, and scannable headings.

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SM Schedules

Daily and weekly schedules are distributed so actors know what to study and tech teams can plan.

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Audition Invitations/Audition Filter Objective

Passing a multi-step filter to win a live audition or a formal self-tape request.

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Stylized Theater/ Commedia dell'arte


16th-century Italian comedy using masks, slapstick, and stock characters.

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Lazzi

Improvised comic routines used in Commedia dell'arte.

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japanese Noh Drama

14th-century classical theater that is slow, ritualistic, and uses masks

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Indian Kathakali

Dance-drama where actors do not speak, using makeup, costumes, expressions, and hand gestures.

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Mudras

Complex hand gestures are used to tell stories in Indian Kathakali.

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The Birth of Realism / Konstantin Stanislavski


Co-founder of the Moscow Art Theater and creator of "The System."

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The System

The first structured blueprint for realistic acting.

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Given Circumstances

The background information and situation the script provides about a character.

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Character Objective

What a character specifically wants or is fighting for in a scene.

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The Magic If


Asking "How would I react if I were in this situation?" to find realistic behavior.